The Future of '36

This is a semi documentary about a Belgian woman trying to deal with her confused ideals after the big industrial strikes in Wallony. To do so, she goes to Spain to try and find out if there is a future for anarchist ideals.

Fahrenheit 9/11

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

An Inconvenient Truth

A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide.

Mirrors

What began as a document of trades, traditions, cultures and home environments in contemporary England evolved and expanded to become an all-consuming project. Mirrors is a witness to unprecedented events as they unfolded on this singular isle over seven extraordinary years. From volatile public demonstrations to intimate domestic scenes, the film reveals the experience and emotions of living in England, explored through the lives of total strangers as well as family and friends. Shot exclusively on 16mm film, Mirrors is both lucid diary and poetic map - a meditation on human resilience in the most challenging era of our lifetime.

Lobanov

The 2021 Duma elections made Mikhail Lobanov a recognizable Moscow politician. The 37-year-old mathematician, lecturer at the Moscow State University, has long been involved in social activities: ten years ago he opposed political agitation at the university, participated in the creation of an independent association of university employees to protect their rights, and was almost fired for his activism. In 2021 elections, Lobanov ran for the Communist Party (he is not a member of the party, calls himself a democratic socialist) and waged a powerful grassroots campaign against the pro-government candidate, TV presenter Yevgeny Popov.

A Matter of Life and Death: History of Hygiene

Hygienic habits are as old as the various human civilizations; but each era establishes its own customs: whether private or public, everywhere and at all times, methods of personal cleanliness have depended on cultural conventions, religious morals, political ideologies and economic interests; because the control of basic hygiene has also been and is one more tool in the infinite exercise of power over the masses.

What the #$*! Do We (K)now!?

Amanda is a divorced woman who makes a living as a photographer. During the Fall of the year Amanda begins to see the world in new and different ways when she begins to question her role in life, her relationships with her career and men and what it all means. As the layers to her everyday experiences fall away insertions in the story with scientists, and philosophers and religious leaders impart information directly to an off-screen interviewer about academic issues, and Amanda begins to understand the basis to the quantum world beneath. During her epiphany as she considers the Great Questions raised by the host of inserted thinkers, she slowly comprehends the various inspirations and begins to see the world in a new way.

When We Were Apollo

Who were the men and women of Project Apollo? Where are they today? What do they think of the extraordinary effort they helped make possible? Coinciding with the 50th anniversary of the first moon landing in 2019, When We Were Apollo is an intimate and personal look at the Apollo Space Program through the lives and experiences of some of its most inspiring behind-the-scenes figures: engineers, technicians, builders and contractors who spent the better part of a decade working to get us to the moon and back.

Apollo: The Forgotten Films

Recently discovered footage reveals the secret history of NASA's first landing on the moon, and using this brand-new evidence, former astronauts and experts challenge everything known about the Apollo missions.

Time in the Sun

Second attempt to create a feature film out of the 200,000-plus feet of film which Soviet film-maker Sergei Eisenstein shot during 1931-32 in Mexico for American socialist author Upton Sinclair, his wife and a small company of investors. The projected film, to be called "Que Viva Mexico", was never completed due to exhaustion of funds and Stalin's demand that Eisenstein return to the USSR (he had been absent since 1929). The first attempt at editing the footage, in the USA, resulted in "Thunder Over Mexico", released in 1934. In 1940, Marie Seton, from the UK, acquired some of the footage from the Sinclairs in an attempt to make a better cutting according to Eisenstein's skeletal outline for the proposed film. This film has apparently been lost.

La peur au ventre

Exploring the rise of anti-abortion groups in Canada, the filmmaker also presents the feminist and pro-choice response that is being organized across the country.

The Flickering Flame

Documentary following dockers of Liverpool sacked in a labour dispute and their supporters’ group, Women of the Waterfront, as they receive support from around the world and seek solidarity at the TUC conference.

Earth

A main agenda of the prewar farmer's movement was struggle against landowners. Prokino also considered this as their prime concern. The main title sequence and the latter part of the film have unfortunately been lost. While we cannot see its entire structure, we can still get a glimpse of it from this surviving short.

Mafia Is Not What It Used to Be

Palermo, Sicily, Italy, 2017. Twenty-five years after the murders of anti-mafia judges Giovanni Falcone, on May 23, 1992, and Paolo Borsellino, on July 19, 1992; and on the occasion of the tributes held in memory of both heroes, skeptical photographer Letizia Battaglia, chronicler of their titanic combat, criticizes the opportunism of shady characters who, like businessman Ciccio Mira, profit from the commemoration of both tragedies.

Silent Veil

In Pakistan, veils hide one of the country's most terrible secrets. Driven by revenge, jealousy or sexual non-co-operation some men subject their wives to horrific attacks with acid that is freely available in the street. Completely disfigured, the victims are often ostracized by their families and become prisoners in their own home. This chilling documentary is a terrifying insight into the shattered lives of these women.

Andreas Hofer. Held wider Willen

During the Napoleonic Wars at the beginning of the 19th century, Andreas Hofer became a Tyrolean folk hero. As the head of a resistance movement, he became caught up in a dangerous political game of interests between the French and Austrians, Napoleon and the Habsburgs. After the defeat at Austerlitz, the Habsburgs had to cede Tyrol to the Bavarian kings in 1805. The liberal Bavarians implemented numerous reforms in Tyrol, including religious reforms, which met with resistance from the rural population. The young Archduke Johann wanted to take advantage of their discontent. In Andreas Hofer, the commander-in-chief of the Tyrolean troops, the brother of Emperor Franz I finds a loyal patriot whom he can use for his political moves. The Tyrolean revolt against the French and Bavarians puts Napoleon in a tight spot. In several battles, the rebels succeed in defeating the Bavarian and French troops, but not in defeating them for good.

Under den gamle Fane

Seaspiracy

Passionate about ocean life, a filmmaker sets out to document the harm that humans do to marine species — and uncovers an alarming global conspiracy.

United States: Kamala Harris, a Californian Rise

The 12th Tokyo May Day

On May 1st, unions all over Japan celebrate May Day, the international day for workers. Workers gather together at parks and hold demonstrations and parades. May Day has its origins in a strike that occurred in the United States on May 1, 1886, a strike that called for an eight-hour workday. Prokino recorded the May Day every year from 1927 to 1932. Among these films, this work is the only one that has survived. However, only its first part has survived. The original film depicts the march to the Ueno Park where the rally was dismissed. Iwasaki Akira coordinated the entire Tokyo Prokino organization as it photographed the 1931 May Day celebrations. They shot in both 16mm and 35mm (other 35mm productions were planned, but this is the only one that achieved completion). A 16mm print was circulated around the countryside by mobile projection units, and a 35mm print was shown at Soviet film nights in Tokyo and Osaka.