The documentary portrays the lives of 5 seamstresses from Blumenau facing dilemmas, pain and sequelae that their day-to-day work has left in their lives.
Social & External
A candid portrait of the women working at the Lőrinc spinning mill. As with so many of Mészáros’ shorts, this work has foundations in autobiography, and she would later return to this particular world in one of her fiction features.
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
Dominique, Suzanne, and Annette: three women who participated in the adventure of the Medvedkine groups (Besançon, Sochaux, 1967-1974). In those same years, the lives of our grandmothers and mothers experienced decisive changes: they worked outside the home and revolutionized customs. A group of Besançon students are investigating those events and questioning their own family memory.
From growing potatoes in Green Park, London, to transforming rabbit crates into seed boxes – just a couple of the many ingenious ways of supporting the war effort which are covered in this film from the Ministry of Information.
The Ministry of Labour exhorts women to return to industry – the post-war production drive depends on them.
In this documentary by Coline Serreau, known for her feature film Why Not?, a selection of Frenchwomen in characteristically no-win situations discuss what they are experiencing and answer, if only by implication, the question: "What do women want?"
Three women share their experience of navigating the app-world in the metro city. The sharings reveal gendered battles as platform workers and the tiresome reality of gig-workers' identities against the absent bosses, masked behind their apps. Filmed in the streets of New Delhi, the protagonists share about their door-to-door gigs, the surveillance at their workplaces and the absence of accountability in the urban landscape.
Hoa is a young engineer and computer specialist who arranges the database of an institution. She is hardworking, yet her dedication goes unnoticed, and her boss dismisses her work and expertise as “redundant”.
India. Smita is an untouchable. She dreams of seeing her daughter escape her miserable condition and enter school. Italy. Giulia works in her father’s workshop. When he has an accident, she discovers that the family business is ruined. Canada. Sarah, a successful lawyer, is about to be promoted to the head of her firm when she learns that she is ill. Three lives, three women, three continents. Three battles to fight. Although they don’t know each other, Smita, Giulia and Sarah are unknowingly linked by their most intimate and singular bond.
Army sergeants Dave and "Fixit" spend a three-day pass in Pasadena, where they meet Janet and Cora, two young women who work in a parachute factory.
This film features unreleased concert footage of Elvis Presley's afternoon performance at the 'Mississippi-Alabama Fair and Dairy Show' held at the Fairgrounds in Tupelo, Mississippi on September 26, 1956. The professionally filmed black and white newsreel footage was synchronized with an amateur audio recording of the concert that had previously appeared on the 'Elvis Presley: A Golden Celebration' LP/CD box set.
With a vision that took him far beyond the genre of country rock, singer-songwriter Gram Parsons left his mark in gut-wrenching sentiments of country music, burning melodies typical of soul music, sweet, uplifting harmonies of gospel choirs and the hand-clapping boogie of rock and roll. Gram's daughter Polly organized this amazing gathering of his close friends and biggest fans for a Sin City tribute honoring this prince of longhair country boys. A sampling of the live performances include Six Days on the Road Sin City All Stars; Big Mouth Blues Jim Lauderdale; Devil in Disguise Jay Farrar; Sleepless Nights Lucinda Williams; Love Hurts Keith Richards & Norah Jones; Sin City Dwight Yoakam, and more, including commentaries by Polly Parsons and Shilah Morrow.
The fascinating world of ocean fauna: dangerous sharks, majestic stingrays, brilliantly coloured fish and a variety of species from the diver's paradise of the Maldives. Spectacular images of the diverse life-forms to be found under water.
Once described by the press as "one of the most controversial figures on the Australian art scene", avant-garde poet and playwright Christopher Barnett achieved a level of notoriety in the Melbourne underground theatre scene during the ‘70s and ‘80s, before self-exiling to France. He remains there today, running an experimental theatre lab working with the marginalised and underprivileged, applauded by the establishment (including former French Prime Minister Jean-Marc Ayrault) and faithful to his belief that art can change the world. These Heathen Dreams is an intimate portrait of Barnett's life and revolutionary philosophy. Combining archival footage dating back to the ‘60s with contemporary observational documentation and text from Barnett's writings, it is a poignant and inspiring study of the power of both art and political activism.
Stephen Cummings is one of Australia's most revered rock 'n' roll icons. Rising to fame as frontman of ‘70s legends The Sports, he has spent more than 30 years at the forefront of the local music scene, forging a reputation both as one of Australian rock's greatest lyrical storytellers and also one of its most incendiary critics. Based on his scathing tell-all memoir Will It Be Funny Tomorrow, Billy?, Don't Throw Stones tells Cummings' story in his own words – as well as the words of those he has so gleefully skewered. Featuring interviews with Michael Gudinski, Steve Kilbey, Joe Camilleri and many more, Don't Throw Stones is a revealing portrait of three decades of rock-world gossip, larger-than-life personalities and good, old-fashioned artistic beef.
How To Be A Megastar Tour 2.0. Blue Man Group's inventive new how-to-manual, which expands on the Rock Concert Manual concept from The Complex Rock Tour, will take you through the steps of a wildly clever and interactive show that offers unique all-ages appeal.
Absinthe remains committed to documenting these amazing riders with the most timeless and stylish medium: Film. Following up to last year’s question ‘Optimistic?’, Absinthe answers with a crew of riders who overcome obstacles with spontaneity and skill in another full spectrum snowboard film that is down to have some more fun with snowboarding. Ready.
For For Right Or Wrong is a documentary feature made in conjunction with Burton Snowboards, which profiles several of the companies sponsored riders in their various snow board disciplines; Pipe, Street, Free Ride and Big Air. A large part of the action takes place around the snowboard wunderkind Shaun White, as he prepares to compete in the 2006 winter Olympic Games in Torino, Italy. The other various narrative strands follow the different paths of the individual boarders as we see them in action and they talk about why it is they do what they do. The film also introduces Burton Snow Board founder and CEO of Burton, Jake Burton Carpenter.