An intimate portrait of a community fighting to save lives and keep hope alive in a neighborhood ravaged by the overdose crisis.
Social & External
Addiction is an all-encompassing force, in not only the lives of the afflicted, but also those around them. Our American Family provides an honest, unfiltered look at a close-knit Philadelphia family dealing with generational substance abuse.
Second Lane is a story about drug addiction, living with it and fighting it. It is a documentary about people who use intravenous drugs and the professionals and peers working with those people. What happens when ‘Vinkki’, a social and healthcare counselling centre in Helsinki, closes its doors due to a lost contract.
It's Christmas Eve, and Synnøve is searching for her drug-addicted daughter Michelle in an almost desolated city. During the course of the evening, she'll find herself in an impossible situation where she's forced to choose.
The film explores the turbulent lives of homeless persons in Cologne, Germany. Through their personal belongings the homeless share with the viewer their memories and emotions, and provide insight into the secrets of survival on the street.
A young man Nuno, tries to understand how his fate is tied to that of his deceased uncle Nuno, whom he never met.
In the picture-postcard community of North Vancouver, filmmaker Murray Siple follows men who have turned bottle-picking, their primary source of income, into the extreme sport of shopping cart racing. Enduring hardships from everyday life on the streets of Vancouver, this sub-culture depicts street life as much more than stereotypes portrayed in mainstream media. The films takes a deep look into the lives of the men who race carts, the adversity they face, and the appeal of cart racing despite the risk.
A Southern Indiana man endures a fatal night of torture after being arrested for a routine traffic stop.
Days of Madness portray an incredible odyssey of two mentally diverse and unjustly rejected people who are learning to accept it, faced with the blindness of the society and the health system that made them addicts.
Moving Day tells the story of the people who were left outside – quite literally – during a global pandemic. With the rise of Covid-19, shelters closed, jobs were lost, and homelessness in "Victoria B.C." (unceded L'kwungen Territories), swelled. A community formed in the city’s biggest park and as they learn of an ambitious plan to house everyone by March 31, 2021, uncertainty in the park, and in their lives mounts.
Explores the issues junior high and high schools were facing surrounding teen drug use. Looks at several very integrated public schools and programs being developed in them to prevent drug abuse. Includes the police lecture, the ex-addict, the youth organizer, and the "rap room." Anti-drug program organizers seek students' perspectives and knowledge about drugs. Some nice images of 1970s teens looking very stoned.
A 12-minute documentary about the house of RHCP guitarist John Frusciante. The film's main purpose was to depict the chaos & instability in his life.
Documentary on the penetration of drugs in Milan in the 70s. Filomena is only 24 years old and recounts with a lucidity that takes her breath away her journey as a child locked up in boarding school, ran away from home, taken back by her family and treated as a lost woman. She talks about her marriage to a boy who emigrated to Germany, and her inability to adapt to this new situation. She narrates the arrival in Milan, the meeting with Antonio and the one with drugs. A dialogue for two voices traces the ruthless picture of drug addiction, the daily search for the dose and the attempts to get out of it. It is a poignant document, above all for the lucidity, measure, maturity and intelligence of two unforgettable figures.
In this honest and deeply personal account of living with addiction, a young man talks about the realities and challenges of living in the Anishinaabe community of Kitcisakik and the hope he still harbours for himself and his people.
Reindeerspotting is a documentary film of a group of young guys living in Rovaniemi, Arctic Circle, dabbling in petty crime and hard drugs. One of them, Jani, has lost five years of his life and two fingers to his debotators. He wants to leave Lapland and his old life behind. Robbing a supermarket is a start for his getaway. A few years back a documentarist, Joonas Neuvonen, was a young men living on social welfare, using drugs on daily basis. He started to film his friends and their life. This is the story of Jani.
Junior Rios started using heroin when he was 15. At age 29, Junior is a father of three. To support his $200-a-day heroin habit, he scours the rooftops of the South Bronx for materials he can sell. When he's finally caught, he enters an aggressive rehab program. Meanwhile, his ex has moved on, and is trying to make a better life for herself and their children.
In the 1980s the breathtaking scenery of the Engadine is the setting of a social tragedy. The local youth rejects the rigid rules of traditional society. Along with juvenile get-togethers, heroin appears in the mountain valley. As more and more die from overdose, society reacts to the crisis by isolating itself and averting its eyes. The film lifts the veil on the stories untold. Can the memories of this bleak past become part of the Engadine’s acknowledged heritage?
'OG' is a film about a legendary, Brazilian born, NYC skateboarder, Harry Jumonji. In the course of telling his story, through his triumphs and travails, Jumonji emerges in this portrait as an adolescent innocent, much like skateboarding itself. He is irrepressible, manically energetic and ultimately, pure. He has a transcendent presence, well beyond charm or charisma, of such unalloyed joy that nothing he does is unforgiveable. This is fortunate because, as a drug addict, unsurprisingly, he lies, cheats and steals. Harry is rendered as the poet, the sprite, the artist and the street saint he is.
A quarter of a million drug addicts —one of the most serious consequences of the Vietnam War. These addicts were the citizens of the South, and of Ho Chi Minh City, the former Saigon. Shot in 1981 by three Australian women, Changing the Needle was the first in-depth film to be made about Vietnam’s unique approach to drug rehabilitation at a time when few foreign film crews had access to Vietnam at all.
Zuzia, a very sensitive teenager with an artistic talent, is struggling with a drug addiction. Her brother, the film director, decides to take a closer look at the family to understand what might have caused this difficult situation.
