Social & External
Performer
A constant journey from outer space to a town in Norway, where we encounter small pieces of people’s lives.
The Art of Self-Harm is an uncompromising and unflinching look at the art collective known as "White Gardenia". A group of artists who explore their cathartic expressions through acts of blood drinking, self-mutilation, and other forms of paraphilia. This documentary takes an in-depth look at this groups body of work, as well as conducts detailed interviews with group members to understand the inspirations and motivations behind the art that is "White Gardenia".
"Des-authorized" is the combination of three stories, three realities that coexist and feed. The journey begins in the imagination of Elia K, the principal, who imagines Elijah, a character who is a poor playwright facing the crossroads to be true to his art, or succumb to the pressures of the producers must decide his work between surrender or pay the price of his freedom. On another level, we have Nina and Frederick, the protagonists of the work that Elijah is writing. They only seek to love, they are forced to leave the paper and press the Elijah to them the end that his story deserves, this is the starting point of "Des-authorized" a film set in an imaginary city , colorful and delusional. In the line of "Amelie" and "Stranger Than Fiction", brings a reflection on art, creativity, love and heartbreak.
A brother and sister return to their family home in search of their world famous parents who have disappeared.
Furio’s Furious Fragments & Friends - Furio Jesi (1941 Turin -1980 Genoa), enfant prodige moving between a plethora of disciplines – egyptology, history of religions, German philology, literary criticism - passed away prematurely, not without leaving bright fragments which throw light on mechanisms beneath many socio-cultural practices, for instance regarding cultural belonging, the functions of myth in modern society. He saw kind of “mythological machines” at work underneath our cultural production of meanings, historically determined, departing from a void, something that is still in culture but as residue, a missing link to an alleged authentic experience nowadays compromised up to the point to became just rhetoric, a byword, which is in no way neutral, but a tool, a macchina, for maintaining the status quo and serving the power apparatus. As in the case of holidays, celebrations and festivals.
Village, like a human being, is born out of love. Village, like a human being, is ruined, if left without love.
A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
In a French nightclub, choreographed song and dance routines are performed, rather than a streamlined narrative. They tell the story of Parisian culture and politics from the 1920s—1980s. A disparate, anachronistic series of characters, including an ordinary waiter, a Nazi collaborator, resistance fighters, and 1960s student protestors gather to celebrate and satirize 20th century France's icons, demons, and social changes.
Set in the American Midwest, Perfect Lives is “about” bank robbery, cocktail lounges, geriatric love, adolescent elopement, the changing of the light at sundown, et al. One of the definitive text-sound compositions of the late 20th century, it has been called "the most influential music/theater/literary work of the 1980s".
In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?
A structure-free, four-part examination of the rise and fall of the Third Reich. Each part explores a different topic, from Hitler's cult of personality in propaganda to how said propaganda was associated with pre-Nazi German cultural, spiritual, and national heritage to the Holocaust and the ideology behind it, particularly from Himmler's point of view.
A young filmmaker, Vita, revisits her first chaotic attempt at filmmaking 15 years prior. Shooting a semi-autobiographical film starring her friend Dina, Vita’s eager but inexperienced approach causes the production to spiral into chaos, leading to significant disruptions and a near-fatal accident.
Artist Katinka Simonse, alias Tinkebell, is a controversial, very mediagenic phenomenon. In her universe there is no distinction between life, art and activism; Tinkebell is her own work of art. Everything she encounters on her life path can become part of her story. Filmmaker Judith de Leeuw was given access to all images about Tinkebell, including her entire private archive. She thus constructed an archive film about how as a human being, living on the ruins of the past, you can be a character in your own story. What is the price you can afford if you continue to believe at any cost?
‘Empath – The Ultimate Edition’ is the definitive version of Devin Townsend’s acclaimed 2019 album Empath. Featuring the original album & bonus disc, it also includes 2 Blu-Ray discs, the first of which contains a brand new 5.1 surround sound mix by Devin, as well as visuals for each track on the main album, plus a visualizer for the stereo version of the album. The second blu-ray disc contains ‘Acoustically Inclined – Live in Leeds’, a live show filmed during the April 2019 acoustic tour, as well as the Empath Documentary, ‘Genesis’ 5.1 mixing lesson, acoustic gear tour, a full Empath album commentary, and a video for the bonus track ‘King’. This is all contained within a hardback artbook with expanded artwork and photos, as well as new liner notes by Dave Everley.
John Baldessari is one of the pioneers of conceptual art, which revolutionized contemporary art in the 1960s, and is still a profound influence on young artists today. The film shows John Baldessari in all aspects of his work: as an artist in his studio, with the technicians he collaborates with, as a teacher interacting with his students, as a passionate observer of the contemporary scene and visiting the Biennale in Venice as well as the Basel Art Fair. This film provides us with insights into the work of a radically modern-thinking artist and sharpens our perception of the often inaccessible world of contemporary art.
From his photo-text canvases in the 1960s to his video works in the 1970s to his installations in the 1980s, John Baldessari’s (b.1931) varied work has been seminal in the field of conceptual art. Integrating semiology and mass media imagery, he employed such strategies as appropriation, deconstruction, decontextualization, sequentiality, and text/image juxtaposition. With an ironic wit, Baldessari's work considers the gathering, sorting, and reorganizing of information. “Something that is part of my personality is seeing the world slightly askew. It’s a perceptual stance. The real world is absurd sometimes, so I don’t make a conscious attempt, but because I come at it in a certain way, it seems really strange,” Baldessari says in this interview with Nancy Bowen. A historical interview originally recorded in 1979 and re-edited in 2003 with support from the Lyn Blumenthal Memorial Fund.
Presented without commentary, this film reveals the thinking behind the work of John Baldessari over the course of his career, and provides clues to the understanding of the artist's paintings, photographic work and books.
Derived from an installation, an asymmetrical orchestration of "motion paintings" pushing the limits of abstraction in the digital age.
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