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On 9 July – Argentina’s Independence Day – Llinás sets off in Buenos Aires with his regular cameraman Agustín Mendilaharzu to re-record ‘Corsini interpreta a Blomberg y Maciel’, an album made in 1929 by lyricist Hector Pedro Blomberg and composer Enrique Maciel, as an ode to Juan Manuel de Rosas, leader of the Argentine Confederation.
Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.
Ava, an award-winning chef at a big-city restaurant, has lost her spark. Her boss sends her out to find herself to save her menu and her job. She returns home and finds little to inspire her, but when she reunites with her childhood friend Logan, Ava has to get her head out of the clouds and her foot out of her mouth to rediscover her passion for food.
3 young women encounter car trouble on the way to a Dragonsclaw concert during a rainstorm. They are forced to go seek help, where one by bloody one they are attacked by a masked maniac and hung on meathooks. Who will survive and what will be left of them?
"Punla" is the story of a childless loving couple. Manny who always wanted to have a child, is impotent. Instead, he asked his friend, Zaldy to provide the "seed" (punla) for his beautiful wife, Jenny.
Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.
January 1964, the author of the novel Tiempo de silencio, Luis Martín-Santos, dies in a tragic car crash. On the 60th anniversary of the accident and the 100th year since his birth, we follow his children on a voyage to reconstruct the writer, the psychiatrist, the man behind the work that turned him into a literary promise. A journey through the figure of Martín-Santos, his peculiar view of post-war Spain and his work hidden for years based on partly unpublished texts.
As nuclear war looms, a woman must make a final phone call.
In southern Burgenland, Austria, 18-year-old Renate is found dead in a wooded area. Investigator Elfriede Jandrasits, who is known for her tenacity at the Eisenstadt Criminal Police Office, takes on the case. She is under a lot of time pressure because her husband's retirement party is imminent.
Joan Crawford plays a widow named Joan Fairchild who stumbles upon a group of ESP enthusiasts that decide to use their abilities to scare her to death. Extended version of an episode of the series "The Sixth Sense". This was Joan Crawford's last acting role. Aired Sep 30, 1972.
A female ex-soldier comes out of retirement to put a stop to the kidnapping of a young boy who is being used a political pawn.
Progressing from movement workshops led by dancer Dimitri Chamblas, choreographer Mathilde Monnier and performer Yves-Noel Genod into a multi-layered story, the film follows a group of young artist-performers as they attempt to stage a revolutionary action.
Ed Marinaro is Malcolm "Mace" Douglas, a street-tough detective who's out for justice-no matter what the cost. While investigating the mysterious suicidal heroin overdoses of four beautiful exotic dancers, Mace puts together the pieces of a deadly puzzle, infiltrating a violent ring of shadowy drug and weapons dealers, Mace methodically tracks a serial killer (Rick Washburn) with murderous ties to a ruthless foreign diplomat (Harry Goz). Mace won't stop until he gets some answers. The FBI and KGB have them, but now they're talking back with bullets.
Filmed at New York’s Carnegie Hall, Cut Piece documents one of Yoko Ono’s most powerful conceptual pieces. Performed by the artist herself, Ono sits motionless on the stage after inviting the audience to come up and cut away her clothing in a denouement of the reciprocity between victim and assailant.
