Social & External
Mulher
Romina and Sebastian are a dysfunctional couple who study medicine in Puebla city and recently they’ve gone to live together; although they have been together for a long time, jealousy and different toxic attitudes will trigger a tragic final.
Documentary that follows the movement of the collage makers throughout France.
In 2016, after the hate-fuelled murder of a woman in Gangnam, young feminists gathered to talk about their experiences, which led to the ‘tsunami’ of the feminist movement reawakening in Korean society. This tsunami included street protests against misogynistic hate crimes, political campaigning in the upcoming presidential elections, protests against sexism and sexual violence in everyday life, and the ‘black’ protests calling for the abolition of the anti-abortion law. The Fearless And Vulnerable focuses on the activities and members of the Feminist Party (known in Korean as “Femidangdang”), a feminist group that was part of this tsunami wave. The pleasure and sincerity with which they conduct their activities are compounded with their courage in the face of conflict, and the sense of fear that permeates the community. The film shows Femidangdang meetings as well as the daily lives and thoughts of members during their activities post-2016.
A procession from Artists' Campaign to repeal the 8th Amendment of the Republic of Ireland.
In 1949, philosopher and novelist Simone de Beauvoir wrote the groundbreaking The Second Sex, launching a disruptive discourse on women’s oppression and second-class citizenship. This film dissects the origins and relevance of this bible of feminism, charting de Beauvoir’s fact-finding journey across the US to research her book. The timely and fascinating film honors de Beauvoir’s brilliance and limitations, connecting her revolutionary ideas to the pressing issues women face today.
A mysterious woman returns to her mountain village home to confront her painful past. As she tries to uncover the long-buried truth, the local villagers accuse her of witchcraft and murder.
When you're a newly divorced woman with two older children, it is very difficult to "rebuild your life". By chance, Monica meets someone new, but will she be able to seize this new oportunity for happiness?
Told by her daughter Wendy, MINK! chronicles the remarkable Patsy Takemoto Mink, a Japanese American from Hawai'i who became the first woman of color elected to the U.S. Congress, on her harrowing mission to co-author and defend Title IX, the law that transformed athletics for generations in America for girls and women.
The Impossible Dream" is an animation film produced by the United Nations (UN) in 1983, together with Dagmar Doubkova of Kratkty Films, Czechoslovakia. The film takes a wry humorous look at a problem faced by women everywhere: the double-workload of a full-time job and being a housewife. The film features an average family with a baby and two school-age children. Both parents work outside the home. The woman puts in the same hours as her husband, for less money.
After a long and successful career as a skater, Veronica has stepped away from competing, but continues her legacy by organizing skateboarding workshops to teach young girls from indigenous communities to skate, and to push them to fight back for the public spaces that have been occupied by men and to practice a sport that also belongs to women.
In a remote, rustic mid-90s village in Tamil Nadu, An elderly widow fights to save her sense of individuality when her younger son demands that she wear a blouse to impress his prospective in-laws.
Delphyne (meaning ‘womb’) discusses the stigma around menstruation. Addressing shame and acceptance, taboos around menstrual blood are told through a fabric-themed metaphor, and the conflict between a mother-daughter relationship; to find a shared unity and language to beat the conflict which projects itself in the shame metaphor that they’ve unwound and removed from their life. The historical connotations of staining, feminine purity and the divide between private and public space as well as ownership of the body come into play. The coming of age theme is reflected in reference to her struggle with the self (alter-ego), struggle with the ‘other’ (male influence) and struggle with the home (her Mother).
unravels the hidden struggles between mothers and daughters across generations.
Sofia, a marketing specialist, superwoman in a man's world is trapped in an episode of her stressful life, overlooking herself until she hits a wall. The film highlights the climate change problems initiated through the denial of the soul.
A surprising and humanistic drama that questions the meaning of happiness through the strange fate of one man who caused an accident. One night, a taciturn and clumsy man working at a scrap iron factory in the suburbs of Tokyo, causes an irreparable accident with his colleague. The two try to hide the incident but the man’s fate takes a turn for the worse and his colleague and family are faced with threats to their survival. A psychologial thriller that reveals the ills of Japanese society along with the darknesses of the human heart based on a script full of surprises written by the director Dai Sakō. Tomomitsu Adachi, who plays the lead role, exudes an eerie charm, and is flanked by many of Japan's best supporting actors such as Yutaka Matsushige and Shohei Uno.
As a young woman walks home alone one night, a chance encounter with a missing dog incites the reclamation of her body and self — as she learns to bite as tough as her bark.
"I especially hope to inspire young women, because I often feel like so much emphasis is put on how beautiful you are, and how thin you are, and not a lot of emphasis is put on what you can do and how smart you are. I'd like to change the emphasis of what's important when looking at a woman." Filmed in San Francisco in 2000, Margaret Kilgallen (1967-2001) discusses the female figures she incorporated into many of her paintings and graffiti tags. Loosely based on women she discovered while listening to folk records, watching buck dance videos, or reading about the history of swimming, Kilgallen painted her heroines to inspire others and to change how society looks at women. Three of Kilgallen's heroines—Matokie Slaughter, Algia Mae Hinton, and Fanny Durack—are shown and heard through archival recordings. Kilgallen is shown tagging train cars with her husband, artist Barry McGee, in a Bay Area rail yard and painting in her studio at UC Berkeley (source: Art21).
Of Maine’s more than 5000 commercial lobstermen only 4% are female. The Captain celebrates that fearless minority through the lens of Sadie Samuels. At 27 years old, she is the youngest and only female lobster boat captain in the Rockport, Maine harbor. Despite the long hours and manual labor of hauling traps, Samuels is in love — obsessed even — with what she calls the most beautiful, magical place on the planet. Her love for lobster fishing was imparted early in her childhood by her dad Matt, who has been her mentor and inspiration since she was a little girl in yellow fishing boots.
