Chun-Hui

Piggy Bank

Animated adaptation of Kir Bulychyov's sci-fi short fiction.

Geisterkatzen (1)

Glückliche Reise

Meathook Massacre

3 young women encounter car trouble on the way to a Dragonsclaw concert during a rainstorm. They are forced to go seek help, where one by bloody one they are attacked by a masked maniac and hung on meathooks. Who will survive and what will be left of them?

Satan Tempts with Love

A crime movie directed by Rudolf Jugert.

Grundstensnedlæggelse ved Gustav Adolfs Kirke

Laying the Foundation Stone of Gustav Adolf's Church.

Envisage

Follow a normal day in the life of three abnormal people to see what it's like to walk in another person's shoes for a day. Shot entirely in subjective camera, the audience will experience a day in the life of these three characters by hearing their internal monologue, dialog, and by seeing what they see as they go about their daily business. Since the movie is all about perception, all three characters lives intertwine in a scene that each character perceives completely different, leaving the audience to decide for themselves what really happened on this normal day. Each characters lives twist and turn as the movie progresses into a fun, yet different, cinematic adventure.

Boston Johnny

A spokesman rises to the top of the Greater Boston area spokesperson game.

The Cave of the Vampire Bats

A maiden is murdered by a mysterious ninja, unfortunately two young ladies witness this, good thing the bored Lord is walking by, he saved the girls but was too late to save the maiden, quickly he finds himself mixed up in a mystery of murdered maidens, an unknown ninja clan, attempted assassinations towards himself and a cursed vampire bat cave, can the bored Lord solve this puzzle before maidens lose their lives?

Call of Pink

We can easily say that our life is a game, not an ordinary one where you can determine the story, the space and the characters, but a game which comes with opportunities and traps, with gains and losses, a game we have to play every second, a game in which we are rooted. Sometimes we choose the virtual space in order to escape reality, but in the end it turns out to be just a way to avoid the real game, our everyday life. We see the big changes as new levels in our lives and we don't have the option to skip, our only choice is to play. So, the "Call of Pink" comes with the positive point of view that the world needs to overcome the real life levels, which we all know are the hardest to pass. Anyway, some details as creativity and fun are the things we should keep as weapons for the reality.

Jin

Many people believe that ghosts are real, and that these beings truly exist - though there is not a single mention of their existence in the sacred pages of the noble Al-Quran. However, the holy texts of the Al-Quran warn us about the negative influences from demons, devils and spirits. In the film “Jin”, we reinvestigate the disturbances that we encounter which are commonly associated to ghosts and such. “Jin” is a classic horror film that revolves around a young married couple: Syafiq and Lily. Syafiq is a business owner who strives to improve his family’s quality of life by buying a house for his beloved wife. Lily, upon seeing a place that is spacious and beautiful, immediately falls in love with it. What this couple doesn’t realize however, is that the house has a history of changing hands often and has stories of serious disturbances.

The Story of I

A woman sits alone in a bare white tiled bath, reading Georges Bataille’s ‘Story of the Eye.’ The bizarre events described in the text provoke a series of fantasies in which the room and its accoutrements become the stage and the woman the main player. As her dreams unfold in the liquid medium of the bath, she becomes the ‘eye’ of the story and her own body the object of its gaze. With a feminine hand, THE STORY OF I plucks Bataille’s central metaphor from its original context and re-invents its erotic vision from the inside out. The eye is the vagina, seen throught he blood, urine and tears, it looks at itself in a mirror.

Tiempo de silencio y destrucción

January 1964, the author of the novel Tiempo de silencio, Luis Martín-Santos, dies in a tragic car crash. On the 60th anniversary of the accident and the 100th year since his birth, we follow his children on a voyage to reconstruct the writer, the psychiatrist, the man behind the work that turned him into a literary promise. A journey through the figure of Martín-Santos, his peculiar view of post-war Spain and his work hidden for years based on partly unpublished texts.

Mau

Mau follows the unlikely story of design visionary Bruce Mau and his ever-optimistic push for massive change.

Junket

Chaos ensues as a gay actor and his female costar fake being a couple as they try to save the press junket for their new television show.


Yakimanka, 90s

The Yakimanka Center for Contemporary Art is one of the most important institutions of contemporary art in the 90s in Moscow. It was here that the first open platform for all forms of self-expression was created. New artists, gallery owners and curators appeared here, the main events of the artistic life of the last decade of the twentieth century took place.

When the Night Comes, Step Slowly

"Be Silent at Night", Caia reads on a wall in the apartment she has just moved in. Among the insistent innuendos by the new neighbor and the presence of her insurgent body in a new location, Caia begins to live inside a horror movie. In Gabriela Alcântara's film, the protagonist resorts to the protection of the Orixás to confront her fears and hauntings, experiencing magic through the strength of the herbs and the women around her.

Hide

HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.