This handmade silent film is a sociopolitical satire of our everyday life in Cyprus. Part of the Cyprus Collage Trilogy.
Social & External
A television movie based on the animated series and settled between the first and the second season aired, in Italy, on 23 April 2011. The movie focuses on the Angels attending the Summer School at the Sunny College in Alpinville, where Raf hopes she will not meet Sulfus. The Devils show up at the school and Raf tells Sulfus she has fallen in love with someone else. Meanwhile, the Earthly ones receive the task of refurbishing the Theatre of Princes (Italian: Teatro dei Principi) and organising a play, Romeo & Juliet by William Shakespeare. However, they are attacked by a mysterious hooded man who wants them to leave the theatre. The Angels and the Devils decide to investigate and find out the truth about Tyco and Sai's fate. At last, Raf and Sulfus conclude that they'll decide what to do about their future together once returned to the Golden School for the new term.
On a lonely night, a girl searching for her missing dog is transported to a magical world, where she reunites with her friend in an unexpected form. As she explores this whimsical realm, she confronts memories from her life.
Inhabitants of the territories annexed to the ancient city of Moscow get used to their new condition. It is not too distant of a future, but another large-scale expansion of the city will create and/or ruin some more fates. Will the "Myth-Module," an experimental device made by G.T. Podmyshkin, the professor of urban anthropology and the captain of a pirate spaceship, save him and his crew?
A vampire couple discuss the current state of the human condition in a world of blood banks, fairy-tales and unimaginative humans.
A little frog falls asleep after a long day of work on his farm, but is awakened from his slumber by a mysterious noise.
The Woodcutter and his wife love their son Tom Thumb, even though he is no taller than his mother's thumb! But they are very poor, and so one day when two men offer to buy Tom Thumb to help make their fortunes, Tom tells his father to accept the money, which he does with great misgivings. Tom, however, sets off on the adventures of a lifetime.
Decoherence is an audiovisual composition made with sound waves, water, and granular and spectral processing. A 60 cycle drone from a speaker cone below creates subtle patterns on the liquid surface, which grows increasingly turbulent. This piece explores interference patterns, the interplay of macro and microscopic patterns, chaos and continuua.
Maxed out, burnt out, and sex-starved, Amber Su falls under the spell of glamorous self-help guru Coco Ging, whose mentorship turns desire and ambition into different kinds of debt. Repression evolves into possession as Amber molts into a new ego: a worksona.
Two workers send emails to each other in their office cubicle.
Silent cartoon.
A trip into the Fall season in suburbia.
Stuck in her grief like a pickle jar, Onya retreats into solitude, where peeling back her layers becomes the only path to self-acceptance
An animated pilot/short film where a trio runs a candy delivery service on the sea, selling magic sweets to its customers.
This project moves sound and image using wind movements. It shows the alteration of spectrograms with these motion vectors and applies a sound resynthesis.
A person living in Liberty City goes to work, have some food & gets back home.
A visual reinterpretation of dance and animated found footage.
Strange things are happening in Arendelle! Elsa and Anna team up to solve the mystery of the missing magical animals. Follow the clues, explore enchanted lands, and help uncover the truth behind this frosty mystery!
Far beneath the beautiful sea, a unique whale sings a song that is all his own. Based on the award winning picture book, "52 - A Tale of Loneliness"
A peculiar pigeon navigates the city in search for validation and sheds his unique identity to fit in with different city groups. After losing his prized possession, he discovers the value of his own identity.
This is a hand-painted film which has been photographically step-printed to achieve various effects of brief fades and fluidity-of-motion, and makes partial use of painted frames in repetition (for "close-up" of textures). The tone of the film is primarily dark blue, and the paint is composed (and rephotographed microscopically) to suggest galactic forms in a space of stars.
This direct-to-draw animated film on 35 mm film features the imagery of 10 European directors in a collective project. Each produced 1 minute of animation on film, drawing directly onto it in his or her own style.
Animated shapes dance to Cuban music. This was one of the first animations to be painted directly onto the film.
In stop-motion animation, a wardrobe moves through the countryside. It arrives in a house, a child's voice recites Lewis Carroll's "Jabberwocky," and various objects, such as toys and dolls, move about, disintegrate, and play out archetypal scenes. Like Carroll's verse, the images are at once familiar and unfamiliar. A child's play suit, hanging in the wardrobe, becomes the adventure's protagonist.
An experimental film in which both sound and visuals were created entirely by Norman McLaren drawing directly upon the film with ordinary pen and ink. The main title is in eight languages. Rereleased with multilingual titles in 1949.
Bits of found film and different types of animation illustrate a classic chase scene scenario: A woman is abducted and a man comes to her rescue, but during their escape they find themselves in the enemy's secret headquarters.
A collage of two-dimensional images of vegetation, each appearing only for a moment, sometimes as a single image, more often with other bits of stem, leaf, bud, or petal. Often we see only the outline of objects against a black background. Black and green are occasionally joined by fragments of orange or of white and blue. The objects in the frame don't move but they are quickly replaced by another collage, giving the feel of rapid motion. Each collage is crisp, its lines etched against the background of black and later of white. Whitman anyone, or Hieronymus Bosch? Although there is no soundtrack, the rapidity of changing images and colors suggests a riot.
A playful exercise in intermittent animation and spasmodic imagery. Playing with the laws relating to persistence of vision and after-image on the retina of the eye, McLaren engraves pictures on blank film creating vivid, percussive effects.
In Prague, a professorial puppet, with metal pincers for hands and an open book for a hat, takes a boy as a pupil. First, the professor empties fluff and toys from the child's head, leaving him without the top of his head for most of the film. The professor then teaches the lad about illusions and perspectives, the pursuit of an object through exploring a bank of drawers, divining an object, and the migration of forms. The child then brings out a box with a tarantula in it: the professor puts his "hands" into the box and describes what he feels. The boy receives a final lesson about animation and film making; then the professor gives him a brain and his own open-book hat.
A visual representation, in four parts, of one man's internalization of "The Divine Comedy." Hell is a series of multicolored brush strokes against a white background; the speed of the changing images varies. "Hell Spit Flexion," or springing out of Hell, is on smaller film stock, taking the center of the frame. Montages of color move rapidly with a star and the edge of a lighted moon briefly visible. Purgation is back to full frame; blurs of color occasionally slow down then freeze. From time to time, an image, such as a window or a face, is distinguishable for a moment. In "existence is song," colors swirl then flash in and out of view. Behind the vivid colors are momentary glimpses of volcanic activity.
In this follow-up to his stop-motion hit Western Spaghetti, director PES transforms familiar objects into Fresh Guacamole.
Across different eras, a poor family, an anxious developer and a fed-up landlady become tied to the same mysterious house in this animated dark comedy.
When Jerry befriends a canary, Tom finds it necessary to construct a makeshift pair of wings.
With Caine gone and the circus dark, the cast are left with only the mistakes and traumas of their pasts to keep them company. As the prospect of eternity closes in around them, they discover the truth about the Digital Circus and its history. Will they come to terms with what they uncover, or will they make... the other choice? Also, presumably at some point someone says something funny, because this ending can’t be THAT depressing, can it? A theatrical screening of episode 8 and the all new, hour-long episode 9.
Mickey is ringmaster of a circus for orphans. Donald has a trained sea lion act, and does a bit of juggling himself. Mostly, though, he fights with a baby sea lion who keeps stealing both the fish and the show. Donald then finds himself and Mickey in an unrehearsed high wire act, which kicks into high gear when one of the orphans electrifies the wire. They end by doing a high dive into the seals' tank.
In this Oscar-winning short film, Norman McLaren employs the principles normally used to put drawings or puppets into motion to animate live actors. The story is a parable about two people who come to blows over the possession of a flower.
An action epic that explores the origins of the Aqua Teen Hunger Force (better known as Master Shake, Frylock, and Meatwad,) who somehow become pitted in a battle over an immortal piece of exercise equipment.
A white dropout struggles to become a cartoonist and filmmaker, drawing inspiration from the harsh, gritty world around him. Still sharing his rundown apartment with his middle-aged parents, an oafish slob of an Italian father and a ditzy nutcase of a Jewish mother, he's ridiculed and looked down upon by his friends, hypocrites who run with violent gangs and the Italian Mafia, and a shallow Black girl who makes her living downtown with the pimps and pushers. The cartoonist gets a chance to pitch a film idea to a movie mogul, but the story proves too outrageous: a far-future Earth, depleted by war and pollution, where a mutant antihero challenges and kills God.
I made this film especially for you. I needed to check in with you. I needed to tell you how I feel.
In this powerful abstract film with a soundtrack of African drum music, Lye scratched "white ziggle-zag-splutter scratches" on to black leather, using a variety of tools from saw teeth to arrow heads. The first version of the film won a major award at the International Experimental Film Festival Held in Brussels in 1958 in association with the World's Fair. Stan Brakhage described the film as "an almost unbelievably immense masterpiece".