Glyndebourne Live: Il barbiere di Siviglia

Figaro uses every trick he can muster to outwit Dr Bartolo and ensure his master wins his chosen bride. He meets his match in the would-be-bride Rosina, who has schemes of her own. Glyndebourne favourite Danielle de Niese adds the crafty Rosina to her growing list of bel canto heroines. Directed by Annabel Arden with playful energy springing from Rossini’s joyous music, this new production heralds the welcome return of a masterpiece not seen at Glyndebourne Festival since 1982.

Rabbit of Seville

Behind the Hollywood Bowl stage which is playing the opera The Barber of Seville, Bugs Bunny flees into the backstage area with Elmer Fudd in close pursuit. Seeing his opportunity to fight on his terms, Bugs raises the curtain on Elmer, trapping him on stage. As the orchestra begins playing, Bugs comes into play as the barber who is going to make sure that Elmer is going to get a grooming he will never forget.

Rossini: La Gazza Ladra - Teatro alla Scala

Rossini: L'italiana in Algeri

Isabella is a strong, independent woman who has no intention of giving in to the clumsy advances of the powerful Mustafà. In the production by BAFTA winners Mosh Leiser and Patrice Caurier, which plays with prejudices about clashing cultures, Mustafà is no longer an Ottoman bey, but a shady gangster who traffics electronic goods in the port of Algiers.

Rossini: L'Italiana in Algeri - Festival d'Aix-en-Provence

Live performance, Festival d'Aix-en-Provence, July 2006. 'L'italiana in Algeri' (English: 'The Italian Girl in Algiers') is an operatic dramma giocoso in two acts by Gioachino Rossini to an Italian libretto by Angelo Anelli, based on his earlier text set by Luigi Mosca. It premiered at the Teatro San Benedetto in Venice on 22 May 1813. The music is characteristic of Rossini's style, remarkable for its fusion of sustained, manic energy with elegant, pristine melodies.

The Cat Above and the Mouse Below

Tom, famous baritone Signor Thomasino Catti-Cazzaza, enthralls a concert audience with his rendition of "Largo al factotum", from Rossini's "Il Barbiere di Siviglia", while Jerry strives for sleep under the stage.

Rossini: L'inganno felice - Teatro Fraschini di Pavia

Largo al factotum

A silent black-and-white comedy inspired by the fizzing rollercoaster of Largo al factotum - the familiar aria from Rossini's The Barber of Seville - featuring the young apprentice hero and a recalcitrant, increasingly monstrous hairball.

Songs of Love from Hawaii

Embark on a mesmerizing musical journey through the multi-faceted history of Korean American immigrants in Hawaiʻi with SONGS OF LOVE, a captivating reverie of song and history.

Virgínia e Adelaide

Adelaide and Virgínia met in 1937, a year after the German arrived in Brazil, fleeing the Nazi persecution of the Jews, where she came with her husband and two daughters. Together, they founded and popularized psychoanalysis in Brazil, breaking down barriers and prejudices. They were doctor and patient for 5 years, colleagues for more than 30 years, great friends their entire lives.

Sou Amor

Robson, a young person, seeks refuge with his warm-hearted grandmother in Belo Horizonte after a traumatic incident in his hometown. In search of acceptance and a safe space to embrace his true identity, he faces the harsh realities of prejudice and homophobia. As he navigates emotional highs and lows, he struggles to find his place in a world that is not always ready to accept him. Through powerful imagery and a compelling portrayal of inner conflict, the story explores self-love, identity, and the challenges of belonging in an often unwelcoming society.

Latin Blood – The Ballad of Ney Matogrosso

From a repressive childhood to artistic revolution, Ney Matogrosso transforms Brazil's stages — and himself — through music, creativity and inner fire. The movie displays briefly one of the greatest controversies surrounding Ney Matogrosso, accused of copying the rock band Kiss. It's actually the other way around. Secos & Molhados was officially formed in 1971, though the band was performing together since the late 60s and was already known for their make-up. KISS came around years later, in 1973.

Baśka

Baska runs a catering company from home. In addition, she takes care of three children and takes care of her husband, Kacper, who constantly works overtime in the office. Somewhere she lost her spark and zest for life. When she meets the handsome and famous choreographer Jim at work, her life turns upside down. Jim helps Baska gain new clients and her business flourishes. Baska is also blooming. However, her home life suffers. In addition, Kacper begins to suspect Baska of having an affair and demands a divorce. Baska must decide whether she wants to start her life anew or return to what she has built over the years.