Social & External
Bertrando
Isabella
Ormondo
Batone
Tarabotto
A Soldier / Solo Flute
Live performance, Festival d'Aix-en-Provence, July 2006. 'L'italiana in Algeri' (English: 'The Italian Girl in Algiers') is an operatic dramma giocoso in two acts by Gioachino Rossini to an Italian libretto by Angelo Anelli, based on his earlier text set by Luigi Mosca. It premiered at the Teatro San Benedetto in Venice on 22 May 1813. The music is characteristic of Rossini's style, remarkable for its fusion of sustained, manic energy with elegant, pristine melodies.
Tom, famous baritone Signor Thomasino Catti-Cazzaza, enthralls a concert audience with his rendition of "Largo al factotum", from Rossini's "Il Barbiere di Siviglia", while Jerry strives for sleep under the stage.
A silent black-and-white comedy inspired by the fizzing rollercoaster of Largo al factotum - the familiar aria from Rossini's The Barber of Seville - featuring the young apprentice hero and a recalcitrant, increasingly monstrous hairball.
Behind the Hollywood Bowl stage which is playing the opera The Barber of Seville, Bugs Bunny flees into the backstage area with Elmer Fudd in close pursuit. Seeing his opportunity to fight on his terms, Bugs raises the curtain on Elmer, trapping him on stage. As the orchestra begins playing, Bugs comes into play as the barber who is going to make sure that Elmer is going to get a grooming he will never forget.
Isabella is a strong, independent woman who has no intention of giving in to the clumsy advances of the powerful Mustafà. In the production by BAFTA winners Mosh Leiser and Patrice Caurier, which plays with prejudices about clashing cultures, Mustafà is no longer an Ottoman bey, but a shady gangster who traffics electronic goods in the port of Algiers.
Figaro uses every trick he can muster to outwit Dr Bartolo and ensure his master wins his chosen bride. He meets his match in the would-be-bride Rosina, who has schemes of her own. Glyndebourne favourite Danielle de Niese adds the crafty Rosina to her growing list of bel canto heroines. Directed by Annabel Arden with playful energy springing from Rossini’s joyous music, this new production heralds the welcome return of a masterpiece not seen at Glyndebourne Festival since 1982.
A biting satire from the front lines of the American workplace, where layoffs are so routine they've created their own industry - outplacement. Elite Transition Services promises laid-off worker Scott Matter help finding a job and getting back on his feet. But as the job search grows increasingly desperate, Scott finds himself caught in a corporate purgatory where the absurdities of office life are brought into vivid relief.
Seven friends - three women and four men - meet for dinner. Everyone should put their cell phone on the table. No matter what message comes in - anyone can read it and listen to the phone calls. However, this leads to a lot of chaos.
"Friday, 9th August 1963 Cast and crew members prepare for the recording of a new BBC TV series..." In a corridor outside of Studio D, a reporter asks a script writer how he sees his new programme, "Doc' True", which he describes as "like nothing you've ever seen before", only to be interrupted by an actor dressed as a medical doctor describing it as a "British Doctor Kildare, only much more real". He is then interrupted himself by an actor dressed as a caveman. When the writer takes the 'doctor' aside, the reporter then bumps into someone looking for the designer, before heading over to "Verity Lamberth" and "Sydney Newbaum", who explains there will be no "bug-eyed monsters" in the show, as someone wheels a Dalek between them.
Desperate for a breakthrough as she nears the big 4-0, struggling New York City playwright Radha finds inspiration by reinventing herself as a rapper.
Fascinatrix is a musical about a bold woman driven by revenge, who cross-dresses as a witch hunter and enters the Inquisition's castle...
Le Marais is a singular short film, taken from the collection of films set in Paris, used for Gus Van Sant's "Paris: Je t'aime". Two customers walk into a paint business, asking for help, one character has the compulsion to speak to another - and while language barriers restrict the growth of their relationship, the desire for one another is there.
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