KÖY (Turkish for village) is about the longing for home, for belonging and the freedom of the self. Three women from three generations are united by their Kurdish roots.
Social & External
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Documentary on new construction and reconstruction in Berlin's Friedrichstrasse in 1985.
"I'm walking through my city...", sings a cheerful pop singer. She fervently praises the new metropolis of East Berlin. As an emphatically lively, often anthemically condensed revue, the film tells of the "growth and development of our new capital". Accompanied by cheerful music, the camera indulges in high-altitude views, shows squares whose fountains, benches and green spaces are designed to make you forget that you are in a big city, as well as visitors from all over the world in top hotels. An emphatically cheerful, yet meaningful insight into the brave new GDR world.
Documentary on the Turkish invasion of Afrin in Northern Syria in 2018.
This intimate letter from a migrant grandson about his Italian grandmother, also a migrant, unites in a trip to Italy the portrait of Venezuelan migration as a vital legacy of the European post-war period and the current crisis that has led the South American country to the largest exodus the continent has ever known.
A film about three teenagers - Klara, Mina and Tanutscha - from the Berlin district of Kreuzberg. The trio have known each other since Kindergarten and have plenty in common. The three 15-year-olds are the best of friends; they are spending the summer at Prinzenbad, a large open-air swimming pool at the heart of the district where they live. They're feeling pretty grown up, and are convinced they've now left their childhood behind.
Journey with the musicians of the Berlin Philharmonic and their conductor Sir Simon Rattle on a breakneck concert tour of six metropolises across Asia: Beijing, Seoul, Shanghai, Hong Kong, Taipei and Tokyo. Their artistic triumph onstage belies a dynamic and dramatic life backstage. The orchestra is a closed society that observes its own laws and traditions, and in the words of one of its musicians is, “an island, a democratic microcosm – almost without precedent in the music world - whose social structure and cohesion is not only founded on a common love for music but also informed by competition, compulsion and the pressure to perform to a high pitch of excellence... .” Never before has the Berlin Philharmonic allowed such intimate and exclusive access into its private world.
Here, where even monsters are political, the topography has its own memory. It has the mythological blues. Meanwhile, old gods are upset with us, and I am upset with my father.
Dr. Mark Fairchild, world-renowned archaeologist, traces the hidden years of Saint Paul's life in the mountainous Turkish countryside of Rough Cilicia.
Five Afghan men try to reach Europe. The filmmakers followed them for over six months, filming their clandestine journey and chronicling a migration combining fantasy and stark reality, setbacks and achievements, in the midst of the dangers of such trips.
This documentary explores the creation of the Holocaust Memorial in Berlin as designed by architect Peter Eisenman. Reaction of the German public to the completed memorial is also shown.
Migrants from the countryside and unemployed people from neighbouring cities take over some unused land and establish a neighbourhood in the industrial zone of Maracay. The event coincides with a presidential election campaign, which motivates political demonstrations in that town.
Turkey's history has been shaped by two major political figures: Mustafa Kemal (1881-1934), known as Atatürk, the Father of the Turks, founder of the modern state, and the current president Recep Tayyıp Erdoğan, who apparently wants Turkey to regain the political and military pre-eminence it had as an empire under the Ottoman dynasty.
The film chronicles the story of how the Nazis and the IOC turned, to their mutual benefit, a small sports event into the modern Olympics. The grand themes and controversial issues from the 1936 Games have continued to this day: Monumentality, budget overruns, collusion with authoritarian regimes, corruption and sometimes even bribery.
In the 1960s, a white couple living in East Germany tells their dark-skinned child that her skin color is merely a coincidence. As a teenager, she accidentally discovers the truth. Years before, a group of African men came to study in a village nearby. Sigrid, an East German woman, fell in love with Lucien from Togo and became pregnant. But she was already married to Armin. The child is Togolese-East German filmmaker Ines Johnson-Spain. In interviews with Armin and others from her childhood years, she tracks the astonishing strategies of denial her parents, striving for normality, developed following her birth. What sounds like fieldwork about social dislocation becomes an autobiographical essay film and a reflection on themes such as identity, social norms and family ties, viewed from a very personal perspective.
Documentary examines the history and evolution of the Olympic Games, taking a close look at the Olympic charter, oath and ideals. Also featured are rare home movies and interviews with Olympic athletes and the oldest known color footage of the Olympic Games from Berlin in 1936.
A humorous observation in Barcelona’s immigrant neighbourhood El Raval. Four barber shops, four places of remembrance, strange time and space capsules inhabited by people who left their home to find a better one, while the Spaniards are about to leave their own country themselves.
Commissioned by the Berliner Landesbildarchiv, this movie shows countless impressions of (West) Berlin everyday life, accentuated with self-ironic commentary.
The documentary portrays the art historian Wilhelm von Bode as a realistic visionary.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Enduring 28 days of relentless construction labor, Frank struggles to prep a house for painting amidst Phoenix's scorching pandemic summer.
