Social & External
Commentary (voice)
A 4-year-old girl cries, lost in the city. A Soviet soldier on a ferry takes her in and takes her to her home village.
Here's a strange one. First, a song on a blackboard: a Polish translation of “I love my little rooster” by American folk writer Almeda Riddle. Then, two men roll around trash bins and lift them to the garbage truck. They do it several times. A woman shouts in the distance. At the end, the picture stops, and the woman sings the song. An early short by Piotr Szulkin.
MEUTHEN'S PARTY unmasks the rise of the provincial politician Dr. Jörg Meuthen who doesn't shy away from spreading racist sentiments with a smile on his face.
6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film “Mackenna's Gold”. This non-story, non-character visual tone poem is made up of nature imagery, time-lapse photography, and the subtle sounds of the Arizona desert.
A documentary film about parachute training in the Voluntary Union of People's Aviation.
A student work by Jiří Menzel, filmed during his second year at the FAMU film school. Views of old Prague and its tenement buildings, symbolizing the obsolete past, alternate with shots of construction sites for new prefabricated apartment buildings. In spite of certain unavoidable propagandistic overtones added by the director, it is notable as the beginning of his search for a “dramaturgy of colors.”
A film poem. A minimalist reflection on whether inner states are transferable by the film medium. The aim of a Buddhist mindfulness meditation is to clear away thoughts wandering from the past to the present, to be mindfully aware of each present moment. Each unique NOW NOW NOW passing away just like single frames while the camera grab snatches off meters of expensive 35mm material.
Confessions of people who have lost their sight during their lives. What are their feelings and how do they view their apparent handicap?
2012: Time For Change is a documentary feature that presents ways to transform our unsustainable society into a regenerative planetary culture. This can be achieved through a personal and global change of consciousness and the systemic implementation of ecological design.
The animated documentary shows a day in life of a person suffering a mental illness called anorexia nervosa. It is an intimate insight into the mind of an anorexic, who must somehow interact with raw reality.
An intimate statement about the filmmaker’s need for self-expression through her own nudity and simultaneously an effort to reject the taboo of patriarchal society. Using diary entries, anger-filled personal reflections, and discussions with a mother painting her nude daughter, the film opens the topic of overcoming shame for one’s own physicality and female sexuality.
The director, who has always been viewed as the black sheep in her family, sets out to the Belarusian town of Vitebsk to talk with her parents about previous grievances and topics that were considered taboo. The effort to find a common language, which runs into stormy emotions and the inability to voice honest opinions, is captured through both personal moments and detailed shots of the protagonists’ faces.
In 2012, violent conflicts broke out between the Muslim Rohingya and the Buddhist majority in Rakhine State on the west coast of Myanmar. The government subsequently deported Muslims and imprisoned them in a camp on the outskirts of the city. The documentary looks at the lives of neighbours on both sides.
