Elders in the LGBTQ2+ community come together to navigate concerns around inclusion late in life, while learning how to support each other in a safe space that celebrates their sexuality.
Social & External
Artist Katinka Simonse, alias Tinkebell, is a controversial, very mediagenic phenomenon. In her universe there is no distinction between life, art and activism; Tinkebell is her own work of art. Everything she encounters on her life path can become part of her story. Filmmaker Judith de Leeuw was given access to all images about Tinkebell, including her entire private archive. She thus constructed an archive film about how as a human being, living on the ruins of the past, you can be a character in your own story. What is the price you can afford if you continue to believe at any cost?
A verité legal drama about Judge Kholoud Al-Faqih, the first woman appointed to a Shari'a court in the Middle East, whose career provides rare insights into both Islamic law and gendered justice.
Featuring unprecedented access inside the White House and State Department, The Final Year offers an uncompromising view of the inner workings of the Obama Administration as they prepare to leave power after eight years.
Kathy's family left on a Saturday morning in 1965. The rumble of bulldozers echoed through the neighborhood, and her block was empty. Federally-funded urban renewal had arrived in Charlottesville, scattering dozens of families like Kathy's. The once-vibrant African American community, built by formerly enslaved men and women who had secured a long-denied piece of the American dream, disappeared.
The story of five lesbian and gay seniors in the Northwest Florida region as they navigate coming out, identity, politics, and the challenges and victories inherent in the gay experience. The film weaves together interviews with fictionalized interludes of magical realism that capture their feelings and experiences.
Ten years ago, the paths of Abou, Laura, Cadiatou and Jacques have crossed Emmanuelle’s. She was their French teacher at a high school in Marseille. Together they took part in a film, Children of the Princess of Cleves, in which, while analyzing the classic text, they expressed their hopes, dreams, and fears. In En Nous, the director re-connects with the protagonists : memories blend with stories of their lives and the daily obstacles they must overcome whilst trying not to lose hope. Now, the sentence of the Princess of Cleves rings poignantly true: “I know nothing can be more difficult than what I undertake”.
Under the pretext of fighting terrorism or crime, the major powers have embarked on a dangerous race for surveillance technologies. Facial recognition cameras, emotion detectors, citizen rating systems, autonomous drones… A security obsession that in some countries is giving rise to a new form of political regime: numerical totalitarianism. Orwell's nightmare.
Survivors of violent crimes and prisoners incarcerated for murder connect to undergo astonishing transformations, liberating themselves from the debilitating constraints of trauma, and shattering preconceptions of "us and them."
Autobiographical documentary that brings the theme of parental alienation through the affectionate gaze of a Brazilian grandmother abruptly removed from her Argentine granddaughter after her son's marital separation. In the search for contact with the girl, a grandfather is faced with legal barriers, negative attorneys and several possible fr. During this tortuous journey, she meets people in a similar situation and is part of a worldwide solidarity network.
Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have faced brutal oppression and economic disaster. Throughout all this, successive generations of activists and artists have taken to the streets of this city to express themselves through art. This has given the walls a powerful and symbolic role: they have become the city’s voice. This tradition of expression in public space, of art and activism interweaving, has made the streets of Buenos Aires into a riot of colour and communication, giving the world a lesson in how to make resistance beautiful.
As the 'one country two systems' policy in Hong Kong has slowly eroded, resentment among the territory's citizens has steadily grown. What began as a series of spontaneous protests against an extradition law in March 2019 has now escalated in to a full-blown popular uprising that shows no signs of abating. ABC Four Corners reports from the frontline of the action, capturing extraordinary footage of the growing tension and violence.
Once upon a time, the Venezuelan village of Congo Mirador was prosperous, alive with fisherman and poets. Now it is decaying and disintegrating—a small but prophetic reflection of Venezuela itself.
A community of bowlers outside of Cleveland cope with fundamental change when new owners take over at a landmark alley and a longtime league member comes out as a trans woman.
“Beneath the Concrete, The Forest” is a short experimental documentary that takes us inside an ongoing struggle inside the city of Atlanta, GA between two sides to determine the future of Weelaunee, the biggest contiguous urban forest in the country.
From the shadows of a Guatemalan neighbourhood scared into silence, two sisters lead a luminous rebellion—unleashing joy, art, and radical truth in a fight for survival.
A reflection on the 2011 killing of Mark Duggan, a young, black, British man, at the hands of London's Metropolitan Police. Duggan was pulled over early one morning, and minutes later, was shot dead. This event ignited the now-infamous Tottenham riots and made headlines around the globe, but, as so often happens, the issue soon dropped from the news. Picking up the story where the media left off, we're brought back to its roots in Duggan's neighbourhood, following his friends' fight for justice and search for meaning, while struggling against ongoing discrimination in their daily lives.
Two decades after the initial exposé of the corporation, this follow-up unveils a world now fully remade in its image and perilously close to fascism.
A reflective look at the arrival and impact of AIDS in San Francisco and how individuals rose to the occasion during the first years of the crisis.
A short 1994 documentary that highlights the lives and experiences of a few LGBTQ+ residents of the Palouse. Filmed and narrated by Jeff Olson. Produced by the Latah/Nez Perce Voices for Human Rights. The film was digitized and provided by the Boise State University Special Collections and Archives.