Ines, Memories of a Lifetime

When Ines died, she left a very particular legacy, 10 books that read 'For my children'; it was the story of her life. Marked by a youth idyllic love, Ines was forced to marry a violent and womanizer man with whom she had 20 children. In the 50s, she managed to get divorce and 20 years after her death, Luisa, great-granddaughter of INES, reads, rescues and makes visible her history.

Étienne Robial, un spécimen de caractère(s)

Documentary on the French graphic and visual artist and designer, editor, artistic director, and teacher who is known for his widely-used fonts.

Stones and Words

Stefano is a filmmaker commissioned to make a movie about the poet Rosanna Bertoja. The two discover they share an unusual interest: a passion for stones. Stefano feels he must start precisely from this strange affinity that unites them. The result is a portrait of a poet who is never seen writing verses: when poetry is discussed, it is done by talking about stones. Because, as Rosanna believes, poetry exists even without words.

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Mister Karim

Berhault

Show!

A surprisingly intimate portrait of how the dream of running one’s own business can take on monstrous contours. Managed by the father of one of the singers, over the course of five years the girl band 5Angels had reached the gates of pop fame. But it is a path paved not only with the songs of Michal David, but also with the dogged determination of a man who loses any notion of where his role as manager ends and his role as parent begins. An emotionally moved Karel Gott, five angelic girls, and one overly involved father, thanks to whom the behind-the-scenes pre-Christmas atmosphere melts away just as rapidly as the fat should disappear from the belly. “A singer can’t be a lard bucket!”

Moi, Magyd Cherfi : portrait intimiste d'un chanteur devenu écrivain

The Man Who Made Angels Fly

When the lights dim and the stage is revealed, Meschke channels life through the strings of his puppets, triggering the spiritual connection between the creator and his alter-egos: the charismatic Don Quixote, the loving Penelope, the inquisitive Baptiste, or the mysterious Antigone. THE MAN WHO MADE ANGELS FLY is a poetic story about a master of his craft that has inspired audiences to reflect upon common issues of suffering and the mortal coil. Visionary and un-biographic, imaginary tribute to the puppeteer.

Cell phones P.s. Just a small add on

A grandson shows his grandmother how to navigate an iPad 2 full of clues for solving a puzzle. Over a phone call, she recites an email she wrote seven years prior.

Memories to Choke On, Drinks to Wash Them Down

This anthology film, whose Chinese title begins with a romantic name for human excrement, premiered internationally at Rotterdam and won Best Screenplay from the Hong Kong Film Critics Society. A variety of Hong Kong people wrestle with nostalgia when facing an uncertain future. Their stories give way to a documentary featuring a young barista turned political candidate.

Belmondo, le magnifique

With more than 70 films and 160 million cumulative tickets in France, Jean-Paul Belmondo is one of the essential stars of French cinema.

Pretty song

Fragments from a portrait of Jean-Louis Costes - sincere artist, versatile designer, poet of excess -, a man forever atoning his anguish through singing, performance, drawing and writing...

Dying To Live

'if you only had one year left of your life, what would you do?' This question asks Swiss author Franz Hohler. His answer: 'Make death your adviser to live life to the fullest.' He is one of several carefully chosen Swiss citizens who give us an insight into their personal views on life and death. Besides these colorful, oftentimes funny quotes we meet Tom, a 50-year old male that has been diagnosed with incurable brain tumor. Contrary to what one would expect, Tom takes his sickness not as a burden but as a chance and lives his life happier than ever before. This to the surprise of his family and friends and above all - himself. The film encourages people to live life more consciously.

Ulrich Seidl - A Director at Work

This cinematic portrait shows the Austrian filmmaker Ulrich Seidl at work. The much-discussed ‘Seidl method’ is conveyed here vividly and directly: The camera watches over Seidl’s shoulder during the filming of his new production IM KELLER, and observes him at the rehearsals for his latest theatre production ‘Böse Buben / Fiese Männer’. The film paints the picture of a fascinating and exceptional artist using a combination of extensive interviews and excerpts from earlier works.

Death of the Serpent God

This film begins, so to speak, where ‘Vol spécial’ left off. The reality of migration bears its teeth: Following a scuffle, 20-year-old Koumba from France is sent back to the place where she was raised – Senegal. She returns to the lost village of her ancestors hysterical, argumentative and unproductively rebellious. Now the mother of a toddler, she continues to come to terms with the two cultures; the outcome is unforeseeable, as is the outcome of this cinematic long-term observation. The risk of its failure due to its protagonist is palpable. But Koumba’s fascinating metamorphosis is also obvious, her body and character have taken on a more harmonious nature. All hope is not lost.

Lorena: Light-Footed Woman

A young woman of the Tarahumara, well-known for their extraordinary long distance running abilities, wins ultramarathons seemingly out of nowhere despite running in sandals.

Ocean Therapy

Ocean Therapy is the story of an unknown hero, Bruno, surfer, skipper bound for living on the ocean, navigating and discovery. Bruno’s dream falls appart when, at 24 years old, he is victim of an accident and looses the use of his legs. After a deep period of depression and two suicide attempts, Bruno will reconnect with life through his passion for the Ocean. Ocean Therapy is the authentic story of a man that lives for his passions.

Demeure

Documentary about what makes a house a home.

I Was Only 14

Filmmaker Froukje van Wengerden’s 86-year-old grandmother shares a powerful memory from 1944, when she was just 14. As her story unfolds, we see a group of contemporary 14-year-old girls. Their procession of portraits permits the spectator to see simultaneously forward and back, into the future and towards the past. A miraculous testimonial that uses eye contact to focus the viewer inward and evoke unexpected emotions.