Social & External
The film offers exclusive and intimate insights into how and why the classically trained artist risked rejection to revolutionize the traditional Chinese ink art form in Singapore.
She now lives many miles away from her mother, who is waiting to hear from her. It is a bittersweet, restless, nostalgic moment, and she remembers those vanished years.
A documentary directed by Winding Refn's wife, Liv Corfixen, and it follows the Danish-born filmmaker during the making of his 2013 film Only God Forgives.
In 1992, teenager Sandi Tan shot Singapore's first indie road movie with her enigmatic American mentor Georges – who then vanished with all the footage. Twenty years later, the 16mm film is recovered, sending Tan, now a novelist in Los Angeles, on a personal odyssey in search of Georges' vanishing footprints.
Class Acts is a feature-length documentary tracing the genesis of Singapore's creative scene in the '90s through intimate conversations with its pioneering personalities. These are the stories of individuals who started creating with nothing, who push Singapore’s creative standards even today. The ones who went on to inspire a new generation of musicians, designers, and street artists.
Short film by Nawapol Thamrongrattanarit, a closer look at Bangkok, made for Beat Hotel
As an omnibus of short films, Art Through Our Eyes is inspired by the art collection found at the National Gallery Singapore. Each of the five directors – Apichatpong Weerasethakul, Brillante Mendoza, Eric Khoo, Ho Yuhang and Joko Anwar – handpicked a masterpiece from the 19th and 20th century as inspiration for their short films.
From love pride parade to the strain hunters of Thailand. A vlogger makes its journey from the side hustle streets of Bangkok, covering the lost gems of Pattaya beaches and the mystical wonders of valuable antiques, amulets and significant temple paintings.
The next best thing to being there is to experience The Chronicle Travel Library with its most comprehensive collection. Chronicle Videocassettes brings the Orient Express to you.
This landmark documentary film by Paul Elston tells the incredible story of how it was the British who gave the Japanese the knowhow to take out Pearl Harbor and capture Singapore in the World War 2. For 19 years before the fall of Singapore in 1942 to the Japanese, British officers were spying for Japan. Worse still, the Japanese had infiltrated the very heart of the British establishment - through a mole who was a peer of the realm known to Churchill himself.
A visit to Singapore, an essential port city in Britain's empire, established in 1813 when Raffles negotiated its separation from the independent Malay state of Jahor. The camera observes Singapore's traditional neighborhoods, trade, and small craft, which are dominated by people of Chinese ancestry. Then, we drive the modern causeway to Jahor's small capital, Johor Bahru, for a look at imposing buildings and a visit to the grounds of the sultan. The sultan's son invites the crew in, and we meet the sultan, "H.H." himself. The narrator relates the sultan's commitment to commerce, economic well-being, and tolerance, stemming in part from his European education.
This travelogue begins at Bangkok's rail depot, a center of Indo-Chinese commerce. Next the narrator talks about Buddhism as the camera shows us some of Bangkok's many temples. Then, the narrator introduces us to the importance of traditional dance, with emphasis on the way that delicate wrist movements tell stories. It's on to the system of waterways in Bangkok, where more than 1,000,000 people live or conduct commerce. We take a ride down the Menam River, the country's most important commercial and social road. From our boat, we pass Wat Arun and other colorful signs of life typical in serene Siam.
A dwarf, a dragon, and a golden egg. Yet the real fairy-tale of this film is the journey of Jeanmarie, the Dutch street performer. In an adventurous project, Jeanmarie teams up with youth worker Frank to travel through the last remaining untouched regions of China, performing his new show to local children. As they transport their wondrous music machine from village to village, they bring laughter and intrigue to all who witness their magical performance, reuniting reality with fantasy, Europe and Asia. In a film as imaginative and whimsical as Jeanmarie's play itself, this is a poignant tale of passion and conviction to follow and fulfil your dreams.
This film is an expository documentary that discusses the livelihood of migrant workers in Singapore and how they are treated as a transient and disposable workforce in the 1980s. The demand and influx of migrant construction workers reached a high in the early 1980s as Singapore started the tunnelling works and construction of the Mass Rapid Transit (MRT) system. The film was a response in defending the dignity of the workers and highlighting the contribution of foreign labour towards Singapore’s development.
Bomb Hunters is an engrossing examination of the micro-economy that has emerged in Cambodia from untrained civilians harvesting unexploded bombs as scrap metal. The film explores the long-term consequences of war and genocide in an attempt to understand the social, cultural, and historical context and experiences of rural villagers who seek out and dismantle UXO (unexploded ordnance) for profit. Part of a global economy, these individuals clear UXO from their land in order to protect their families from harm and to earn enough money to survive. Bomb Hunters is an eye-opening account investigating the on-going residual, persistent effects of war experienced by post-conflict nations around the globe, and the complex realities of achieving "peace".
Each day, thousands of people leave countries like the Philippines to seek work abroad. They work as nannies, domestics, clerks and labourers for low wages and with few rights. What little money they earn they send home to their families. This contribution to their country’s economy has prompted the Philippine government to call these contract workers “modern day heroes.” But that’s only half the story.
In 1987, the Singapore government, using the Internal Security Act, arrested 22 people in what was called "Operation Spectrum". These people were held indefinitely without trial, physically and mentally tortured, and coerced into admitting that they were guilty of a "Marxist conspiracy" on public television. In this film, ex-detainees share what they experienced during that time.
There are only 320 Mlabri people left on this planet. They came out of the jungle in Northern Thailand on the border to Laos one generation ago. The Mlabri people used to be hunters and gatherers. Today they scrape out a meagre existence at the bottom of society working as day labourers for the Hmong farmers, and living in shacks on the outskirts of larger Hmong villages. The Mlabri people are currently going through a transformation process, which has taken many other people thousands of years. Now the young people are faced with the choice of staying with their families in the village or adapting to the Thai society. How do they experience the meeting between their own culture and the local, regional and national majority cultures? In this film young Mlabri tell about their past, present and future as they see it; all expressed in their unique and expressive Mlabri language.
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