Social & External
Singapore GaGa is a 55-minute paean to the quirkiness of the Singaporean aural landscape. It reveals Singapore's past and present with a delight and humour that makes it a necessary film for all Singaporeans. We hear buskers, street vendors, school cheerleaders sing hymns to themselves and to their communities. From these vocabularies (including Arabic, Latin, Hainanese), a sense of what it might mean to be a modern Singaporean emerges. This is Singapore's first documentary to have a cinema release. With English and Chinese subtitles.
Rare archive footage reveals what Singapore was like dating back to 1900, showing coolies sharing lunch, rickshaw pullers, a grand Peranakan funeral, and more.
It's Seattle 2006: A refugee teenager from Cambodia begins recording a video diary early in the summer to explain the meaning of "thug life." But ultimately his summer is defined by tragedy. Awarded Best Documentary at the DC Asian Pacific American Film Festival 2019
Class Acts is a feature-length documentary tracing the genesis of Singapore's creative scene in the '90s through intimate conversations with its pioneering personalities. These are the stories of individuals who started creating with nothing, who push Singapore’s creative standards even today. The ones who went on to inspire a new generation of musicians, designers, and street artists.
The film offers exclusive and intimate insights into how and why the classically trained artist risked rejection to revolutionize the traditional Chinese ink art form in Singapore.
Each day, thousands of people leave countries like the Philippines to seek work abroad. They work as nannies, domestics, clerks and labourers for low wages and with few rights. What little money they earn they send home to their families. This contribution to their country’s economy has prompted the Philippine government to call these contract workers “modern day heroes.” But that’s only half the story.
A documentary directed by Winding Refn's wife, Liv Corfixen, and it follows the Danish-born filmmaker during the making of his 2013 film Only God Forgives.
In 1992, teenager Sandi Tan shot Singapore's first indie road movie with her enigmatic American mentor Georges – who then vanished with all the footage. Twenty years later, the 16mm film is recovered, sending Tan, now a novelist in Los Angeles, on a personal odyssey in search of Georges' vanishing footprints.
An investigation into the nature of the sex trade in Thailand.
In this travelogue, actor David Suchet journeys across Europe aboard the world famous Orient Express train, as he prepares to play Poirot in an adaptation of Agatha Christie's "Murder on the Orient Express".
An old Traditional Muayboran Monk Champion Master enters the famous Petchyindee Kingdom Muaythai Gym to practice and train a session of Muaythai. In order to regain and recover the technics and skills, he showcases different styles of Wai Kru dances. From Tiger, Snake, Scorpion, Dragon and the spearing warrior dance.
From love pride parade to the strain hunters of Thailand. A vlogger makes its journey from the side hustle streets of Bangkok, covering the lost gems of Pattaya beaches and the mystical wonders of valuable antiques, amulets and significant temple paintings.
Bomb Hunters is an engrossing examination of the micro-economy that has emerged in Cambodia from untrained civilians harvesting unexploded bombs as scrap metal. The film explores the long-term consequences of war and genocide in an attempt to understand the social, cultural, and historical context and experiences of rural villagers who seek out and dismantle UXO (unexploded ordnance) for profit. Part of a global economy, these individuals clear UXO from their land in order to protect their families from harm and to earn enough money to survive. Bomb Hunters is an eye-opening account investigating the on-going residual, persistent effects of war experienced by post-conflict nations around the globe, and the complex realities of achieving "peace".
I AM GOLDEN KAREN is a coming-of-age story of Thaawa, a Karen refugee in search of his identity as a migrant in Thailand. In between puberty and adulthood, he nurtures a strong desire to return to his motherland, Karen State, Burma.
A musical, visual journey. Recorded and filmed on location, it resurrects ancient and forgotten folk music from Sri Lanka, Thailand, Indonesia, Maldives, India and Myanmar. The experience is brought to life for a contemporary audience through a minimalist orchestration of modern electronic waves and flows, thereby preserving the integrity of the music. The musicians come primarily from the coastal communities, towns and villages practically wiped of the world map by the Tsunami of December 26, 2004. It's beauty lies in it's purity and simplicity, a non-judgmental point of view. For the international team who came together, Laya Project is a personal and collective tribute to the resilience of the human spirit.
I took the southern train at Hua Lamphong for the first time, and I wanted to recorded the experience. However, because of the flood, we eventually returned to our starting place at Hua Lamphong.
Amid the noisy spectacle of Singapore’s golden jubilee celebrations in 2015, filmmakers Chew Chia Shao Min and Joant Úbeda conduct casual interviews with people from different walks of life, each with their own set of values and beliefs. The subjects share deeply personal stories and their perspectives on issues such as religion, race, identity and mortality. Unhurried interviews are interspersed with highly recognisable local scenes, and at times punctuated with serendipitous poetic moments.
An intimate portrait of Victoria Chorale — a Singaporean, alumni community choir led by Nelson Kwei, as he prepares them for a return to the international competition stage in Tokyo for the first time in 18 years. And possibly also their last ever. CODA is an observation of the relationship between the music and its Singaporean makers.
A dwarf, a dragon, and a golden egg. Yet the real fairy-tale of this film is the journey of Jeanmarie, the Dutch street performer. In an adventurous project, Jeanmarie teams up with youth worker Frank to travel through the last remaining untouched regions of China, performing his new show to local children. As they transport their wondrous music machine from village to village, they bring laughter and intrigue to all who witness their magical performance, reuniting reality with fantasy, Europe and Asia. In a film as imaginative and whimsical as Jeanmarie's play itself, this is a poignant tale of passion and conviction to follow and fulfil your dreams.
