Being 97

Herbert Fingarette once argued that there was no reason to fear death. At 97, his own mortality began to haunt him, and he had to rethink everything.

Methadonia

Shot over the course of 18 months in New York City's Lower East Side, METHADONIA sheds light on the inherent flaws of legal methadone treatments for heroin addiction by profiling eight addicts, in various stages of recovery and relapse, who attend the New York Center for Addiction Treatment Services (NYCATS).

Swingtij (Blue Notes & Higher Grounds)

The Mole Agent

When a daughter becomes concerned about her mother's well-being in a retirement home, private investigator Romulo hires Sergio, an 83-year-old man who becomes a new resident—and a mole inside the home, who struggles to balance his assignment with becoming increasingly involved in the lives of several residents.

Manlife

For over 80 years, Merle Hayden has crusaded to recruit members to the utopian movement Lawsonomy. Founded by aircraft pioneer Alfred Lawson, Lawsonomy advocates for economic reform and clean, communal living that transforms followers into a "New Species" that will benefit the human race either in this life or the next. Merle joined Lawson as a teenager and never looked back. His high school sweetheart Betty Kasch, however, is tired of Lawson coming between them. Reunited after over 60 years apart, non-believer Betty wants Merle to join her in Florida. Merle's commitment to preserving Lawson's legacy, artifacts currently rotting in a barn alongside a Wisconsin highway, has Betty worried Merle may leave her for Lawson once again.

Fernando

Fernando is an actor and theater teacher who, at the age of 74, is impelled to be the protagonist of himself in an experience that blurs the boundaries between the documentary and the fictional. Faced with a delicate problem in his heart, he follows a life full of love for art, where education emerges as a powerful transforming element of reality.

Mary Bauermeister - Eins plus eins ist drei

Mary Bauermeister is considered the mother of the Fluxus movement. In an attic on Cologne's Lintgasse, she made art history in the early 1960s alongside personalities such as Karlheinz Stockhausen and Nam June Paik. Today, at the age of 85, she has no intention of stopping. From morning till night, this extraordinary artist works in her studio near Cologne: a magical place.

Danchi Woman

85 years old and never married, Shizu has spent the past 3 decades living in one "Danchi" - the Japanese word for public housing - and filling it with the lifetime of souvenirs that have always kept her company. When the danchi is scheduled for demolition, Shizu and neighbors must say goodbye to their homes, and move into newer danchi that are too small to hold all of Shizu's mementos. This intimate documentary captures Shizu's sense of humor, and profound nostalgia, as she sorts through relics of her past, and chooses which memories she must fit into her new home, and which ones she can let go of.

How to Live Forever

Director Mark Wexler embarks on a worldwide trek to investigate just what it means to grow old and what it could mean to really live forever. But whose advice should he take? Does 94-year-old exercise guru Jack LaLanne have all the answers, or does Buster, a 101-year-old chain-smoking, beer-drinking marathoner? What about futurist Ray Kurzweil, a laughter yoga expert, or an elder porn star? Wexler explores the viewpoints of delightfully unusual characters alongside those of health, fitness and life-extension experts in this engaging new documentary, which challenges our notions of youth and aging with comic poignancy. Begun as a study in life-extension, How To Live Forever evolves into a thought-provoking examination of what truly gives life meaning.

Please Remember Me

Hardly could anybody tell that 87 years old Lou has had Alzheimer’s disease. Over the years, Lou has forgotten almost everyone but firmly believes that 88 years old Feng is the one she is going to spend the rest of her life with.

(Im)mortals

What happens after death? Lila Ribi's 100-year-old grandmother Greti always has the same answer: There is nothing after death. The filmmaker sees things differently.

Outliving Shakespeare

In a decaying Soviet-era retirement home, a vibrant group of elders cling to life by staging Shakespeare. Yet loneliness lingers beyond the theater’s doors, until drama begins to blur with reality.

Madeleine

Every week, two friends born 67 years apart share their life stories in a senior home's living room. The younger friend convinces the 107-year-old lady to join her in an adventure: a road trip to the sea.

The Dawnsayer

For the past 40 years, Bruce Beach has been preparing for a nuclear disaster. A bunker of 42 school buses is buried on his property, designed to save humanity. Curious onlookers and interested preppers regularly visit the site named Ark Two, but it's clear that the creator of this decaying shelter is the only one truly convinced of its practicality in the event of an apocalypse. Now that Bruce is in his 80s, he and his wife Jean need to spend more time taking care of their immediate needs than worrying about the future. What could easily be dismissed as evangelical paranoia becomes a tragic yet uplifting story about a risk-taking inventor who has lived without regrets. Sometimes outside-the-box thinkers become millionaires and are recognized for their genius ability to guide us into the future, while others are pushed to the margins. There’s a lot to be learned from both

Old Women's House

This film is focused on elderly women spending their last years of life in a nursing home in Krakow. The discreet heroine of the film is an elderly lady whose check-in is recorded by the camera. Thanks to this, we gain access to intimate situations, for example a sudden acceleration of the heartbeat in the middle of the night. The camera follows the women around the clock, starting from their morning prayer.

Half Elf

A lighthouse keeper prepares his earthly funeral while trying to reconnect with his inner elf. Hulda and Trausti have shared a roof on the Icelandic coast for over seventy years. Her love of books is matched by his love of stones. When he tells her he wants to change his name to Elf she warns him that the family will reject him. Now, as his one hundredth birthday nears and Trausti senses the hand of death upon him, he is searching for an elf’s coffin…

Tracing Roots

A new documentary that follows master Haida weaver Delores Churchill on a journey to replicate a spruce root hat discovered with the Long Ago Person Found. The 300-year-old traveler was discovered in British Columbia and DNA testing discovered living descendants in Canada and Alaska. Her search crosses cultures and borders, and involves artists, scholars and scientists. The project raises questions about understanding and interpreting ownership, knowledge and connection.

Harry Smith at the Breslin Hotel

The 94-year-old Robert Frank’s unique recordings of his fellow artists Harry Smith and Allen Ginsberg, which he had salvaged from his own archive for Harry Smith at the Breslin Hotel.

América

This sparkling, irreverent, and deeply emotional piece of creative nonfiction announces the arrival of a standout filmmaking partnership. When their father is hauled away, a colorful trio of brothers — a sibling team to rival Moe, Larry, and Curly — step up to take care of América, their grandmother, in Colima, Mexico. Rodrigo, Diego, and Bruno are stilt-walkers and acrobats and Elvis impersonators and unicycle riders — when not running the family's agriculture warehouse. With a loose, offhanded charm, Stoll and Whiteside capture the family’s natural performative streak in a way that makes even the most explosive, dramatic moments feel organic. The endearing, genuine scenes between Diego and his grandmother celebrate the possibility of multigenerational connection.

Till The End Of The Scene

For 91-year-old Ruta acting is not just a career: it is her lifestyle. Once again, she starts working on a new role. This time the theme of the play provokes questions about her own life: how does one deal with ageing? And, most importantly, - is there a specific time when an actress should leave the stage?