The Bank Clerk is a 1919 American short comedy film directed by and starring Fatty Arbuckle. The film is considered to be lost.
Social & External
Unknown Role
Otie Otis forgets his own marriage and then stumbles through the honeymoon, constantly forgetting one thing or another. But when he makes a big mistake by entering the wrong room, what can he do to make it all right?
Minnie, the homeliest girl in town, is devoted to her father, a discouraged inventor who has been working on a wireless device. Subject to the sneers of her neighbors, Minnie "invents" a lover and sends herself letters and flowers. Her stepsister suspects the truth and threatens to expose her. Desperate, she claims an unidentified body at the morgue and tells a reporter that this is her lover, unaware that the body is that of a Chinese man. The absent-minded reporter sees her heart and forgets about the big story. After further disappointments in the invention, Minnie's stepmother decides to leave her father. Her father then has a success and becomes rich. At a celebration, the stepsister and townspeople are surprised when a new couple appear, which turn out to be the former reporter and his lovely wife Minnie.
Katie Abbott, despairing of being a wallflower, is about to attempt suicide in the village pond when she is rescued by a young stranger.
“This hilarious bit of foolishness has for its theme the gradual rise of a hard-working plumber and his wife, who, after years of struggle, find themselves with a lovely home. The wife who has social aspirations and a desire to entertain people of wealth and note, invites a millionaire couple to dinner. She hires a caterer to help her with the serving and they send a butler who turns out to be a truck driver with whom her husband has had a collision, a short time before, which resulted in a street fight. What these two do when they recognize each other and what happened to the millionaire couple has to be seen to be appreciated.”
A princess avoids a forced marriage by changing places with her double.
One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.
Charles, Joseph and Sir Benjamin are in love with Maria and Lady Sneerwell is in love with Charles.
A man tries to burgle his own safe on the same night that a professional criminal attempts it.
Women They Talk About is a part-talkie Vitaphone film, with talking, music and sound effects sequences, starring Irene Rich, directed by Lloyd Bacon and produced and distributed by Warner Bros. It is considered to be a lost film.
Joe and Eve are engaged, but Joe cannot help contrasting the drabness of her attire with the dressy clothes of their friends. Eve overhears him talking of this and breaks with him. Then, with the help of her friend, Mazie, she metamorphoses into a ravishing beauty. Joe is remorseful, but the situation is made more complex when he suspects Eve of questionable relations with her boss.
Princess Cecelie of Capra, a small Alpine nation, visits the U.S. with her mother, Queen Charlotte, and becomes enamored with Jazz Age culture. The princess refuses an arranged marriage with Prince Boris of Dacia, unaware that they have already fallen in love during a chance meeting.
No known surviving copy is known to exist. This well received film revolved around Harry Van Housen's rejection from service in WWI and subsequent heroism in foiling a ring of spies.
While working as a dishwasher in a fashionable New York hotel, Elsie MacFarland often sneaks upstairs to enviously peek at the people dancing to jazz music. Seeing the attractive Elsie dressed in a boy's uniform, wealthy Lemuel Stallings wagers a friend that he can get Elsie onto the dance floor....
Kalora is the "slim princess of Morevana," a land in which fat is prized. This distresses her family, who must marry off Kalora, before her rotund younger sister Papova may wed. To remedy this situation, Kalora's father, the governor general, throws a garden party and disguises his slim daughter in an inflated rubber suit. All goes well until the suit ruptures, deflating Kalora to her normal size....
Samson Brown is a lazy and shiftless husband who lets his wife, Hannah, support the family. He is constantly insulted and annoyed by his in-laws, who live with them, and finally takes off for points unknown. At home, life goes on as usual with the exception of a former suitor who shows up to court Hannah when it is believed Samson is dead. While wandering around the desert Samson discovers a valuable radium deposit. The now-rich Samson plans to return home and sort out the family matters but first he buys a nightclub.
When Pinto reaches her eighteenth birthday, the five wealthy Arizonans who adopted her upon the death of her parents decide that ranch life will never make a lady of her. Their old friend Pop Audry, formerly of Arizona and now a member of New York society, agrees to provide Pinto with the necessary education. Accordingly, Pinto and her cowboy nursemaid Looey are dispatched to New York where they lose Audry's address. ...
In happy mood, a rollicking, good-natured party of "Jack Tars" on shore leave are out for a good time, and get themselves well under way in song and general good cheer by visiting the only place of merchandise and refreshment which the little seacoast town affords. Under full sail they are steering their way through the streets of the village, running foul of trees and posts, bowing in humble apology for their seeming rudeness and disturbance. They have apparently lost their "sea legs" and are a little bit unsteady in the joints, but merrily they roll along until they come to a swinging bridge crossing the river. Here is where they strike rough weather.
A short silent film produced by Gaston Mèliès in San Antonio.
A hard-core socialite turns over a new leaf after spending time with a less fortunate family.
