Fred acts as a matchmaker for his cousin Flo and his friend George.
Social & External
Flo Ballard
George Moore
Jack Trevor, an automobile salesman who takes the place of the recently deceased heir, Horace Barney, after a train crash. Trevor, who has a striking resemblance to Barney, finds himself at the mansion where he falls in love with Barney's cousin and rightful heiress, Helen. He must then expose the fraudulent scheme of Barney's guardian and his accomplices to save the estate and win Helen's love.
Newlyweds Käthe and Max met while studying law. Trouble ensues when Max takes on his first case without telling his wife.
Chuck McCarthy, an intrepid young ironworker, longs to become an actor, despite the protests of his girl, Molly O'Connors, and his family. In dashing up the frame of a building to catch actress Bijou Lamour's runaway pet monkey, he attracts the attention of the studio managers, who make him a stuntman. For a time Charles is happy executing life-risking feats and strutting around in new clothes, although the company laughs at him behind his back. When leading man Marmaduke X. Caruthers refuses to perform a particularly dangerous stunt in a war film, Chuck doubles for him and is seriously injured. The studio manager, who recognizes in the incident an opportunity to promote his star, quickly wraps Marmaduke in bandages and sends him to the hospital, while Chuck is secretly removed through the back door. The next day, the Filmcraft Company sends Chuck a check for $1,000 to keep quiet about the accident. He and Molly use the money on their honeymoon to Niagara Falls.
Charles, Joseph and Sir Benjamin are in love with Maria and Lady Sneerwell is in love with Charles.
A man tries to burgle his own safe on the same night that a professional criminal attempts it.
A lost film. Teddy Drake is a pleasure-seeking aristocrat who ends up expelled from his exclusive Fifth Avenue club for playing practical jokes and other rambunctious antics. He decides to reform his selfish ways and boards a train heading heading for the Southwest.
A woman takes the place of a wife who had died seven years earlier.
Joe and Eve are engaged, but Joe cannot help contrasting the drabness of her attire with the dressy clothes of their friends. Eve overhears him talking of this and breaks with him. Then, with the help of her friend, Mazie, she metamorphoses into a ravishing beauty. Joe is remorseful, but the situation is made more complex when he suspects Eve of questionable relations with her boss.
Women They Talk About is a part-talkie Vitaphone film, with talking, music and sound effects sequences, starring Irene Rich, directed by Lloyd Bacon and produced and distributed by Warner Bros. It is considered to be a lost film.
Amy Lindel, a church choir singer, goes to the city to pursue a singing career, but finds herself only able to get cabaret gigs. She then becomes entangled in a situation involving stolen diamonds, and is saved by the "good guy" whom she later marries.
One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.
Minnie, the homeliest girl in town, is devoted to her father, a discouraged inventor who has been working on a wireless device. Subject to the sneers of her neighbors, Minnie "invents" a lover and sends herself letters and flowers. Her stepsister suspects the truth and threatens to expose her. Desperate, she claims an unidentified body at the morgue and tells a reporter that this is her lover, unaware that the body is that of a Chinese man. The absent-minded reporter sees her heart and forgets about the big story. After further disappointments in the invention, Minnie's stepmother decides to leave her father. Her father then has a success and becomes rich. At a celebration, the stepsister and townspeople are surprised when a new couple appear, which turn out to be the former reporter and his lovely wife Minnie.
Directed by Max Urban.
Samson Brown is a lazy and shiftless husband who lets his wife, Hannah, support the family. He is constantly insulted and annoyed by his in-laws, who live with them, and finally takes off for points unknown. At home, life goes on as usual with the exception of a former suitor who shows up to court Hannah when it is believed Samson is dead. While wandering around the desert Samson discovers a valuable radium deposit. The now-rich Samson plans to return home and sort out the family matters but first he buys a nightclub.
Mrs. Letitia Summers, owner and principal of an exclusive boarding school, decides to give her two nieces an education while deciding which will be her heir unbeknownst to them. She writes each a letter, stating that a lady of means has provided for their education at Mrs. Summers' seminary. Edith and May are both delighted with the news, but while Edith leaves with her modest belongings May immediately demands a lot of new things to satisfy her vanity and desire to make a great impression. May attracts considerable attention upon her arrival but Edith, in her modest wardrobe, is received with disparaging remarks. Both do well in their studies but on graduation day Mrs. Summers calls the two girls into her private office and tells them that she is their aunt, and she has chosen Edith as her heir in recognition of her kindness and thoughtfulness towards others, particularly towards her poor mother.
Slim appears as a police court judge and Bobby as one of the jurors who is later given a job as bailiff. The reel deals with three or four different cases that come up, one a female bootlegger, the other a diminutive man charged with beating his big wife; another raises the question of whether a mule is gentle, and Bobby is called on to ride him. The last charge is against a wild man who escapes, taking Bobby along as he is chained to him. A train runs over the chain and the two drop from the trestle into the police auto.
The story centers on Flapjack Ike (played by John Bunny), a dominant local figure or "autocrat" in the titular town. Ike faces off against Edith, the Widow (played by Flora Finch), who challenges his authority.
Alice takes her little siblings Billy and Kitty to a matinee. They immediately become imbued with the wonderful idea that they are actors. They set up a miniature stage of their own in the summer house on the grounds. They spy upon their sister and her sweetheart Bob, and reproduce their affairs. A quarrel furnishes material for an interesting production, which is a revelation and a lesson to Bob. He goes and makes amends, acting upon the suggestions of the performance.
No prints of the film have been preserved so the film can be considered a lost film. The original screenplay has also been lost. However, some plot descriptions are still known based on contemporary newspaper advertisements of the film. As the name would indicate, the film tells about two local men who are making moonshine in the woods. A customer comes to them, and while sampling the product they start a game of cards, which eventually leads to a fight. While the fight is going on, the local police shows up and arrests the makers while the customer manages to escape.(Wikipedia)
