Flaming Flappers

Glen and his friends are attending a co-ed school and are managing to have a very enjoyable time of it - in fact so much so - that Glen becomes engaged to one of the fair co-eds. His sister precedes him to the home town and breaks the news of his engagement to the family. In the meantime Glen and his sweetie enlist the aid of a rickety old flivver lo make the visit to the relatives. They have a tough time keeping the old car together and to further add to their difficulties, decide to adopt an orphan baby on the way home.

Frenel

A Short film about a contemporary milliner in NYC.

Encierro de toros

O Vampiro de Novo Hamburgo

Mockumentary on a German moviemaker and an old vampire film in Southern Brazil.

I'm the Most Racist Person I Know

When a romantic gesture towards a bartender backfires, Lali unexpectedly finds herself offered a pity date by another bartender, Ana. What starts as an awkward encounter turns into a genuine connection as they bond over shared experiences as women of color. As they grow closer, Lali finds herself falling for Ana. But when the conversation takes an unexpected turn, Lali must confront her prejudices towards Ana and... herself.

Cops

Buster Keaton gets involved in a series of misunderstandings involving a horse and cart. Eventually he infuriates every cop in the city when he accidentally interrupts a police parade.

Long Walk Home

A dark romantic comedy about a young couple from London. A decision to walk home one night, rather than taking a taxi, brings out the very different secrets that they have been keeping from one another.

The Stand

Three guys in the mafia are assigned to make a hit but when they realise whom they have to kill the night comes to a halt.

Crossroad

Artem (40) is stuck in the routine of an unhappy life. He is under constant female pressure in the family and at work. A sudden meeting with a stranger at the crossroad makes him decide to make drastic changes.

Mon Colle Knight: Legendary Fire Dragon

An alternative interpretation of the series' start.

Paulette's Chair

Paulette plays in the back yard, in the shade of a tall tree, with her doll, somewhere out in the countryside. Secretly watching other children have fun without her makes her sad. Then suddenly the wooden chair she is sitting on begins to move, and throws her off. She bravely gets on the chair again, which starts to buck like a wild horse, making her very happy. Racing through the countryside, the chair then throws her off, right into the middle of the group of playing children, helping her overcome her shyness.

Cricket

Through the pattern of this film a ‘Test’ at Lord’s runs like a thread and a broadcast commentary on the match is imposed on the background of cricket as a game, a craft, an interest of a people, a piece of history. The craftsmen are shown who make the ball and the bat–that ‘fourth straight stick’ with which the batsmen defend ‘the other three’. The craftsmen are shown who play the game, from W. G. Grace in the ‘nets’ to D. G. Bradman and Denis Compton in the thread of the ‘Test’. The history of the game is epitomized in the Long Room shots at Lord’s and from there the camera moves to the village green; to the London side- street where the urchins play on a ‘bumping pitch’; to South Africa, and India, where in the ‘blinding light’ there is often ‘an hour to play and the last man in.

The Illusion

Susana Barriga’s documentary, the illusion, begins with violence. A long shot reveals a man standing on a street corner, his features indiscernible in the night. He moves out of the camera’s line of vision, but the filmmaker, persistent, moves with him as the jostling of the camera marks her steps. As we learn moments later, the man in the distance is Susana’s father – and this is the clearest image of him we will have. Suddenly, an angry British man demands that Susana cease filming. Susana protests in heavily accented English, “He is my father!” Glimpses of a man’s torso are followed by blurred images as the camera spins rapidly over surfaces. The image cuts to black. A new male voice asks in carefully spaced out words if Susana would like him to call the police. When she doesn’t respond immediately, he speaks louder, as though volume would compensate for the language difference. She gives her name; she refuses the offer of an ambulance.

Fountain

It has been exactly 100 years since Marcel Duchamp exhibited his famous work Fountain, which basically was a mere urinal. Its replicas have been implicated in a number of affairs when people visiting exhibitions in museums around the globe were trying to give the work its original purpose by force. At the 100th anniversary the question poses itself: What if somebody returned it to the toilet, is it then still a work of art?

Florida-Montréal

Mum breaks up with Dad while on vacation in Florida and flies back to Montreal. The kids, Jonathan and Florie, two immature and impressionable twentysomethings, only have a few hours to figure out how they'll welcome her back.

World of Plenty

An opening narration explaining that the film's purpose is to examine the "world strategy of food", in terms of its production, distribution and consumption. The film is then divided into three parts: "Food - As It Was", "Food - As It Is" and "Food - As It Might Be".

Remotely Working

Phil thinks his online staff meeting is audio-only, but OMG it's not!

New Years Eve

Muddled in ambiguous relationships, a boy paces through a Mumbai street, trying to find a partner to spend New Years Eve with.

A Punch in the Nose

A troupe of actors stranded in a small town take job as recreation directors in a sanitarium and hilarity ensues.

LIKE

LIKE is an IndieFlix Original documentary that explores the impact of social media on our lives and the effects of technology on the brain. The goal of the film is to inspire us to self-regulate. Social media is a tool and social platforms are a place to connect, share, and care … but is that what's really happening?