Social & External
We couldn't find movies similar to this one, but we're always adding new content.
Leroy Lowe, grand dragon of the Texas Ku Klux Klan confronts everything he's been taught to hate when he's sentenced to three years of hard labor on a prison work farm, where Warden Merville, dead set on rehabilitating Leroy, chooses Emilio, a Hispanic field worker imprisoned for fighting for labor rights, to be his cell-mate. Leroy, confined in a small cell with the enemy, far from the KKK comrades who deserted him, finds the chatty Emilio slowly chipping away at his anger and prejudice. His weekly rehabilitation meetings with the warden, barely tolerable as the man drones on about farm labor and field crops, take on a different meaning when Madalena, a beautiful Mexican maid is hired to clean the warden's office. An unconventional love story develops that opens Leroy's eyes to the possibility of a different life. And a man who was a born and bred racist finds himself heading down a completely different path to salvation.
In the led-up to the 1989 WWE Survivor Series, top WWE Superstars strive to Survive!
Video from this show was featured on Episode 12 of ‘Dinner And A Movie - An Archival Video Series.’ SET 1: Theme From the Bottom > Poor Heart, AC/DC Bag > Tela, Punch You in the Eye, Reba, Strange Design, Rift > Cavern > Run Like an Antelope SET 2: Simple > David Bowie, The Mango Song, Loving Cup, Sparkle > You Enjoy Myself, Acoustic Army, Possum ENCORE: A Day in the Life Trey teased Call to the Post in Reba and Mind Left Body Jam in Bowie.
A street scene showing parade of the entire Buffalo Police Department, 16 men abreast, with military band.
Jimmy Aubrey plays a book agent and on his rounds of selling is induced to substitute for a local fistic star. His adventures in the prize ring furnish a great deal of comedy.
Actress and model Serena Motola joins former idol and current YouTuber Michela Sato, in a short film that depicts them as sisters who plan to kill their beloved father after he says he wants to remarry.
Maria steps into her mother's apartment, a bittersweet journey down memory lane. The rooms echo with the echoes of her childhood, as she spots the familiar furniture and treasured trinkets. Loneliness settles in, a quiet companion. She recalls the days when her mother's voice would call out her name, back by their favorite tree, in simpler times.
Assumption is a virtuosic personal tribute, a glimpse at history and a celebration of independent film culture. Gidal's short film was assembled round a recording of the voice of Mary Pat Leece, who worked at the London Filmmakers' Co-op in the mid-1970s, and later became a much loved lecturer at St Martins School of Art. She died suddenly in 1997. The film's rapid-fire montage of images and sounds encapsulates her politics, her Catholicism and her intellectual passion.
A team of armed Pakistani militants stage a terrorist attack at the Taj Mahal Palace Hotel in India.
A short documentary about the intricate nativity scenes of Michele Pascuzzi.
The female protagonist finally makes it to get a job as an intern. But after a while working at this weird company, she finds out the criminal site of it and learns to be a criminal herself.
Joe Chan (Julian Cheung), an Pay-TV office manager, mourns the death of wife-to-be Winnie Tsang (Loletta Lee), while a spirit causes trouble for a pair of wrongdoers set on taking over the station. A not-so-literate taxi driver Shing Wai-lin (Simon Loui) visits a tarot reader after his girlfriend leaves him. The mystic warns him that he is set to meet a strange woman and he'll be in certain danger. In a dingy flat, housing nurse Mindy (Fennie Yuen) treats triad member Ton's (David Wong) latest wounds. Her Aunt Ha (Helen Law Lan), meanwhile, senses a dark force drawn to the flat's dark hallway.
According to Ferrara, Rossellini told him it was a satire in which “Perfidious Albion,” a big turkey representing England, goes around pecking at the hens representing the nations of Europe, until defied by a rooster representing Italy. “Rossellini detested it,” said Ferrara, “[though his] genius was such that he could achieve extraordinary effects out of nothing.
