Social & External
Rebecca Schmidli
Wanja Gehr
Stefan Geissmann
Thomas Gmelin
A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.
Referred to as "Woodstock of the 80s", the US Festival was iconic with over 2 million attendees. Created by Apple co-founder Steve Wozniak and legendary concert promoter Bill Graham, the Us Festival assembled the best bands in the world including The Police, Tom Petty, Fleetwood Mac, Santana, Jackson Browne, Eddie Money, Jerry Jeff Walker, Jimmy Buffett, The Cars, Talking Heads, Ramones, Grateful Dead, Pat Benatar & The B52s.
A man steadily bashes through the snow. He disappears and the trees, covered in white, shift and show a beautiful array of hidden colors. A poetic, meditative short film about letting go of the past and embracing the unknown future.
Cao Fei recorded her experiences within the online social platform Second Life. The result is a wistful, surreal vision of an alternative reality sprung from the pop culture fantasies and hyper-consumerism of contemporary urban China, while also trying to transcend its real-life limitations. It can be seen as an answer to the challenge posed by River Elegy: how to envision a new Chinese destiny founded on principles of individuality, creativity, discovery, and freedom. The film also reflects the contemporary condition of the virtual supplanting our experience of the real.
Live show filmed during the Death Metal Massacre tour on February 16, 2000 at the Rave in Milwaukee, WI. One of the most extreme heavy metal bands ever, Cannibal Corpse acknowledge no boundaries of speed, power, or "good taste" in this full-on concert video. Cannibal Corpse: Live Cannibalism features interviews with the members of the band and their loyal fans in between numbers, in which they tear through a range of classic tunes.
An overview of the early years--late 1970s, early 1980s--of San Francisco punk band Dead Kennedys, with clips from some of their live concerts and footage of landmark San Francisco locations of the punk music scene. Jello Biafra and The Dead Kennedys show why they're the kings of satire in 9 live early performances.
A 1-hour Documentary looking at the Manchester post-punk group and its infamous leader Mark E Smith. The Film follows the current band recording their final Session for the John Peel Show (they were his favourite group and recorded more sessions than any other band) as well as chronicling the chaotic history of the band & its numerous line-up changes.
Arguably second only to Muddy Waters among the Mississippi Delta singers who traveled north and pioneered urban electric blues (their supposed rivalry is the subject of one of this DVD's bonus features), Wolf was a big, imposing man with an inimitable, booming voice and a lasting influence on generations of rock & rollers--all of which comes across in the 90-minute film.
The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.
SEX AND BROADCASTING is a feature length documentary about New Jersey's WFMU, the world's strangest and most unique radio station, and one man's attempt to keep it alive in the face of recession, the persistent threat of commercial media, and the challenges that come with keeping a rebellious group of outsiders together.
A 2004 documentary on thirty years of alternative rock 'n roll in NYC.Documenting the history from the genuine authenticity of No Wave to the current generation of would be icons and true innovators seeing to represent New York City in the 21st century
A documentary on the surviving syncretic pagan midwinter customs of the British Isles, focusing on nine ritual celebrations ranging from the Moray Firth in the north, the Somerset Levels in the south, Humberside in the east, and County Kerry in the west. Featuring music by the Albion Band and narration by John Tams.
Filmed as part of the VH1 Storytellers series, Taylor Swift performed a live acoustic concert on October 15, 2012 at the Bridges Auditorium, after the Harvey Mudd College won the "Taylor Swift on Campus" contest.
Within Temptation's tour DVD in support of their album, "The Silent Force." The Silent Force Tour is a double DVD which was released on November 18, 2005. In addition to the standard double DVD release, the deluxe edition includes a bonus CD. The main concert features the band playing at the Java-eiland, Amsterdam. Three songs that were performed at the concert were not included on the release ("Somewhere", "Enter" and "Running Up that Hill"). The song "World of Make Believe" was also scheduled to be played, but keyboardist Martijn Spierenburg felt "unprepared" to play this song live. Live concert at the Java Island, Amsterdam,live videos from two European summer festivals (Helsinki, Finland, 2005 and Rock Werchter, Belgium, 2005) and the three music videos of off the album The Silent Force ("Stand My Ground", "Memories" and "Angels"). Disc 2 consists of Backstage footage, making of documentaries, Impressions and Interviews and extras.
"We're more popular than Jesus." John Lennon's statement caused a scandal. Yet it is just another chapter in the tumultuous history between rock music and religion. A history that began with Elvis's sinful hip-shaking and continues today with the revival of Christian rock. A 60-year story that brings together deified singers, gurus, hippies, metalheads, punks, fundamentalist priests, and stars who died too young...
U2 performs live in Mexico City in support of their 1997 album, "Pop," featuring lavish special effects, cutting edge sound and spectacular multimedia enhancement. /// Tracklist: 1. Pop Muzik 2. Mofo 3. I Will Follow 4. Gone 5. Even Better Than The Real Thing 6. Last Night On Earth 7. Until The End Of The World 8. New Year's Day 9. Pride (In The Name Of Love) 10. I Still Haven't Found What I'm Looking For 11. All I Want Is You 12. Desire/La Bamba 13. Staring At The Sun 14. Sunday Bloody Sunday 15. Bullet The Blue Sky 16. Please 17. Where The Streets Have No Name 18. Lemon (Perfecto Mix) 19. Discothèque/Love To Love You Baby/Life During Wartime 20. If You Wear That Velvet Dress 21. With Or Without You 22. Hold Me, Thrill Me, Kiss Me, Kill Me 23. Mysterious Ways 24. One 25. Wake Up Dead Man
Filmed and recorded towards the tail end of 'The World Slavery Tour' over a record breaking four sold out nights at Los Angeles' 13,200 capacity Long Beach Arena. Featuring tracks from their first five albums.
Copyright Criminals examines the creative and commercial value of musical sampling, including the related debates over artistic expression, copyright law, and (of course) money. This documentary traces the rise of hip-hop from the urban streets of New York to its current status as a multibillion-dollar industry. For more than thirty years, innovative hip-hop performers and producers have been re-using portions of previously recorded music in new, otherwise original compositions. When lawyers and record companies got involved, what was once referred to as a “borrowed melody” became a “copyright infringement.” The film showcases many of hip-hop music’s founding figures like Public Enemy, De La Soul, and Digital Underground—while also featuring emerging hip-hop artists from record labels Definitive Jux, Rhymesayers, Ninja Tune, and more.
Chronicles the history, ideology and aesthetic of Norwegian black metal, a musical subculture infamous as much for a series of murders and church arsons as it is for its unique musical and visual aesthetics. This is the first film to truly shed light on a movement that has heretofore been shrouded by rumor and obscured by inaccurate and shallow depictions. Featuring exclusive interviews with the musicians themselves, Until the Light Takes Us explores every aspect of the controversial movement that has captured the attention of the world.