Based on the life experiences of photographer Horst Sturm, the story of Kollwitzplatz in Berlin is retold.
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Pereda returns with a small, mysterious and moving tribute to Chantal Akerman, conceived as a series of joyful impossible letters addressed to the great disappeared from the cinema, to answer her fictional question about renting her bright apartment in Coyoacán.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Presents life in 18th century Spain as the painter Francisco de Goya showed it to us.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Featurette about the filming of Durchs wilde Kurdistan and Der Schut
Branda has hit rock bottom. Her addiction has spiralled so far out of control that medical intervention is the only option left. She's forced to confront her darkest demons in order to lick her deadly appetite, and must apply all 12 steps to her four stomachs - Branda is a cow addicted to eating plastic bags. It's easy to find humour and irony in Branda's toxic lifestyle, harder to admit that we're the ones being ridiculed.
A short experimental documentary that interrogates how the modernization of parks and playgrounds in Long Branch (a neighbourhood in South Etobicoke in Toronto, Canada) both reflects and contributes to the overall rise in the cost of living in the area by exploring children's relationships to the community spaces around them. The film includes footage from four local parks and playgrounds, personal archival materials, interviews with five South Etobicoke locals, and an art-based workshop at a local junior middle school.
Journey across Morocco, Spain, Mexico, Argentina, Patagonia, Texas and British Columbia, to meet vaqueros, gauchos, baqueanos and cowboys - all part of a single global horse culture, an unbroken trail stretching back 1,500 years.
Whatever became of the actor director Luchino Visconti famously cast as young Tadzio in "Death in Venice"? Documentary filmmaker Etienne Faure goes looking in this short film first presented at Cannes.
Presents the history of the domestic cat, tracing the animal as a house pet and as a symbol of mystery and worship from ancient Egypt to the present day. Offers hints on the care and treatment of cats in homes of today.
The story of a young woman entering the world of filmmaking as assistant director to Bilge Olgaç and the two years they worked together. Through her diary, Belmin Söylemez explores what she learned from Bilge Olgaç, the most productive woman director in the history of Turkish Cinema. The film also gives us clues on filmmaking in Turkey in the late 80’s. From tough shooting conditions to 35 mm editing, we discover Olgaç’s world through her assistant’s eyes. ‘Bilge and Her Apprentice’ pays tribute to the life and work of Bilge Olgaç, who passed away in 1994.
The film is a story about the deep connection of the life and art of the artist. It takes you on a journey through Berlin like you have never seen before. Take a deep dive behind the scenes of the famous red and blue graffiti letterings that cover the heart of the city and tune into the connection between art, letters and spirituality.
Filmed in 2003 while staying in a Brooklyn Heights apartment, the work centers on a small Greek statue revealed in shifting morning and afternoon light. Beavers weaves these images with views of the East River and Manhattan Bridge, later completing the film in 2010 as a meditative elegy for his friend Jacques Dehornois.
‘Sit Down and Shut Up’ is an exciting new short documentary about when Limerick FC played football giants Real Madrid in the 1980 European Cup. It’s a David vs Goliath tale about the opera of football, the city of Limerick and a game that few remember but three men can never forget.
Originality in a time of poorly made copies, a filmic inventory of a strange time, a kaleidoscope of images, in a constant game of ruptures and continuities. All this from 365 videos published on an Instagram page in 2018, added to an original soundtrack and a text adapted from Dürrenmatt's play Dialogue of a Vile Man, a text that synthesizes our time well.
"Granddaughters of Witches"? A discussion about the reality of the modern woman. Featuring anthropologist Carla Cristina Garcia and artist MC Tha.
After consolidating itself as a tourist destination in the mid-1960s, this small coastal village has become the dormitory town for the workers of a Nuclear Power Plant. With the liberal promise of prosperity and socioeconomic wellfare, many workers left their homes to move to the small city and started working at the new Nuclear Power Plant. The collective unrest and the silence, cut off by the great gusts of wind, articulate the landscape of the village that is now under the aid of the Nuclear Power Plant.
An experimental short film by Derek Jarman the depicts the crush of flesh at an art-world event.
One of the greatest Hamlets of the 20th century Sir John Gielgud reflects on the play and its title character with which he used to be intimately associated for ever since 1929.
