Producciones Yllana and Ara Malikian present PAGAGNINI, an innovative, non-text musical show that brings to life some of the most treasured musical pieces in the World in the key of comedy.
Social & External
Self
Voice-Over
A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.
On March 25th, 2014, Dream Theater performed at the Boston Opera House with very special guests from the Berklee College of Music orchestra and choir. Filmed and directed by Pierre and FranƧois Lamoureux, and mixed and mastered by Richard Chycki.
It is the year 2000 and the World Global Union is in charge, although other countries are allowed to elect their own government leaders, as long as they support the Union. When Austria's newly-elected president, played by Josef Meinrad, makes his inauguration speech he declares Austria independence and issues an edict ending Austria's financial support for the Global Union.
Live from Texas is a live DVD/Blu-ray by ZZ Top. It was recorded on November 1, 2007, at the Nokia Theatre in Grand Prairie, Texas, and released on June 24, 2008, by Eagle Rock Records. The hirsute trio (guitarist Billy Gibbons, bass player Dusty Hill, drummer Frank Beard) has been at it for nearly four decades now.
A man tours clubs around the globe with his manager and girlfriend. On the eve of their largest album release he is admitted to a psychiatric clinic after overdosing at a gig.
Nearly 2 hours of the short films that made HIStory... Including never before released short films.
Referred to as "Woodstock of the 80s", the US Festival was iconic with over 2 million attendees. Created by Apple co-founder Steve Wozniak and legendary concert promoter Bill Graham, the Us Festival assembled the best bands in the world including The Police, Tom Petty, Fleetwood Mac, Santana, Jackson Browne, Eddie Money, Jerry Jeff Walker, Jimmy Buffett, The Cars, Talking Heads, Ramones, Grateful Dead, Pat Benatar & The B52s.
Cao Fei recorded her experiences within the online social platform Second Life. The result is a wistful, surreal vision of an alternative reality sprung from the pop culture fantasies and hyper-consumerism of contemporary urban China, while also trying to transcend its real-life limitations. It can be seen as an answer to the challenge posed by River Elegy: how to envision a new Chinese destiny founded on principles of individuality, creativity, discovery, and freedom. The film also reflects the contemporary condition of the virtual supplanting our experience of the real.
Although Gainsbourg and Birkin had appeared in a string of films since their magnetic collision in Pierre Grimblatās Slogan, Melody was a bit of diversion from their collaborations since itās a series of interwoven videos inspired by the Gainsbourgalbum. For '71 itās a novel concept to bring visual life to an LP, but even more surprising are the short filmās amazing visuals that director Averty crafted using a wealth of video filters, overlays, camera movements and chroma key effects. Averty applies these in tandem with the increasing tone of Gainsbourgās songs, which more or less chronicle an older man's affair with a young girl. Each song is comprised of steady, sometimes brooding poetic delivery, with refrains timed to the phrase repeats of each song, while Alan Parkerās buzzing guitar accompanies and wiggles around Gainsbourgās resonant voice. The bass is fat and groovy, the drums easy but steady, and the periodic use of strings or rich vibrato makes this short a sultry little gem.
Live show filmed during the Death Metal Massacre tour on February 16, 2000 at the Rave in Milwaukee, WI. One of the most extreme heavy metal bands ever, Cannibal Corpse acknowledge no boundaries of speed, power, or "good taste" in this full-on concert video. Cannibal Corpse: Live Cannibalism features interviews with the members of the band and their loyal fans in between numbers, in which they tear through a range of classic tunes.
An overview of the early years--late 1970s, early 1980s--of San Francisco punk band Dead Kennedys, with clips from some of their live concerts and footage of landmark San Francisco locations of the punk music scene. Jello Biafra and The Dead Kennedys show why they're the kings of satire in 9 live early performances.
A 1-hour Documentary looking at the Manchester post-punk group and its infamous leader Mark E Smith. The Film follows the current band recording their final Session for the John Peel Show (they were his favourite group and recorded more sessions than any other band) as well as chronicling the chaotic history of the band & its numerous line-up changes.
Arguably second only to Muddy Waters among the Mississippi Delta singers who traveled north and pioneered urban electric blues (their supposed rivalry is the subject of one of this DVD's bonus features), Wolf was a big, imposing man with an inimitable, booming voice and a lasting influence on generations of rock & rollers--all of which comes across in the 90-minute film.
The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.
The Raven-Symone and Issac Ryan Brown from Raven's Home take the stage as the hosts of the broadcast a rundown of the proceedings; musical performances from Disney Channel stars, a sneak peek at Disney's Hollywood Studios Toy Story Land, and surprise Disney experiences for families that "share the joy."
Lili is a typical girl of our time: she's lonely and tries to convince herself that this is what's good for her. But one day, she finds an old package of letters in her parents' apartment, which her mother apparently didn't want to show her at all. Of course, she doesn't hesitate much, she starts reading, and the past comes alive... an unforgettable summer in the early 1990s, when three good friends are on vacation at Lake Balaton, and of them, only Eszter wants to stay faithful to her boyfriend who left her at home, who swallowed a stake. But her plans, which she usually follows with engineering precision, are slightly messed up when she meets Gergo, easygoing, funny and has another very good quality: he plays in a band and performs with his friends on the beach in Szigliget in the evenings.
A war between two families, who live in the same building.
As KISSology - Vol. 1 (1974-1977) announces loudly, all the chutzpah and bombast that made KISS so huge--the fire-breathing, the blood-dripping, the kabuki-mask make-up and platform shoes, the synchronized head-bobs--were in place from the very beginning. KISS's 1974 concert in San Francisco is virtually identical to their 1977 concerts in Japan and Houston, at the peak of their popularity. For hardcore fans, this opportunity to bask in the nuances of five performances of "Black Diamond" and six performances of "Firehouse" is essential viewing, but for the less committed the pleasures of KISSology lie in the bizarre collisions pop culture is heir to: Gene Simmons, in full costume, declaring himself "evil incarnate" on The Mike Douglas Show;
SEX AND BROADCASTING is a feature length documentary about New Jersey's WFMU, the world's strangest and most unique radio station, and one man's attempt to keep it alive in the face of recession, the persistent threat of commercial media, and the challenges that come with keeping a rebellious group of outsiders together.
A 2004 documentary on thirty years of alternative rock 'n roll in NYC.Documenting the history from the genuine authenticity of No Wave to the current generation of would be icons and true innovators seeing to represent New York City in the 21st century