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In France, a child is killed by its mother every ten days. By giving a voice to some of these women and their families, this documentary takes a fresh look at a phenomenon that is still taboo.
Essie Coffey gives the children lessons on Aboriginal culture. She speaks of the importance of teaching these kids about their traditions. Aboriginal kids are forgetting about their Aboriginal heritage because they are being taught white culture instead.
On the cusp of turning 40, wheelchair badminton champion Nina Gorodetsky, has her first and maybe last, chance to participate in the Paralympics. However, she is negotiating a ticking biological clock both as a mother and as an athlete. What would she be willing to sacrifice to realize her Olympic dream?
Using home videos recorded by her voice coach, Diana takes us through the story of her life.
What's it like to "make a family" when you're not part of the traditional hetero couple? Can two best buddies living on the same floor become a family? Océan and his best friend Sophie-Marie Larrouy will question their friendship, their desire for children and their ability to commit to each other, going to meet people who have made families "differently" to draw inspiration from them and invent their own model.
The artist Johanna Faust is about to leave her children to finally devote herself to her art again. A vague memory comes to her mind: Didn't her grandmother do the same thing, with terrible consequences? The intimate road movie tells of lost mothers and abandoned children, of the temptations and the price of self-fulfilment, of the abysses of motherhood and of the deep longing for another life.
The story of two young single mothers who join forces to make a new kind of family unit for themselves and their children.
One of the most fearless and accomplished athletes of her generation, Bethany Hamilton became a surfing wunderkind when she returned to the sport following a devastating shark attack at age 13. As she continues to chase waves she also now tackles motherhood.
Artist Kate Blackmore looks at motherhood and mobility, film and feminism through the prism of Margaret Dodd's 1982 classic short film 'This Woman is not a Car.'
A story about the special relationship between Jaana and her daughter Liisa who died in a traffic accident at the age of 16.
Through one woman's experience as an adopted person and also as a mother who relinquished her child in 1971, this documentary highlights the many complex issues associated with adoption.
Twenty-one-year-old Julia had to leave her daughters under the care of a children's shelter house. Five years later, Julia keeps fighting to rebuild her life and get reunited with her daughters.
A documentary that follows Michelle "The Karate Hottie" Waterson as she balances life as a mother and professional MMA fighter.
Calling Mother is about the moments when you just have to call your mum. It is a compilation of phone calls made by different people to their mothers. Film follows the lifespan of a human being from youth to adulthood, a child changing from a dependent to a caretaker. Phone calls are connected by images of an old telephone center and a story of a young mother who doesn’t have a mother to call.
As her adolescence gives way to the obligations of motherhood, troubled Gemma matures in Motherwell, her Scottish hometown, heavily dependent on the steel industry. Unfortunately for her, her hedonistic way of understanding the world does not fit in with the philosophy of the rest of the villagers, so trouble soon follows.
In a village in Thailand, Pomm works in a care center for Europeans with Alzheimer's. While she is separated from her children, she helps Elisabeth during the final stages of her life, as Maya, a new patient, is on her way from Switzerland.
In a series of letters to her young son, a mother, soldier and filmmaker documents her thoughts from the Ukrainian frontline.
Love Alone Can’t Make a Child chronicles the love story and emotional odyssey of Maria and Christiane who, for over a decade, have been trying to fulfil their desire of giving birth to a child of their own. The director, a childhood friend of Maria, lovingly narrates the couple's journey, showcasing their resilience in the face of ever-increasing challenges, and the intricate dynamics of a relationship under tremendous strain. More than anything else, the film continually pursues what love truly means in a long-term romantic relationship.
We follow three women on an emotional and thought-provoking journey as they lend their bodies and carry someone else's child.
Filmmaker Maarten de Schutter attempts to reconstruct the lost memories of his mother, AIDS activist and feminist anthropologist Martine de Schutter. Ten years after she was killed, he explores her life and their relationship in order to thoroughly connect with what is left behind. The film is a disassembly of memory, motherhood and loss, driven by the infinite love between mother and child.
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