Attempts to showcase how the creation of art directly correlates to the perception we have of ourselves and the life around us as shown through the eyes of a struggling family.
Social & External
Himself
Herself
Each day after work, Carlos, a language school teacher, frequents the heady surroundings of his local cruising ground. One evening he encounters a teenage boy from his class named Toni, and the two engage in a brief sexual tryst. As the relationship between teacher and student begins to develop, some dark truths emerge about the young man and his mysterious group of friends.
In 1983, yacht sailor Will Parker leads an American crew financed by millionaire Morgan Weld to defeat during the America's Cup race against an Australian crew. Determined to get the prize back, Will convinces Morgan to finance an experimental boat designed by his ex-girlfriend Kate's new beau, Joe Heisler. When the boat is completed, the Americans head to Australia to reclaim the cup.
Things become shrouded when The Loner discovers a dead body outside his home. His mind becomes a prison of contradiction, falsification and fear when a series of dreams push him to realize the truth.
The Kuwaiti short film العاصفة (The Storm) explores Kuwait's social and economic shifts before and after the discovery of oil. Through the perspectives of an older father and his modernized son, it delves into the challenges of tradition versus rapid modernization.
Here I am. A mind backed up by delusion of previous condition. Free or humiliated? Who is ashamed? Me or you? It is so hard to share one's secret.
A despairing clown suffering a broken heart and a self-indulgent count who uncontrollably laughs learn to help each other with their problems, but both fall in love with the same young woman.
CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...
A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.
Cooper is given a decision that could help him finally make a difference or get him killed.
A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
Short film produced by the BBC about JG Ballard's Crash. “The film was a product of the most experimental, darkest phase of Ballard’s career. It was an era of psychological blowback from the sudden, shocking death of his wife in 1964, an era that had produced the cut-up ‘condensed novels’ of Atrocity plus a series of strange collages and ‘advertisers’ announcements. After Freud’s exploration within the psyche it is now the outer world of reality which must be quantified and eroticised. Later there were further literary experiments, concrete poems and ‘impressionistic’ film reviews, and an aborted multimedia theatrical play based around car crashes. After that came an actual gallery exhibition of crashed cars, replete with strippers and the drunken destruction of the ‘exhibits’ by an enraged audience.” (from: http://aaaaaaaaaaaaaaaaaaaargh.blogspot.de/2013/01/short-film-adaptation-of-jg-ballards.html)
A take it or leave it auteur-experimental fiction exercise: two women are monitoring their dreams, dreams that may of course also be stark naked reality, at least to the dreamers, as they come and they go like bubbles, rising, floating, bursting. A man appears out of nowhere. Poet Peter Laugesen co-wrote the script with Tom Elling, who was Lars von Trier's director of photography on "The Element of Crime".
Introverted Ricardo Perez likes to approach the world in a very subtle manner, trying not to upset anyone or cause any problems for himself. But to his surprise, he is the prime candidate for accomplishing God's will due to the neglect of others. This presents an internal spiritual conflict within himself. Will he take the challenge by standing up for himself, his family and his faith or will he succumb to the fears of the flesh?—Alfred Castillo Jr. & LaMarcus Tinker
This is a time when we learn afresh that nothing lasts forever and that the variability is an integral part of everyday life. What is a river today does not mean that tomorrow will not become a sea. Life itself is one large metamorphosis, and the human being is its variable shape...
A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.
An Anishinaabe man is restless and isolated in the city of Minneapolis, haunted by an ominous sense that he doesn’t belong. Shinaab eerily portrays Indigenous people’s dislocation and alienation on their own land as sinister and enigmatic forces.
Francisco Morázan has been in Costa Rica for five months where he has been appointed Provisional Chief of State. It has called for elections to install a National Constituent Assembly, which should be a legal structure to the Costa Rican state. The Assembly has decreed the validity of the constitution of 1825, the same as that of the Central American Federation; It has declared the accession of Costa Rica to the Republic of Central America. Two months later Francisco Morazán is shot one afternoon on September 15, 1842.
A Hollywood actor grows tired of making the same corporate movies, so he moves to Argentina to find more experimental and meaningful work.
Hermitage, defined by Bene as "a rehearsal for lenses", beyond any literal rendition - its narrative trace comes from one of his anti-novels, Credito Italiano V.E.R.D.I - displays his immediate attitude to thinking a cinematic language completely based on actor's movements and actions, and more specifically, on his presence and his schemes. Camouflaged or naked, still or moving, his body seems to play and be played at the same time, shifted by objective and subjective tensions, both metaphorically and visually speaking.