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The musical, performed by the members as themselves, forming three main couples, is about love. Which is treated to the rhythm of songs where the members dance and sing representing what they feel in each specific moment.
Celebrated tenor vocalist and classical-pop crossover Andrea Bocelli toplines this live concert from 2011. Mounted in New York City's Central Park, it features appearances by frequent Bocelli collaborators Celine Dion and David Foster. Selections include: "My Prayer," "Ave Maria," "Amarcord," Home On the Range," and many more.
Tenor Andrea Bocelli pays tribute to songs from movies with accompaniment by David Foster.
Barcelona’s Palau de la Música Catalana, one of the world’s most beautiful concert halls, hosted Gustavo Dudamel and the Münchner Philharmoniker with an unforgettable performance of Mahler’s Symphony No. 2 “The Resurrection”. The composer emphasizes life and death in all its terrible and stunning splendour in this overwhelming opus: “There is nothing except the complete substance of my whole life”, he remarked on his all-embracing oeuvre. Gustavo Dudamel, who said it was “a privilege to conduct this work in this unique venue”, and his ensemble were celebrated with more than ten minutes of applause.
The Viña del Mar International Song Festival 2013 was held from February 24, 2013 until Friday March 1, 2013. The musical event was broadcast via Chilean TV channel Chilevisión.
Classics on a Summer's Evening is an outdoor concert for an enormous audience which was staged in an architecturally striking public square in Dresden in July 1999. It features the most glamorous young husband and wife currently active on the international operatic scene, soprano Angela Gheorghiu and tenor Roberto Alagna. Along with these fine performances comes Giuseppe Sinopoli--before his untimely death at age 54--who was considered one of Europe's finest opera conductors, and, in the Dresden orchestra and chorus, performers who match his creative energy.
The story of the Los Angeles 'Kiss or Kill' music scene (2002-2007). Fed up with the wretched Sunset Strip pay-for-play policies, 'too cool for school' trendiness of the Silverlake scene and apathetic crowds, the bands that made up Kiss or Kill forged their own scene based on great music, cheap booze, low cover, and a mid-western sense of community and friendship. At it's peak, Kiss or Kill had more than 60 bands in its roster and over 1,000 local L.A. fans. But as Kiss or Kill grew and became more popular, it fell victim to the same 'venue-isms' of other L.A. clubs and eventually became the very thing it was fighting against.
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