A hard-core socialite turns over a new leaf after spending time with a less fortunate family.
Social & External
John Spaulding
Helen Molloy-Smythe
Mrs. Molloy-Smythe
Patrick Spaulding
Count Jules Berratti
Bob Molloy-Smythe
Light-Fingered Bertie
Charlie Jadwin
Unknown Role
A lonely dog's friendship with his robot companion takes a sad turn when an unexpected malfunction forces him to abandon Robot at the beach. Will Dog ever meet Robot again?
Papa Gimplewart, father to three children is unimpressed by the young lawyer who wants to marry his daughter.
A European immigrant endures a challenging voyage only to get into trouble as soon as he arrives in New York.
Filmic insert to Eisenstein's modernized, free adaptation of Ostrovskiy's 19th-century Russian stage play, "The Wise Man" ("Na vsyakogo mudretsa dovolno prostoty"). The anti-hero Glumov tries to escape exposure in the midst of acrobatics, derring-do, and farcical clowning. Several members of Eisenstein's troupe at the legendary "Proletkult" stage theatre in Moscow briefly appear in this little film.
The O'Donnells are a typical, everyday family -- Tad (George Hernandez) is a sensible working man, his wife (Fannie Midgely) is a good mother and their daughter Kathleen (Constance Binney) is pretty and innocent to the point of naiveté. Kathleen works in a factory and its owner, Donald Holiday (Warner Baxter), has taken a shine to her. But instead she falls for slick cab driver Harry Stanton (George Webb), who insists, "Honest, kid, you're the only girl I ever loved." Kathleen falls for this, and when her perceptive father makes clear he doesn't approve of Stanton, she moves out on her own.
A Clarence G. Badger silent cowboy western kidnapping mistaken identity romantic comedy, based on a story by Rex Taylor; about a rich woman who gets lost in the West, and is found by an engineer who she mistakes for an outlaw. tHe plays along because he enjoys it, but then four real outlaws show up, and he tells them he was kidnapping her. They get found out, the girl gets one of the outlaws' guns and rescues them, and of course, they discover they love each other!
Silent boxing sports comedy about a boxer whose grandmother wants him to be a ballet dancer, so he has the boxers at his training camp pose as ballet dancers to fool granny, with predictable results
Struggling stockbroker Jimmie Shannon learns that, if he gets married by 7 p.m. on his 27th birthday -- which is today -- he'll inherit $7 million from an eccentric relative.
The rituals of courtship, romantic rivalry, and love play out three times as a man vies with a villain for the girl. In the Stone Age, the rivalry is set off by dinosaurs, a turtle used as a ouija board, and a round of golf with stones. In ancient Rome, the men display their brawn through a chariot race, using dogs instead of horses. In contemporary times, the man finds himself overcome by modernity, including a very fragile car.
Max and Mick, two brothers, have prepared for a merry spree and are actually stepping into their cab when it occurs to them they are penniless. Lots are drawn to see who shall beard stern father and make the necessary touch. The choice falls on Max who is far from successful in his mission, and he communicates the bad news to his brother Mick, who after thinking announces that he has an idea.
Two nosy neighbors who drill a hole through their wall to spy on the canoodling couple next door get more than they bargained for when the man discovers their plan and casts a magic spell.
A salesman pursuing a potential client takes tenacity to new heights, and depths.
The film presents a drawing room meeting of enthusiastic puzzle workers. One gentleman has a new way of solving his puzzle. He puts a handkerchief over the game and immediately the picture is made. Under the handkerchief, we see how, piece by piece, it is put into one finished picture. His success makes him an object of envy, however, and the gentleman meets with considerable trouble before the party is over. (Moving Picture World)
After hearing that her boyfriend lacks the courage to break up with her, plucky Elena decides she’d be less humiliated if Arturo was ensnared by a man rather than a woman.
A film projectionist longs to be a detective, and puts his meagre skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.
A young woman of wealth revenges herself on a young author whose peculiar ideas about women have led him to act and speak in an insulting manner. This young man isolates himself in the mountains for the purpose of writing a story on the primitive woman, where he is discovered by his friends, to whom he vows that no woman shall cross his threshold. The mischievous young woman of the story, determined to place him at her feet, goes secretly to the home of a mountain woman with whom she lives in the guise of a wild girl of the hills. Purposely sliding over an embankment where she knows she will fall in his path, she is rewarded by having him pick her up and carry her to his cabin, where she pretends to be too much injured to be moved that day. The mountain woman is sent for and the two remain in the cabin of the author for several days. Finally she is discovered by her people, when it also comes to light that the woman-hating author has fallen to the charms of his pretty visitor.
Anita and Marion realize that an abandoned baby they sneaked into an orphanage was kidnapped from a millionaire. For the reward, they proceed to break into the institution at night, dressed as men to beat curfew, to get the kid out again. This film survives only in very fragmentary form.
Hero Handsome Harry must rescue his love interest, Lizzie, from a villainous character named Creampuff. Harry is repeatedly "beaned" by a beanshooter in the hands of a villainous boy and then Creampuff, but he overcomes the obstacles, defeats Creampuff, and ultimately is arrested for carrying a concealed weapon before being freed by the triumph of justice.
The Youngloves have a cozy little apartment and a jewel of a cook, Bridget, and are happy until the landlord raises the rent. A slick agent convinces them to take a lease on "the modern Paradise” in Arcadia. A long, frightful journey takes them to "Eros Villa” a tumbledown old shack with a scrubby hedge running around it. After a veritable nightmare of a night trying to sleep on hastily-made-up hard beds and being scared nearly to death by huge rats scampering through the rooms the Youngloves rush to the agent's office, where he agrees to tear up the lease for two months' rent! The Youngloves, return to their old flat, sadder and wiser, but happy.
The opening shows a colored nursemaid in the park with baby carriage, and seated on a bench receives the attention of several smart colored men who admire her greatly and endeavor to make her acquaintance. But the dusky belle is coy and declines to make the acquaintance of any of them, until one more fortunate than the rest is invited to a seat on the bench with her, and a most pronounced flirtation takes place between the lady and her beau. (Selig catalog)