Yagyu Jubei: The Fate of the World

The fate of Tokugawa’s world hangs in the balance as Yagyu Jubei is sent on a mission to discover what happened to 10 of the shogun’s spies that never returned. Matsukata Hiroki, one of the last surviving members of the Golden Age of Japanese Cinema proves that he has not lost a step as he portrays an older and wiser Yagyu Jubei in a movie that brings the best of samurai filmmaking into the 21st century. Summoned from semi-retirement by Shogun Iemitsu, Jubei is asked to take to the road and investigate a clan rumored to be preparing explosives for a rebellion. With help from a beautiful female ninja they head into the Shirakawa domain where the fighting skills of both are tested time and again as they strive to destroy a conspiracy that could bring a new Warring States Era. In the 1960's Yagyu Jubei was the signature role of the great Konoe Jushiro, father of Matsukata Hiroki. This brings the character full circle.

Uzumasa Limelight

Fewer samurai films are being made, and the Uzumasa studio has fallen on hard times. One day, veteran "kirareyaku" (whose job it is to be felled with a sword by a film's star) actor Kamiyama is tasked with teaching sword action techniques to fledgling actress Satsuki. A few years later, the now-retired Kamiyama is visited by Satsuki, who has become a popular star.

Mumon: The Land of Stealth

Raised suckling poison arrows among the sparring Iga ninja factions, Mumon is a carefree 16th-century mercenary. When the ninja council makes a power play to defeat the young Nobukatsu Oda struggling to step into his father’s warlord shoes as they expand rule across the country, Mumon jumps into the fray to satisfy his new bride Okuni’s demand that he make good on his promises of wealth. Yet Mumon soon finds what is worth fighting for beyond money or nation.

Yojimbo

A nameless ronin, or samurai with no master, enters a small village in feudal Japan where two rival businessmen are struggling for control of the local gambling trade. Taking the name Sanjuro Kuwabatake, the ronin convinces both silk merchant Tazaemon and sake merchant Tokuemon to hire him as a personal bodyguard, then artfully sets in motion a full-scale gang war between the two ambitious and unscrupulous men.

鬼平犯科帳 老盗の夢

The Ghostly Detective: Honjo · The Cherry Mansion

Taboo

Set during Japan's Shogun era, this film looks at life in a samurai compound where young warriors are trained in swordfighting. A number of interpersonal conflicts are brewing in the training room, all centering around a handsome young samurai named Sozaburo Kano. The school's stern master can choose to intervene, or to let Kano decide his own path.

The Tale of Zatoichi

The adventures of a blind, gambling masseur and master swordsman. Zatoichi targets a yakuza-controlled village, because war with a neighbouring town's smaller gang is brewing.

The Tale of Zatoichi Continues

Returning to the village where a year before he had killed Hirate, a much-admired opponent, Zatoichi encounters another swordsman and former rival in love.

The Shogun’s Guard, Shinsengumi

The Shinsengumi is a special unit of ronin commissioned by the Tokugawa shogunate to counter anti-shogunate activities in Kyoto. A sinister plot to overthrow the shogun is set in motion and Kondo Isami and his fellow samurai must answer the call and expose those behind it.

Samurai Princess

When 11 of her friends are raped and murdered, leaving the Samurai Princess (Aino Kishi) the only survivor, she becomes infused with her comrades' souls. Transformed into an android, she sets out to avenge their deaths. Dai Mizuno co-stars as the princess's human partner in this Kengo Kaji-directed gore fest that features breast grenades, detachable chainsaw limbs, deadly guitar riffs and more.

Traveling of Two Young Men

At the crowded Komatsuya in Kawadome, travellers are holding a secret art contest to relieve boredom. However, a thief goes around. During the sudden commotion, a young man called Gentaro begins to perform magic tricks. This magic trick brings out the lost wallets of the travellers one after another. Even the thief himself, Shinzo, is surprised by this trick. Gentaro hears that Okinu, daughter of Kutsukake Jinbei, is looking for Eijiro, the young boss of Omaeda. Gentaro arrives and introduces himself as Eijiro Omaeda. He moves to Kichibei's family in Sakamoto-juku where he meets Okinu's father who needs help.

Momotarō Zamurai III

Momotaro carries this sword into battle against injustice in shogunate Japan. Aided by ninja he must now wage a furious battle against the terrible “Ran” clan, villains in league with Ohara Ukon, a bitter samurai nursing a grudge against the shogunate. Together the ruthless conspirators will threaten the foundations of shogunate rule over Japan. Only the relentless slashing sword of Momotaro may save the nation from the Ran clan's army of killers.

Bounty Hunter Muyonosuke

Takahashi Hideki stars as Muyonosuke, the one-eyed ronin who makes his living as a bounty hunter who is on a never-ending quest to find the man who murdered his father. The usually aloof Muyonosuke, who never would pause to help the common man winds up befriending an orphan boy and a mysterious woman, and getting involved in a feud between two families, but finds out there is a high power behind the curtain who pulls their strings.

Bring Me the Head of Shichiemon!

During the Sengoku period, an army relentlessly lays siege to a castle, but they will need the head of the opposing lord to declare victory.

Little Tengu

A story about a tomboy, Otoshi, who is good at singing, dancing and fencing.

Miyamoto Musashi

In Part I we see the young would-be swordsman setting out to achieve greatness in war, achieving nothing because fighting on the losing side, & then beginning his long period of wandering & training, with the goal always in mind of his duel with Kojiro. Part II builds toward that great duel on Ganryu Island, with considerable focus on Musashi's planning & forethought as to how to gain an advantage.

Ghost Ship Part 1

As Part I opens, Jubei (Denjiro Okochi), the best of sea skippers, is unable to overcome the stormy seas of Luzon. All hands on board the Kannonmaru were lost except for Shinkei, who alone made his way to land & eventually home to inform his grandson Jiromaru (Kinnosuke Nakamura) that his father Jubei met with disaster. Young Jiromaru tells his grandfather that he doesn't want to be a skipper like his father, but wants to go to Kyoto and become a samurai…

Tokugawa Ieyasu and his Three Ladies

With a mixture of drama, warlords, battles, love, tragedy all set with great music, this made for television movie has it all. Showing the rise of Tokugawa Ieyasu as portrayed by Matsudaira Ken (Abarenbo Shogun) this stunning portrait of an exciting era shows how the influence of three women played a pivotal role in the formation of the Tokugawa Shogunate. Brilliant performances by Nakamura Atsuo (Cold Wind Monjiro) and Nakamura Tamao (widow of Katsu Shintaro) highlight this production as such notables as Oda Nobunaga, Toyotami Hideyoshi, Lady Sena, Princess Asahi, and Lady Yodo jump from the pages of history all leading up to the Battle of Sekigahara that would change Japan forever!

Snow on The Blades

At Sakurada Gate in 1860, the shogun’s chief minister and his retinue of bodyguards are ambushed and annihilated. Bearing the responsibility and shame for this failure is Shimura Kingo, master swordsman and chief of the guard. Forbidden to take his own life in atonement, he is instead tasked with hunting down the remaining assassins; however, fate intervenes and now only one is left. Devoted to his late lord and his duty, he relentlessly pursues the sole remaining assassin for the next thirteen years. But times are changing in Japan and the way of the sword has become outlawed. What does this mean for Kingo?