Social & External
Herself
Himself
Herself - Narrator (voice)
Under Dorchester Square in Montreal lies the cemetery where 55,000 people were buried in the 19th century. The square is still at the heart of social conflicts in Quebec, 150 years later.
In December 2016 a remarkable chapter in music history was closed as the Finnish punk rock band Pertti Kurikan Nimipäivät (PKN) retired. Punk Voyage is a feature length documentary film about the last years of the band, with all the ups and downs included. After becoming celebrities in Finland, this incredible quartet continued to conquer new fans around the World. In its seven years run PKN played nearly 300 gigs in 16 countries. In 2015 the band was selected to represent Finland in the Eurovision Song Contest, where they played to over 100 million television spectators. However, the busy traveling and success created a lot of pressure within the band: Kari struggled with the temptations and responsibilities brought by publicity; Sami extended his territory to politics and religion; Toni's and the band's roadie Niila's crush to the the same girl caused conflicts; and Pertti, tired of this all, decided to retire.
It's a sensitive, moving doc chronicling the life of Tétrault's brother Philip , a Montreal poet, musician and diagnosed paranoid schizophrenic. A promising athlete as a child, Philip began experiencing mood swings in his early 20s. His extended family, including his daughter, share their conflicted feelings love, guilt, shame, anger with the camera. They want to make sure he's safe, but how much can they take?
Qallunajatut (Urban Inuk) follows the lives of three Inuit in Montreal over the course of one hot and humid summer.Only two generations ago Inuit lived in small, nomadic hunting camps scattered across the vast Arctic landscape. Since the 1950s, this traditional lifestyle has undergone an astonishing transition from Stone Age to Information Age, as Inuit first relocated (often by force) to government-run settlements, and, more recently, beyond the settlement into southern cities.
Gilles Groulx's first film shot in 1955 with a camera borrowed from his brother and edited during his spare time when he worked as an editor at the Radio-Canada news service a few years before he joined the NFB. Silent film, presented as its author left it, where the soil and the dialectic of Groulx's work are already there: documentary realism, the social space to be explored, daily life, the relationship between individual and society, social disparities, the consumer society, seduction and happiness.
This short film is a series of vignettes of life in Saint-Henri, a Montreal working-class district, on the first day of school. From dawn to midnight, we take in the neighbourhood’s pulse: a mother fussing over children, a father's enforced idleness, teenage boys clowning, young lovers dallying - the unposed quality of daily life.
BREAKING POINT brings viewers back to those tense, critical moments when Canada's future as a country was at stake.
Today it is the city of Montreal, but 3 centuries ago the tiny band of missionary founders called it Ville-Marie, the holy city of Mary. This film goes back to its beginning and those who felt called to plant an oasis of Christianity in the North American wilderness. In an imaginative, at times almost surrealistic, way the film recalls the highborn company from France, and shows what survives of Ville-Marie in the Montreal of today.
This documentary focuses on immigrant teens between the ages of 12 and 17 who share the story of their migration and their adaption to life in Canada through theatre. Young but wise, these children describe their experiences with emotion and authenticity.
Alanis Obomsawin turns her lens to Le Patro Le Prévost, a recreational centre in the Villeray quarter of Montreal. On the eve of its 80th anniversary in 1989, Le Patro is a vital focal point in the predominantly working-class neighbourhood. Beloved by the many generations who use the facilities and partake in activities daily, Le Patro encourages a strong sense of togetherness through principles of cooperation, respect and sharing. Obomsawin presents a tender portrait of a neighbourhood of diverse residents and the community centre many of them consider a second home.
The film explores key moments in the history of the Expos as well as the relentless efforts to bring major league baseball to Montreal. Continuation of the work released in 2003.
Investigating slavery in Canada through the story of Marie-Josèphe Angélique, a Black slave accused of burning Montreal in 1734. After an epic trial, this untameable slave is tortured and sentenced to death. But was she really guilty of this crime or was she the victim of a bigger conspiracy? Why this voluntary amnesia about this unknown page of Canadian history?
In 1994, the Montreal Expos held the best record in baseball until the mid-August strike and the entire post-season was cancelled. The team never found success again, and in 2004, the franchise was forced to leave Montreal and move to Washington. This film provides access to powerful behind-the-scenes footage – ranging from the players’ bus ride to the stadium, to their emotional reactions stepping onto the field, to the Montreal fans who have never forgotten baseball’s best team in 1994. Interviews with media who followed the team’s season and discussions with former coaches and players will paint both a thrilling and heartbreaking picture of the influential ‘94 Montreal Expos – a groundbreaking squad whose legacy lives on in Montreal
MINDS Perform is a performing arts group consisting of members with learning disabilities. As they rehearse for a new song, they are transported into a kaleidoscopic world of music and dance. Commissioned for the Movement for the Intellectually Disabled of Singapore.
Young Chinese-Canadian Susan Yee gives a tour of Montreal.
This short documentary shows the reactions of European immigrants as they land in Halifax at the beginning of the 1960s. From the port, we follow them on a snowy journey by train to Montreal.
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