Social & External
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
A collage of newsreels, trailers, clips and other visionary and unseen fragments of sight and sound regarding the late plastic artist Helio Oititica.
It's time the times met each other over & over.
Don't ask me why, but I feel we're about to cry trying.
Say Om as you reach home only to realize you never really left/stopped saying Om.
Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).
Slowed, stowed, achingly retold.
Still it's really tall. Still it's really floundering/falling/fading.
Strings together what's strung together (please use yr tether).
The Greek island of Syros is visited by a series of unexpected guests. Immutable forms, outside of time, aloof observants to human conditions.
Amid the civil-military dictatorship implanted with the 1964 coup, Sergio Muniz had the idea of making a documentary about the action of the Death Squad. At the time, the press still had some freedom to disseminate the work of these death squads formed by police officers of various ranks, and that he acted on the outskirts of cities like Sao Paulo and Rio de Janeiro. The victims of police repression (as today) were men, poor and black, and this condition is supposed criminals.
Journalist Dermi Azevedo has never stopped fighting for human rights and now, three decades after the end of the military dictatorship in Brazil, he's witnessing the return of those same practices.
Centrist revelations abound among repetitions & revisitings.
Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms of the plastic work of a woman tormented by the elongated specters, originating from her obsessions and nightmares.
The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Otelo, where, in a mixture of decorated and improvised text, we discover a little manifesto to the Brazilian experimental cinema. Also called "Belair's last film," Chinese Viola reveals the first partnership between photographer Walter Carvalho and Bressane.
Anne Bean, John McKeon, Stuart Brisley, Rita Donagh, Jamie Reid and Jimmy Boyle are interviewed about their artistic practice and the legacy of Surrealism on their work.
Marcel Duchamp alternates between scrutinizing the camera, and smiling and nodding in response to what seems to be a large crowd of off-screen admirers trying to get his attention. Occasionally he puts his fingers to his lips, indicating that he is not supposed to talk.
The story of the University of Brasília, since it was only a project in Darcy Ribeiro's head until the fateful events in August 1968 when its campus was invaded by the police, during the military dictatorship, thus putting an end to its independence.
"Subversivas" is a documentary that reveals the brazilian military dictatorship from the perspective of women. Teresa Angelo, Gilse Cosenza, Thereza Vidigal, Angela Pezzuti and Delsy Gonçalves joined the resistance to the military regime in different ways. Their memories bring out events that marked that time and their life. These statements reveal their effort for freedom and democracy not only in political actions, but also in their family, work and everyday relationships, imbued with a belief and search for a fair and free country.
![Screen Test [ST80]: Marcel Duchamp](https://image.tmdb.org/t/p/original/3EwmmoBxVUqy8DITDrkG0hrGELt.jpg)
