Social & External
A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).
Experimental short film by Barbara Sykes
The funniest thing happened to me the other day...
30 years in the making, the film Jan Terri: No Rules tells the story of an irrepressible, and often delightfully perplexing personality. As a child, Jan would dance and sing for anyone who would listen. As a teenager, she began writing and performing her own songs. After earning her BA in Arts and Entertainment Management, she continued making music while working full-time as a limo driver. The income from that job allowed her to hire a studio as well as a videographer to help her make her unorthodox DIY music videos and distributing them on VHS tape. Without her knowledge, her videos made their way to the nascent YouTube. The fact that her most popular YouTube video was given the title “Worst Music Video Ever” didn’t dampen her spirit. Her fanbase grew to include such luminaries as Marilyn Manson and Cynthia Plaster Caster. Over the years, Jan’s independent spirit attracted many collaborators who’ve helped bring her vision to life.
Recognized as one of the most influential and most watched content creators in the world, Dude Perfect is a group of 5 best friends who have given a whole new meaning to the term sports entertainment. Now, for the first time ever, they are telling never before told stories behind 10 of their favorite trick shots. This behind-the-scenes look includes special, exclusive commentary from Dude Perfect as well as an all-new, never-before-seen trick shot.
Today, analogue video is attractive primarily thanks to the distinctive aesthetic quality of its pixelated image and raster errors. But for Czech artists who first explored the possibilities offered by video art in the late 1980s, this medium represented a path towards freedom. Through a portrait of her grandfather Radek Pilař, one of the pioneers of Czech video art, the director explores her own legacy of imperative creative fascination. Her film’s main story, i.e., the process of reconstructing the 1989 exhibition Video Day, contrasts this enchantment with life in the final days of the totalitarian regime, which different sharply with the adventures of those who decided to emigrate – whom the filmmaker also visits in order to discover forgotten works, get to know their creators, and re-establish broken ties.
IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard worker and often far from home, visiting festivals around the world. In 2013, he died after a short illness. His daughter Mira was left behind with a whole lot of questions, and a box full of videotapes that Wintonick shot for his Utopia project. She resolved to investigate what sort of film he envisaged, and to complete it for him.
In the language of a film-letter intended for the future generation of his family, the author rescues his mother's story through photos and videos to prevent the next generation from going through the same ignorance he had about her.
In the present work, the artists appears lying on his back, his eyes mostly closed, dreamingly listening to a walkman that plays, a recording of 'The Best of Lou Reed and the Velvet Underground'. The artist can hear the music through his earphones, but as viewers we are only privy to the sound of his voice that whispers the melody. As we listen to the hypnotic interpretion of the familiar songs - as emblematic for pop music history as 'Psycho' is for film - we are forced to mentally 'reconstruct' the remaining orchestration, instrumentation and vocals. We must attempt to reassemble something we already know to be a fact by negotiating the sticky mess of interpretation, meaning, and memory.
Proximities focuses on the trope of the Malay Boy found in the works of Singaporean artist Cheong Soo Pieng (b. 1917-1983). It attempts to locate the Malay male in art history while unpacking underlying systems of power that have shaped and naturalised the understanding of difference.
'Hibiscus' highlights the city's hidden beauty and the warmth of its people that may go by unnoticed on a daily basis but are beautiful reminders to appreciate.
Flooded McDonald's is a new film work in which a convincing life-size replica of the interior of a McDonald's burger bar, without any customers or staff present, gradually floods with water.
Originally produced anonymously and distributed by RTMark, Untitled #29.95 tells the story of the commercial art establishment's attempt to turn video art into a precious commodified object through the release of limited editions during the nineties.
In 1947, two years after the end of the Second World War, Film Journal No. 1 was released in Sarajevo. Fifty years later, after the collapse of the Communist bloc, this newsreel was lost in the confusion of the fighting in Yugoslavia. In Journal No. 1 Hito Steyerl attempts to find out how the footage got lost and what was on this document from the Sutjeska studio. In the simultaneous projection of Journal No. 1 the ‘unattainability of an historical zero hour of the national identity’ takes concrete form: The lost newsreel reports on a literacy campaign as well as Muslim women confidently removing their headscarves. We listen however to eyewitnesses trying to recapture the lost content and we see the artist Arman Kulasic making a number of drawings that resemble the story-boards for the lost film. What appears to be moments of great change remain limited by subjective and uncertain memory. The film was premiered at documenta 12.
Horseshoe Finale is a feature length film that was released on YouTube on the 6th of June 2015. It concludes Endless Jess' Drowning In Horseshoes Saga, and was written, directed, edited and made almost entirely by Jesse Wood.
Mark Ronson is the music producer who redefined popular music; from his Grammy-award-winning collaborations with Amy Winehouse and Bruno Mars, to his recent work on the Oscar-winning film A Star Is Born. This documentary follows Mark’s creative process, from the studio to DJ’ing and shooting film; with exclusive insights from the man himself. This is combined with archive footage alongside new interviews with the artists and collaborators that Mark has worked with, including Q-Tip, Bradley Cooper and Lady Gaga.
Bits and blocks are the home of the Super Vario Birds who are dancing to the 8bit symphony of Ludwig van Beethoven.
A dream where obsession for German as a second language mixes up with an obsession for neatness and cleanliness as a distinctive feature of the national culture in question seen from the perspective of a foreigner. The dream is not a nightmare only because the set it is dreamt into is the seashore of the mare nostrum, where the dreaming subject is perfectly at home. A homeland which she, in turn, in her more secret thus naïf dreams would dream of being cleaner and tidier as in the reality, especially in front of such beauty of nature. As is right and proper.
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