The Forger

Adolfo Kaminsky started saving lives when chance and necessity made him a master forger. As a teenager, he became a member of the French Resistance and used his talent to save the lives of thousands of Jews. The Forger is a well-crafted origin story of a real-life superhero.

I Was Only 14

Filmmaker Froukje van Wengerden’s 86-year-old grandmother shares a powerful memory from 1944, when she was just 14. As her story unfolds, we see a group of contemporary 14-year-old girls. Their procession of portraits permits the spectator to see simultaneously forward and back, into the future and towards the past. A miraculous testimonial that uses eye contact to focus the viewer inward and evoke unexpected emotions.

The Arrival of a Train at La Ciotat

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

An Imminent Threat

“An Imminent Threat” follows a fisherman activist, Yngve Larsen, who fights against oil and gas drilling activities in north of Norway. Will Yngve succeed in avoiding the extinction of many species of fish and thus irreversible damage to our planet?

Night and Fog

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Decade for Decision

Short news featurette produced by Pathe-RKO after the Russians launched the first orbiting satellite, Sputnik. It is a patriotic 'call to arms' from the threat posed by this and the need for Americans to spend more on education in general and a college education in particular. A visit to the University of Buffalo highlights its science programs and the need for more graduates from all technical disciplines if America is to rise to the challenge. It bemoans the fact the PhDs earn less than a mechanic and the need to re-order priorities.

Martha

"I can get closer to God only through love for a man," says 75-year-old sculptor Marta, who still retains the ability to fall in love. And with each falling in love, experience your new birth - A WOMAN AND AN ARTIST. Her life dramatically combines old age, approaching death with a thirst for love and creativity…

Harbour

While shooting “Flying over blue field” we lived in Birtonas sanatorium hotel. I was watching treatment procedures. People were plunging into bubble, mud and mineral water baths. They were going circles singing, were standing under cold water spouts. All this seemed like a sacred ritual, that frees from scurf of life. They were naked, like just born, without any signs of standing in society. Movie – silent impression about tired people "harbour".

I Am a Truck

Worldy renowned for his masterpiece The Housemaid (1960), Kim Ki-young debuts with his first short film I Am a Truck (1953), which was sponsored by UN and made a year after the armistice of the Korean War. This film is a fascinating glimpse into the mind of a soon-to-be powerful auteur and influential filmmaker in the post-war Korean cinema, if not the whole history of Korean cinema.

Der Zauberstreifen

Mein Wunschland

Virágát a napnak

A flower condemned to perish fights for its survival.

Visit to Death

Four experts in different areas such as religion, philosophy and thanatology, share their wisdom when it comes to death.

Anonymous

A short film about the changing face of London Soho and the implications of gentrification on Mimi, an aging transvestite.

What Does It Mean to Be Human?

A film that conveys some of Peter Wessel Zapffe’s philosophical ideas.

Under the Cloud

An investigation into the unfolding history of nuclear testing, uranium mining, and nuclear waste disposal on indigenous lands in the US. It raises the voices of those who witnessed and experienced the consequences of nuclear colonialism and those who still resist.

Satan’s Top Forty

Produced for the "Little Nicky" Special Edition DVD.

Meditation in Motion

A short lyrical document about an ancient Oriental discipline, this film moves from the streets of China, where the people practice Tai-Chi daily, to North America, where the same movements are executed by a solitary figure in a park.

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