The famous painter Bernhard Steen has made a portrait of the actress Thora Flemming.
Social & External
Unknown Role
A film adaptation (funded by Ken Togo) based on an expose book by a person involved in the Japanese entertainment industry of the time. The book describes among other things the drug-fueled parties, orgies of the entertainment business and what some celebrities like Johnny Kitagawa among others were allegedly up to in their free time. Basically giving an open-book about the secrets of the entertainment-world. The film adapts and portrays some of the shocking scenes of this book, focussing more on the gay-aspect of the expose.
The hapless king of a small European nation must put up with a domineering queen, a daughter who wants to elope with her boyfriend, a peasant revolt and a scheming son who wants to be king himself and is plotting to take advantage of the situation.
After his father dies amidst rumors that he was an oil swindler, Matthew Denton goes to Texas to discover the truth. But he has been spoiled by his mother and he has a hard time adjusting to his rough surroundings.
[For 9 minute surviving fragment] Lucian, a soldier in Paris, is to ship out for Algiers at 9 that evening. He stops by for a last meal with his love, Marianne. He may be worried that when he leaves she will find another soldier to love. They argue then embrace and, when the clock strikes midnight, he is still in her arms. Is desertion in the cards? Can the relationship survive the military demands and a soldier's obligations? A lost film.
A film buff's obsession with an elusive, possibly nonexistent film spirals into a dangerous descent, blurring the line between reality and madness.
Considered to be lost.
Sergeant Malone of the Mounties and effeminate Etienne Doray are both in love with Rose-Marie, but she doesn't light up until soldier of fortune Jim Kenyon drifts into the post. Soon Jim is accused of murder but he escapes.
Young Elsie Duchanier, maid of the star dancer in the French Brunel's Follies, is deceived by a lascivious doctor into believing she has only one year to leave in his effort to seduce her. Separated from her true love American soldier Capt. Tom Kendrick when he is reassigned to the United States, she accepts Maurice Brunel's offer to make her the main attraction of his new Follies. She meets with enormous success, but Brunel demands she submit to his advances as the price he demands for making her a star which she refuses. Tom returns to France just in time to save her virtue and whisk her away.
Silent adaptation of the Victor Hugo classic focusing on the character of Esmeralda rather than Quasimodo.
Henry Warner (Herbert Rawlinson) is so broke that he has sold his overcoat and now his landlady won't leave him alone about the rent. When he sees a wallet sticking out of a rich man's pocket, he's desperate enough to steal it. The police give pursuit, and Henry winds up in someone's study. The man who lives there, Middleton (Alfred Allen) has been looking for someone with Henry's nerve and offers him a job (along with an overcoat and some cash): He must steal back a will that Middleton's nephew, Craig (Harry Carter) stole from him.
A girl from Paris' underworld fights for love and survival during a time of international turmoil.
A three-part historical film: the first episode takes place in ancient Egypt, the second is based on the Hugo novel La Fin de Satan, and the third takes place during the 1917 Russian revolution. Lost film, minor fragments survive
Against the backdrop of New York City of the early 1850s, a young woman -- naively seeking to win the love she reads about in the romance novels she devours -- finds one prospect in an earnest denizen of the Bowery, and another in an elegant young aristocrat. Focusing on the bygone era's fashions, the novelty of the bicycle-built-for-two, and an inventor's quest for the horseless carriage, the film gently stirs the audiences' nostalgia for simpler times.
Orphan Pip discovers through lawyer Mr. Jaggers that a mysterious benefactor wishes to ensure that he becomes a gentleman. Reunited with his childhood patron, Miss Havisham, and his first love, the beautiful but emotionally cold Estella, he discovers that the elderly spinster has gone mad from having been left at the altar as a young woman, and has made her charge into a warped, unfeeling heartbreaker.
Allayne Norman's husband Bruce is a gambler and drunkard who kills her artist cousin in an argument. Bruce flees the studio with Allayne and their son, and places his identifying documents in the pockets of an amnesiac man. To avoid the consequences of his actions, Allayne identifies the man as her husband. When Bruce returns, he tries to kill the man but is shot instead. The man regains his memory and is cleared of wrongdoing.
Phyllis Latimer goes to Fiji to rejoin her husband of three years and finds him in a state of drunken degeneracy, incapable of reform. Fleeing his advances, she escapes to a nearby island; and there she impersonates Pauline Leonard, ward of John Webster. When Latimer incites a native uprising against Webster, who hires Hindu laborers, he finds Phyllis on the island, drags her home with him, and in a frenzy gives her to the natives for a human sacrifice. Webster and the government police arrive in time to save Phyllis, and Latimer is killed in the riot. Phyllis and Webster reveal their mutual love.
American agent Captain Dieppe gets involved in the affairs of lonely Count Fieramondi in Northern Italy. Dieppe, hired to help the count reconcile with his wife who has gone to Rome to pay off gambling debts mistakenly falls in love with her cousin, Lucia, who is impersonating her. After Dieppe retrieves evidence of the debts and the real identities are revealed, he makes a final sacrifice to ensure the count and countess can reunite.
A gang of crooks evade the police by moving their operations to a small town. There the gang's leader encounters a faith healer and uses him to scam gullible public of funds for a supposed chapel. But when a real healing takes place, a change comes over the gang. Lost film, only the most famous scene has survived.
British drama centered on a mother's desperate attempts to save her daughter's failing marriage as the film explores family loyalty, domestic conflict, and the social pressures surrounding divorce during the early 1930s.
A woman takes the place of a wife who had died seven years earlier.
