Sweatin' to the Oldies

Fitness expert Richard Simmons gets some of his friends together and invites you to the High School Prom. But there's no need to rent a gown or a tuxedo, just come as you are. This is an aerobic exercise party where, instead of boring elevator music, you get to work out to ten of the biggest hit songs from the 1950's & '60's performed by a live band! "Dancing in the Streets," "Beyond the Sea," "On Broadway," "It's My Party," "Peggy Sue," "Great Balls of Fire," "Wipeout," "He's a Rebel," "Personality" and "Ain't No Mountain High Enough." If you need to get or stay fit, but want to have fun while doing it, let Richard and his friends show you the way!

The Euphoria of Being

Alone, Eva Fahidi returned home to Hungary after WWII. At 20 years of age, she had survived Auschwitz Birkenau, while 49 members of her family were murdered, including her mother, father, and little sister. Today, at age 90, Eva is asked to participate in a dance theatre performance about her life's journey. This would be her first experience performing on a stage. Reka, the director, imagines a duet between Eva and a young, internationally acclaimed dancer, Emese. Reka wants to see these two women, young and old, interact on stage, to see how their bodies, and stories, can intertwine. Eva agrees immediately. Three women - three months - a story of crossing boundaries. Whilst the extraordinary moments of Eva's life are distilled into theater scenes, a truly wonderful and powerful relationship forms among the three women.

The Lion Dance

The lion dance in traditional Japanese theatre.

Tireless

Facundo Arteaga is a malambo dancer, who has already passed the barrier of thirties. His life is divided between work in the countryside and the care of his children. In spite of physical strain and lack of time, Facundo will try to compete again to try to get the title of national champion of malambo. According to tradition, whoever wins the championship can never compete again.

Rumba Rules, New Genealogies

Rumba Rules, New Genealogies offers an enjoyable, rough-edged glimpse into the music scene of Kinshasa, with impromptu shots drawing the viewer into jam sessions on plastic chairs, and the quest for perfection at the studio.

Danse serpentine (Annabelle)

In a long, diaphanous skirt, held out by her hands with arms extended, Broadway dancer Annabelle Moore performs. Her dance emphasizes the movement of the flowing cloth. She moves to her right and left across an unadorned stage. Many of the prints were distributed in hand-tinted color.

The Cuban Method

A documentary on the legacy of ballet in Cuba that aired on PBS in Rochester, NY. Filmed on location in Havana, Cuba July – August, 2016. Featuring Laura Alonso, the history of the National Ballet of Cuba, and interviews with staff and dancers attending CUBALLET at or studying at The Center Prodanza of Cuba.

Zulu Rema has learned to fly

The story of Emeer - AKA B-boy Zulu Rema - a Tunisian teenager, who had both is leg amputated as a child, and of his passion for art and dance, that has helped him become a break dance champion at national level and a role model for young people all over the world.

Der Tänzer Heinz Bosl

A documentary about dancer Heinz Bosl who died in 1975 - aged 28.

Whose Utopia

A three-part film by Cao Fei. Part one, 'Imagination of Product', shows workers and machines at the OSRAM lightbulb factory in China's Pearl River Delta. In the second part, 'Factory Fairytale', dancers and musicians appear in the factory, as work continues around them. Finally, 'My Future is Not a Dream' consists of portraits of the factory workers facing Fei's camera.

CrossFit: Beyond Fitness

Ella

Ella Havelka made history in 2013 by becoming the first Indigenous dancer at the 50-year-old Australian Ballet. In this engaging, MIFF Premiere Fund-supported world premiere, Ella – a descendant of the Wiradjuri people – charts her inspiring journey from growing up in modest circumstances as the only child of a single mother in rural Australia to gaining entry to National Ballet School, then spending formative years with the acclaimed Bangarra Dance Theatre before accepting the invitation of The Australian Ballet's artistic director David McAllister to join one of the world's foremost ballet companies.

Women of Iron

The past and present of ladies bodybuilding. Report on the feminine side of the sport of bodybuilding, with both historical and personal approaches, illustrated with images from several women contestants. The last part of the report focuses on the public disagreement over the judging views in some promotions, and the split between those for and against emphasis on muscular development.

HOTEL ARMADA - A Portrait of Dance

Hotel Armada is a curated portrait of dance and expression showcasing talents in the world of contemporary, vogue, and ballet. It is an integration of time, space, movement and sounds highlighting each performer's rawness in their power and beauty.

Who Wants Tuki?

The film portrays two of the most important producers of a movement born in the early 2000s, as well as the testimonies of some of its signatures dancers. In addition, it shows the initiative of Abstractor Collective to rescue and export the authenticity of a catchy rhythm that begins to count amongst its followers important producers and artist of the international electronic scene.

Dancer

Sergei Polunin is a breathtaking ballet talent who questions his existence and his commitment to dance just as he is about to become a legend.

Shades

Five dancers explore shadeism/colourism in the Black community through a series of personal interviews, performance pieces, and dance vignettes leading up to a final performance.

A Dancer's World

A glimpse into the world and methodology of dancer Martha Graham.

A Man of Dance

From Norman McLaren to the Grands Ballets Canadiens, to Igor Stravinsky and the Metropolitan Opera in New York, Vincent Warren has made history. Inhabited by the importance of culture in a society, he worked all his life as a 'bearer of beauty'. A MAN OF DANCE is the story of this living legend and its memorable era.

Sioux Ghost Dance

From Edison films catalog: One of the most peculiar customs of the Sioux Tribe is here shown, the dancers being genuine Sioux Indians, in full war paint and war costumes. 40 feet. 7.50. According to Edison film historian C. Musser, this film and others shot on the same day (see also Buffalo dance) featured Native American Indian dancers from Buffalo Bill's Wild West show, and represent the American Indian's first appearance before a motion picture camera.