Moving between the playful and the contemplative, explores the meaning of identity and home across three generations of an Iraqi family in Texas.
Social & External
Co-directed by acclaimed cinematographer Ellen Kuras and subject Thavisouk Phrasavath, this haunting documentary chronicles a refugee family’s epic journey from Laos in the aftermath of the secret war waged by the United States there to New York, where they find themselves fighting a different kind of war on the streets of Brooklyn. Filmed over the course of 23 years, THE BETRAYAL is a visually and emotionally stunning look at the complex ways in which the political shapes the personal.
Filmmaker Christopher Quinn observes the ordeal of three Sudanese refugees -- Jon Bul Dau, Daniel Abul Pach and Panther Bior -- as they try to come to terms with the horrors they experienced in their homeland, while adjusting to their new lives in the United States.
This documentary follows 8 teens and pre-teens as they work their way toward the finals of the Scripps Howard national spelling bee championship in Washington D.C.
A collaboration between filmmaker Ayoka Chenzira and performance artist Thomas Pinnock, who performs his "immigrant folktales" using traditional lore of his native Jamaica to dramatize his migration to New York in the 60's.
An absurd game of “finding happiness” is being played by local Latvian coyotes* and illegal immigrants on the Russian and the European Union border. It is a game with no winner – all participants are driven to play by the sense of despair. While one side leaves home and undertakes a perilous journey to the other side of the globe, hoping to spend the rest of their lives in a free country, the other side risks their freedom to earn a chance to stay right where they are, in their homeland. *coyote – someone who smuggles illegal immigrants
After the near death of her grandfather, Chinese Canadian filmmaker Michelle Wong embarks on a personal journey back home to her small town of St. Paul, Alberta to speak to her grandparents about their journey from China to Canada.
Per Persson left Sweden 40 years ago. In Pakistan he fell in love and became the father of two daughters. Trouble starts when the girls grow up and the family decides to emigrate to Sweden. When they end up living in a caravan outside Hässleholm, all their expectations are dashed.
Artistic director of the National Theater Eric de Vroedt writes and directs a performance about his own mother Winnie, who passed away in 2020. This piece, titled The Century of My Mother, is a family story about the migration from the Dutch East Indies to the Netherlands. It is De Vroedt's way of examining the relationship with his mother and not having to say goodbye to her yet: 'I can let her live on stage, but when the curtain falls, when the play is completely finished, then she is really dead'.
Fleeing religious persecution, resilient Jewish immigrants arrive in Toronto and begin building affordable, quality housing in a growing metropolis.
Offering unprecedented access to the 20 days leading up to the 2025 Presidential Inauguration — through the eyes of the First Lady-elect herself — step inside Melania Trump's world as she orchestrates inauguration plans, navigates the complexities of the White House transition, and reenters public life with her family. With exclusive footage capturing critical meetings, private conversations, and never-before-seen environments, Mrs. Trump returns to one of the world's most powerful roles.
Follows Vietnamese migrant workers, to examine the reasons behind their numerous escapes and to trace the family situations of those who were deported from Taiwan.
The meaty saga of Burger Baron, a rogue fast-food chain with mysterious origins and a cult following, run by a loose network of fiercely independent Arab Canadian immigrants.
Tells the story of Larry and Trudie Long, a popular Asian American nightclub act of the '40s and '50s, told through the eyes of their daughter, actress Jodi Long.
On a Summer afternoon, Pedro packs the last few boxes before having to leave his apartment in New York. 12 years ago, Pedro and Ana had arrived in America from Portugal, in search of a dream. Now, Ana's voice describes, from the other side of the ocean, that same country to which they are returning. As the rooms are emptied, Pedro bids farewell to one life, welcoming another. But the dream that brought him will remain forever in the city that never sleeps, awaiting his return.
A Finnish documentary follows four young men who have one year to find new love in Helsinki.
Generation One is a short documentary that explores the perspectives of the American-born children of Arab Muslim immigrants as they navigate their two identities. The film follows the life of a Palestinian-American named Hamoody as he decides to leave his tight-knit Arab community and pursue his independence. With vignette interviews from five other Arab-Americans to supplement Hamoody's story and expound upon certain themes, Generation One sheds light on a range of unique challenges found between the hyphens.
Every week, two friends born 67 years apart share their life stories in a senior home's living room. The younger friend convinces the 107-year-old lady to join her in an adventure: a road trip to the sea.
The diaspora of Filipinos around the globe is driven mostly by the economics of supply and demand. The yearning for something better, stability, and self-validation leads a handful of sojourners from the provinces of the Philippines into the arms of one of its former colonial masters — the USA. But what happens when they finally get what they want? And how? Filmmaker Dennis Empalmado explores the musings of Filipino expatriates and hopeful immigrants in "Naglalakbay" (Travelers).
A documentary from within the Swedish Migration Board's locked repository where people are in custody awaiting forced deportation. Prisoner and guard are in close proximity around the clock. Converses during sleepless nights and playing football during hot summer days. We follow Sophie, 29, who loves her job at the repository, Sami, 20, the young rebel who is locked up but free inside, and Aina, 47, who were separated from her children and kept locked up while the police are stepping up efforts to enforce their expulsion order.
The film is a travelogue of sorts. Ostrovsky’s personal family footage meets the archives of Soviet propaganda footage. The result is a kind of Khruschev-era mix with a collage of Soviet music and a voice-over of my reminiscences of the Cold War era.
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