Social & External
A Short film about a contemporary milliner in NYC.
In the Briançonnais mountains, in France, men and women on the roads of exile find the courage to cross the passes on foot, risking their lives. Arrived at the end of a long journey, exhausted, they do not know if they could settle down somewhere to start their life over. It is this transitional time that "The Adventure" tells. Ossoul, the Sudanese poet, Mamadou, survivor of an icy night at the Col de l'Échelle, Charlotte, Mother Courage and others are gradually getting back on their feet and settling to embark on a new life. Filmed over three years, "L'Aventure" is a story of resilience, friendships and revealed emotions. The portraits are drawn and deepened until everyone can recognize themselves in the other, put themselves in their place and understand them.
The inhabitants of the canyon of river Kupa, located on the border between Croatia and Slovenia, have historically been united due to their harsh living conditions, but this peaceful cohabitation between members of different cultures is threatened by the construction of iron fences to prevent the transit of refugees from Bosnia.
Through the pattern of this film a ‘Test’ at Lord’s runs like a thread and a broadcast commentary on the match is imposed on the background of cricket as a game, a craft, an interest of a people, a piece of history. The craftsmen are shown who make the ball and the bat–that ‘fourth straight stick’ with which the batsmen defend ‘the other three’. The craftsmen are shown who play the game, from W. G. Grace in the ‘nets’ to D. G. Bradman and Denis Compton in the thread of the ‘Test’. The history of the game is epitomized in the Long Room shots at Lord’s and from there the camera moves to the village green; to the London side- street where the urchins play on a ‘bumping pitch’; to South Africa, and India, where in the ‘blinding light’ there is often ‘an hour to play and the last man in.
Susana Barriga’s documentary, the illusion, begins with violence. A long shot reveals a man standing on a street corner, his features indiscernible in the night. He moves out of the camera’s line of vision, but the filmmaker, persistent, moves with him as the jostling of the camera marks her steps. As we learn moments later, the man in the distance is Susana’s father – and this is the clearest image of him we will have. Suddenly, an angry British man demands that Susana cease filming. Susana protests in heavily accented English, “He is my father!” Glimpses of a man’s torso are followed by blurred images as the camera spins rapidly over surfaces. The image cuts to black. A new male voice asks in carefully spaced out words if Susana would like him to call the police. When she doesn’t respond immediately, he speaks louder, as though volume would compensate for the language difference. She gives her name; she refuses the offer of an ambulance.
An opening narration explaining that the film's purpose is to examine the "world strategy of food", in terms of its production, distribution and consumption. The film is then divided into three parts: "Food - As It Was", "Food - As It Is" and "Food - As It Might Be".
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
A brief visualisation of NASA’s historic spacecrafts Mariner, Pioneer, Voyager, and Dawn, exploring the solar system, culminating in the New Horizons mission.
Jesus 'Chuy' Aceves and a dozen living members of his extended family suffer from the very rare condition of congenital hypertrichosis, meaning they were born with excessive hair on their faces and bodies. Due to their appearance, they suffer from discrimination in all areas of their lives: the children are made fun of at school and abandoned by their 'non-hairy' parents, and the adults cannot find work unless they choose to exhibit themselves as freaks in circuses. This moving and visually arresting documentary is a portrait of Chuy and his family members. It examines their day-to-day lives and their struggle to find love, acceptance and employment.
Short docudrama exploring the history of sex in the homosexual community from the 1970s to the present day, and how the internet has changed the way gay men meet forever.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
David Lynch, Mädchen Amick, Kyle MacLachlan and John Wentworth reminisce about "Twin Peaks" while seated at a diner counter.
The Puppeteer is a powerful, moving glimpse into the art of puppetry and the passion of a brilliant artist. The film treats viewers to Igor's street corner magic and following a dramatic turn of events, leaves us to reflect on life, art and the pursuit of dreams.
Immigrant workers build a shopping mall for the upcoming 1972 Olympic Games in Munich. In 2016, nine people with migrant backgrounds are killed in a racist attack at the same mall.
How does a machine learn to read the world? Testimonies and screen recordings introduce the experience of online micro-workers from the Global South: their job is to teach the AI of self-driving cars to navigate the streets of the Global North.
Migrant families experience violence, but they also keep beautiful memories when they arrive in new lands. Fantastic and intimate stories, recalled from childhood, travel across time and space, magically intermingling with the help of the four elements and breaking the boundaries of cinema.
Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.
The challenges of the present, expectations for the future, and the dreams of those who experience the reality of public high school in Brazil. Through the voices of students, principals, teachers and experts, "Not Even In a Wildest Dream" offers a reflection on the value of education.
In recent years, the Marga Marga Province has witnessed a drastic change in the visual and sound landscape due to urban expansion. Faced with the observation and the need to explore the territory that seems more and more alien and less and less our own, the film functions as a material resource and support for plastic reflection on living in the midst of capitalist progress.
Mickey and his friends take a close look at important street safety situations and tips.
A Puerto Rican seamstress ponders leaving her island to go live with her daughter in the United States.
The time has come for Sonic Underground Warriors to take a stand against tyranny. Pick up your sword and choose a side!
Johan is a two-fisted Gothenburg cop who finds himself in a shoot-out with jewel robbers. After the smoke has cleared, one robber, shot by his accomplice, and an innocent bystander, are dead. Three witnesses, including Helen, identify thug extraordinaire Leo Gaut as being the dead crook's trigger-happy colleague. Gaut soon threatens the three witnesses, and only Johan, the badge-wearing hero, can save them.
There has always been something to say about the way the legends rode on the West Coast. With every trick in this film executed in a uniquely creative way, wakeboarding has never looked better.
In every corner of our vast country there are talented people worthy of recognition and glory. They flock to the capital and take part in popular television shows. But the spotlights go out, and life goes on. And not as they saw it ... Each of the heroes - young and adults, ambitious and modest, lonely and in love - will have to go through many trials. They are waiting for ups and downs, meetings and partings, friendship and betrayal. But in the end they will become one big team, a family that unites different people from the most remote towns of our big country, in the name of music, talent and, of course, love!
Loyal gang member Iron Panther takes the heat for his boss after a dustup with their rivals, only to end up betrayed in this vintage kung fu yarn.
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
On July 9th GCW presents Fight Club Houston straight from Premier Arena in Houston, Texas. The lineup is almost completed, check it below: AJ Gray vs Bryan Keith Nick Gage vs Sadika Joey Janela vs Dante Ninja Mack vs Jack Cartwheel Effy vs Gino Jimmy Lloyd vs Carter Lucha Scramble .... more to be added soon!
A quilombo surrounded by concrete and buildings. What used to be a river, today is an avenue that runs fast, invading ancestral territory. Born from this land, Julia, Maria Luiza, Maria Luzia and Sara have their lives and bodies marked by Quilombo dos Luízes, located in the Grajaú neighborhood, in Belo Horizonte. They are women who narrate their memories and dreams, in resistance to the official history.
A picture of the life of the Danish people from the late 1820s to the introduction of the free constitution in 1849. A fictional character, Rasmus Nielsen, travels around the country, first as a traveling teacher, later in other positions, and through his experiences we are introduced to the conditions of various population groups. The central figure in the portrayal of historical figures is the politician Orla Lehmann.
Dick Romans is a washed up TV host whose wife walks out on him the day before their ten year anniversary celebration. Alone with his thoughts, his dog, and a ton of booze, Dick decides to go through with the week-long party... by himself. The seven event-filled days become Dick's reluctant vision quest, filled with odd characters, awkward romance, and some long-overdue self examination.
The summer ahead is long and hot but the burden of shame from the past is haunting Joonas, 24, and driving him to solitude. A sudden phone call changes the direction of his summer and brings Joonas to an old manor for a summer job, forcing him to open up to his new workmates and to face his shame. Joonas works hard under the burning sun, driven by his past mistakes, whilst the others lounge under the calming shade of trees. On the last day the group loses track of time and misses the last bus home. They are left at the old manor and a magical midsummer night begins.
Acting as both pseudo-sequel to, and remake of, Cutting Moments, Buck's follow-up changes the focus from the matriarch to the father... or, more fittingly, the many fathers... and the sins they pass down. Eschews explicit violence for a more psychological approach, to a no less harrowing result.
