An emotional journey through the film archives of the Mexican Revolution, ranging from Venustiano Carranza's administration to the creation of the PNR party by Plutarco Elias Calles.
Social & External
Using rare historical footage, vintage musical recordings, and interviews with 88-year-old Pedro J. Gonzalez and his wife, this film chronicles Gonzalez’s long and colorful life, from his early days with Pancho Villa during the Mexican Revolution, to his career as a popular radio personality in Los Angeles in the 1930s, to the controversial court case that sent him to San Prison, a victim of the repressive forces operating against the Chicano/Mexicano community during that period.
A thorough analysis of the socio-politics of Mexico, within the historical context of the Mexican Revolution reality. Includes footage from the 1910s, interviews with farmers, politicians, intellectuals, middle class, union, etc, as well as scenes from the life of an Indian family in Chiapas, their religious rituals, their crops, trials and bilingual schools. The film ends with the slaughter in the Plaza de Tlatelolco in 1968, during the infamous Olympics.
The Storm That Swept Mexico tells the gripping story of the Mexican Revolution of 1910, the first major political and social revolution of the 20th century. The revolution not only changed the course of Mexican history, transforming economic and political power within the nation, but also profoundly impacted the relationships between Mexico, the U.S. and the rest of the world.
The film portraits the stage previous to the outbreak of the Mexican Revolution, from the end of Porfirio Díaz´ government, the social volatility, the ephemeral government of Madero and the presence of the working class in the figures of Villa and Zapata, until the signing if the Constitution of 1917. All of this through moving images, filmed during those events mainly by the Alva brothers, filmmakers of that time. Those images let us perceive the contradictory and shuddered glance of the people of that period.
A history of the Mexican Revolution (1910-17), narrated through the striking images of the enormous film archive of Salvador Toscano (1872-1947), pioneer of Mexican cinema, compiled by his daughter, Carmen Toscano.
Chapter 3 of the series 18 decades of life in Mexico in the twentieth century. Images of the cultural, social and political life in Mexico between 1910 and 1914, and the beginning of the major armed conflict that marked the future of the Mexican nation.
Historical heritage documentary about the disease that, 100 years ago, occurred during and after the Mexican Revolution. This film presents real testimonies of this cruel pandemic in the indigenous peoples of Mexico in the 20th century.
The hope of a young historian to corroborate the existence of Pascual Vázquez, a supposed general of the Mexican revolution, materializes in Ms. Hilda, Pascual's granddaughter, who offers to tell the stories of her grandfather.
Chapter 4 of the series 18 decades of life in Mexico in the twentieth century. Images of the cultural, social and political life in Mexico between 1915 and 1919.
An aging group of outlaws look for one last big score as the "traditional" American West is disappearing around them.
The story of Mexican revolutionary Emiliano Zapata, who led a rebellion against the corrupt, oppressive dictatorship of president Porfirio Díaz in the early 20th century.
The assassination of Pancho Villa, on the outskirts of Parral, Chihuahua, plunged the city into mourning, and a wake for the revolutionary hero was held by his closest collaborators. Conspicuous among the mourners were the four women with whom Villa was having intimate relationships at the time of his death. Now that Villa is no longer around to mediate and keep them apart, tensions between the women grow and intensify, with unexpected consequences. An intimate and human portrait of the Centaur of the North.
When a wandering mercenary named Hogan rescues a nun called Sister Sara from the unwanted attentions of a band of rogues on the Mexican plains, he has no idea what he has let himself in for. Their chance encounter results in the blowing up of a train and a French garrison, as well as igniting a spark between them that survives a shocking discovery.
In 1914, the Mexican revolutionary Pancho Villa invites studios to shoot his actual battles against Porfírio Diaz army to raise funds for financing guns and ammunition. The Mutual Film Corporation, through producer D.W. Griffith, interests for the proposition and sends the filmmaker Frank Thayer to negotiate a contract with Pancho Villa himself.
Mexico 1926. Durazo is an outlaw and a former revolutionary. He is getting at the end of the quest for a coveted treasure. His mission will be interrupted by an unexpected meeting, which will define his life.
During the Mexican Revolution, the people tired of living in poverty and enduring the atrocities committed by the federals, decide to follow one of their own, General Demetrio Macias, a thief with tricks he learned in jail and who along with "La Pintada" decides to take his people to victory. Led by Captain Anastacio Montañez, the newly formed army fight and honor their code at the same time as they loot houses to spread the wealth.
The legendary Tomas Milian stars as Cuchillo, a knife-throwing thief on the run from murderous bandits, sadistic American agents, his hot-blooded fiancée and a sheriff turned bounty hunter, all of whom are gunning for a hidden fortune in gold that could finance the Mexican Revolution.
After the Civil War, ex-Union Colonel John Henry Thomas and ex-Confederate Colonel James Langdon are leading two disparate groups of people through strife-torn Mexico. John Henry and company are bringing horses to the unpopular Mexican government for $35 a head while Langdon is leading a contingent of displaced southerners, who are looking for a new life in Mexico after losing their property to carpetbaggers. The two men are eventually forced to mend their differences in order to fight off both bandits and revolutionaries, as they try to lead their friends and kin to safety.
Tita is passionately in love with Pedro, but her controlling mother forbids her from marrying him. When Pedro marries her sister, Tita throws herself into her cooking and discovers she can transfer her emotions through the food she prepares, infecting all who eat it with her intense heartbreak.
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