A documentary about experimental drummer Fritz Hauser.
Social & External
The people behind it
Fritz Hauser
Himself
By 1968, it had been more than seven years since he had appeared on stage on front of a live audience. In his first television special, clad in his now-iconic black leather suit, Elvis performed classic hits both on stage alone and, in sequences generally regarded as the forerunner of today's popular "unplugged" jam sessions, with friends and original bandmates. The program also included splashy production numbers. The original name of the program was "Elvis". Taped in June 1968 in Burbank, it first aired that December 3rd on NBC and was the network's biggest ratings victory that year as well as the season's top-rated show. It stands today as one of the great moments in rock music history and as a stunningly brilliant milestone in Elvis career. After this triumph Elvis poured renewed creative vigor into his recording work, wrapped up his movie contract obligations and returned full-time to the concert stage, beginning a new and exciting era of the Elvis phenomenon.
Stand-up comedian Kaya Yanar dissects the allure of Switzerland through the eyes of a German who's lived there.
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Kraftwerk, Björk, Rammstein or Robbie Williams on tour are not just concerts, but pop operas, the most spectacular stage events of our time. Tens of thousands make the pilgrimage to stadiums and halls to be there. But nobody knows the man in the background. Scumeck Sabottka has been a concert promoter for over 30 years. Constantly traveling, constantly negotiating, always on the lookout for the next big thing. An ex-punk from the Ruhr area who started out as a bus driver for Einstürzende Neubauten, worked his way up, came close to bankruptcy twice and then struck a deal with legendary promoters Fritz Rau and Marcel Avram.
1909, cinematography by Frank Ormiston-Smith.
A quiet village scene of pleasing restfulness, permitting us to see how the Swiss villagers maintain their reputation as regular Churchgoers. The old street and church are the only remains of the former village of Meiringen, which was destroyed by fire ten years ago.
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In 1971 September met four young men in a garden in Gentofte. They wanted to make a band. And they soon found out that they could joke his way to one hit after another. A handful of years later had their playful approach made them Denmark's largest orchestra. But if success came easily to them, it was also their biggest problem. For besides they were hit by alcoholism and stage directing, they faced one overriding dilemma: Should they stick to the happy drengerøvs tone (young men who appear to be young, immature or inexperienced or who behave childishly), they had so much luck, or trying to become adults?
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A computer generated fern follows a modular synthesizer soundtrack.
The point of departure for this film is the 1981 composition De Tijd by Dutch composer Louis Andriessen. Van der Keuken leaves the music undisturbed as an autonomous soundtrack and has the images engage in a sort of battle with it. These images are associations, fragments of events, scenes and situations. The film is preceded by a text by Bert Schierbeek.
Transformer was universally praised for its well-constructed anatomy of a touchstone album. Now expanded to interweave the original broadcast version with the bonus features on the original disc, the story appropriately begins with Reed remembering his days with the Velvet Underground and the importance of Andy Warhol in making them a New York-based phenomenon. These discussions provide more than the historical context for Transformer. Live at Montreux 2000 is a concert, released in 2005 by Eagle Vision. Reed performed eight songs from the Album Ecstasy plus a few older ones. From his days in the sixties as the main singer and songwriter of the Velvet Underground and through his mercurial solo career he has kept his audience and the critics on their toes with dramatic changes of musical direction from album to album. Underpinning everything however has been his unquestionable ability as a songwriter and performer of the highest class.
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Musician and performance artist Laurie Anderson reflects on the deaths of her husband Lou Reed, her mother and her beloved dog.
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In 1977, a book of photographs captured an awakening - women shedding the cultural restrictions of their childhoods and embracing their full humanity. This documentary revisits those photos, those women and those times and takes aim at our culture today that alarmingly shows the need for continued change.
A string of threatening emails escalates into a revenge plot involving a newly married US marshal and his ex-girlfriend.