Director Umberto Lenzi, writer Ernesto Gastaldi and stars Ray Lovelock & Gino Santercole discuss the making of Lenzi's Almost Human.
Social & External
Himself
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Werner Herzog's documentary film about the "Grizzly Man" Timothy Treadwell and what the thirteen summers in a National Park in Alaska were like in one man's attempt to protect the grizzly bears. The film is full of unique images and a look into the spirit of a man who sacrificed himself for nature.
Adolfo Kaminsky started saving lives when chance and necessity made him a master forger. As a teenager, he became a member of the French Resistance and used his talent to save the lives of thousands of Jews. The Forger is a well-crafted origin story of a real-life superhero.
“An Imminent Threat” follows a fisherman activist, Yngve Larsen, who fights against oil and gas drilling activities in north of Norway. Will Yngve succeed in avoiding the extinction of many species of fish and thus irreversible damage to our planet?
An investigation into the unfolding history of nuclear testing, uranium mining, and nuclear waste disposal on indigenous lands in the US. It raises the voices of those who witnessed and experienced the consequences of nuclear colonialism and those who still resist.
This film aims to capture the stories of the aging Isabella, but also captures her condition and loss of cohesiveness as she loses herself into dementia and Parkinson's. It is also a very personal film since the subject is the grandmother of one of the co- directors. The idea is interesting as it links one strong clear memory, told several times, to other fragments and truths of her condition. Animation is sparingly but cleverly used to complement the delivery and avoid it just being a talking head.
Worldy renowned for his masterpiece The Housemaid (1960), Kim Ki-young debuts with his first short film I Am a Truck (1953), which was sponsored by UN and made a year after the armistice of the Korean War. This film is a fascinating glimpse into the mind of a soon-to-be powerful auteur and influential filmmaker in the post-war Korean cinema, if not the whole history of Korean cinema.
Doctors of the Dark Side is the first feature length documentary about the pivotal role of physicians and psychologists in detainee torture. The stories of four detainees and the doctors involved in their abuse demonstrate how US Army and CIA doctors implemented the Enhanced Interrogation Techniques and covered up signs of torture at Guantanamo and Abu Ghraib. Interviews with medical, legal and intelligence experts and evidence from declassified government memos document what has been called the greatest scandal in American medical ethics. Based on four years of research by Producer/Director Martha Davis, written by Oscar winning Mark Jonathan Harris, and filmed in HD by Emmy winning DP Lisa Rinzler, the film shows how the torture of detainees could not continue without the assistance of the doctors.
While shooting “Flying over blue field” we lived in Birtonas sanatorium hotel. I was watching treatment procedures. People were plunging into bubble, mud and mineral water baths. They were going circles singing, were standing under cold water spouts. All this seemed like a sacred ritual, that frees from scurf of life. They were naked, like just born, without any signs of standing in society. Movie – silent impression about tired people "harbour".
"I can get closer to God only through love for a man," says 75-year-old sculptor Marta, who still retains the ability to fall in love. And with each falling in love, experience your new birth - A WOMAN AND AN ARTIST. Her life dramatically combines old age, approaching death with a thirst for love and creativity…
Rainer Werner Fassbinder reflects on the various stages of his career, discusses how his motives behind filmmaking evolved up his film Despair.
A stark documentary about young male prostitutes in Prague, aged 15 to 18, who work the streets, train stations, and clubs. Through candid interviews and behind-the-scenes footage of gay porn shoots, the film explores their lives, struggles, and dreams, touching on themes of exploitation, identity, AIDS, and survival.
Based on the model of documentary fiction (alternating period films, interviews and re-enactments with actors), the film begins on September 8, 1961 with the failure of the Pont-sur-Seine attack on a road convoy carrying Charles de Gaulle, then President of the Republic, and continues with the slow preparation, the occurrence and the consequences of the Petit-Clamart attack on August 22, 1962.
This profile of storied trumpeter of jazz, Tiny Davis, and her cohort pianist-drummer, Ruby Lucas, is an amalgam of artifacts about the two women, accompanied with poetry by Cheryl Clarke.
A father killed his son. In a state of alcoholic delirium, a young man murdered his friend. A 21 year-old boy shot a policeman. Faced with their death sentence, they tell about what happens with them at the moment when they are between death and ... death.
The story of one of Latin America's most beloved singer-songwriters in a journey across his 50-year career. In an intimate way, the film gives us a chance to get to know the artist, his music, and the stories behind them.
Erik Satie’s work is at the heart of modern music. However, who was Satie? An elusive genius or a visionary misanthrope? The film tries to sketch an identikit of the musician through his notes and the places he lived in. Musicologists mostly agree in describing Satie’s music as inhabited by voids and holes. The long pauses between one musical passage and the other are musical structures unto themselves; therefore, the filmmakers create a dissonant Satie-like universe in which empty spaces are adjacent to eloquent passages. Like a mysterious flower visible only to the eye that is willing to dance with its charm, the film unfolds little by little through mental associations and creative juxtapositions. There are no answers in the universe inhabited by the ghosts of Satie’s creations. Architectural forms and recollections from desires and acts of creative hubris compete to create a new world, which ultimately is the image of a new and more seductive pleasure principle.
An early video work by Ivan Ladislav Galeta that underlines the perceptual presumptions of video-media.
How to make the most of a defeat. How to make money from Napoleon's fiasco at Waterloo.
A short piece that looks at the 2012 film's ensemble cast and the strengths they brought to the project.
