"ACME Corporation. 2/10"
Wile E. Coyote receives an ACME Transporter, a teleportation device worn on the forearm and tries to catch the Road Runner.
Social & External
Tweety (voice) (archive sound)
Road Runner (voice) (archive footage)
Wile E. Coyote has ordered an ACME bungee cord and has set up a birdseed trap under a highway bridge. It’s a "foolproof" plan that takes everything into consideration... except oncoming traffic.
Wile E. Coyote fashions himself a homemade helicopter helmet, utilizing an assortment of mail order products. Soaring through the sky and over the cliffs, it's a surefire way to catch the Road Runner... assuming he can avoid military testing grounds.
This was the debut for Wile E. Coyote and the Road Runner. It was also their only cartoon made in the 1940s. It set the template for the series, in which Wile E. Coyote (here given the ersatz Latin name Carnivorous Vulgaris) tries to catch Roadrunner (Accelleratii Incredibus) through many traps, plans and products, although in this first cartoon not all of the products are yet made by the Acme Corporation.
Wile E. Coyote unsuccessfully chases the Road Runner using such contrivances as a rifle, a steel plate, a dynamite stick on an extending metal pulley, a painting of a collapsed bridge (which the Coyote falls into while Road Runner passes right through), and a jet motor.
Wile E. Coyote hopes to stop and catch the Road Runner using a huge, boulder-throwing catapult. But no matter where Wile E. positions himself, the catapult drops the boulder on him.
While cooking a tin can, the Coyote spots a better meal rushing by: the Road Runner.
Wile E. Coyote is hungry and schemes to catch the Road Runner.
Wile E. Coyote uses, among other things, a dehydrated boulder to try to catch the Road Runner.
Wile E. Coyote uses a bottle full of bees, a brick wall, a boulder in a catapult, and a harpoon gun in his attempts to catch the Road Runner.
The Coyote makes various attempts to get the Road Runner with an explosive-tipped arrow, by shooting himself out of a sling shot and by covering the road with quick drying cement.
Hypnosis doesn't help the Coyote catch the Road Runner, nor do a clutch of string-controlled rifles or dozens of mousetraps, but they all manage to backfire on him, naturally.
A Burmese tiger trap, a pop-up steel wall, a motorcycle, and a box of Acme-brand leg-building vitamins can't help the Coyote (Eatibus anythingus) catch the Road Runner (Hot Rodicus supersonicus).
Among the strategies that fail in Wile E. Coyote's attempts to catch the Roadrunner: glue on the road, a giant rubber band, an outboard motor in a wash tub, and dressing in drag as a female Roadrunner.
Wile E. Coyote's plans for catching the Road Runner involve a giant elastic spring, a gun and trampoline, TNT sticks in a barrel, and tornado seeds.
Adventures of the Road-Runner is an animated film, directed by Chuck Jones and co-directed by Maurice Noble and Tom Ray. It was the intended pilot for a TV series starring Wile E. Coyote and the Road Runner, but was never picked up until four years later when Warner Bros. Television produced The Road Runner Show for CBS from 1966 to 1968 and later on ABC from 1971 to 1973. As a result, it was split into three further shorts. The first one was To Beep or Not to Beep (1963). The other two were assembled by DePatie-Freleng Enterprises in 1965 after they took over the Looney Tunes series. The split-up shorts were titled Road Runner a Go-Go and Zip Zip Hooray!.
The Coyote chases the Road Runner through a maze of mine shafts.
Wile E. Coyote (Fallious-flatius) uses an ACME Weather Control Kit to try and catch Road Runner (Speedius-gonzalicus) through various weather-related tricks.
Wile E. Coyote decides to use a freeze ray in order to catch Road Runner.
Wile E. Coyote (Starvingus loserus) uses a falcon disguise to catch Road Runner (Speed breaking recordus).
Ever wonder who was the fastest Road Runner or Speedy Gonzales? This cartoon aimed to answer that all-important question between two of Warner Brothers' speediest characters. Of course, the race (set in an American desert) wouldn't be interesting without Wile E. Coyote or Sylvester trying to nab the bird and mouse. Both the hard-luck coyote and the puddy tat use a variety of tactics to grap their respective dinners, all which (of course) fail. In the end, Wile E. and Sylvester use a supersonic jet to pass their prey at the finish line (and "win" the race), but their vehicle quickly careens over the cliff. The poor puddy tat fall down over the cliff, just like Wile E. has so many times.
A group of tenants and visitors are trapped in a 10-story high-rise apartment building infested with demons who proceed to hunt the dwindling humans down.
High-tech robots equipped with state-of-the-art security devices have been recruited as the new mechanical "night watchmen" for the Park Plaza Mall. When a jolting bolt of lightning short-circuits the main computer control, the robots turn into "killbots" on the loose after unsuspecting shoppers!
With his uncouth manner, Professor Pohl doesn’t enjoy the best reputation at the university where he works. To make matters worse, he makes a racist remark when student Naima arrives late for his lecture. Unfortunately for him, a video of his verbal outburst spreads like wildfire on the Internet, and the university’s president, Lambrecht, is called to deal with the incident. But Pohl is not dismissed. Instead, he is put to the task of helping Naima prepare for an important debating competition. The lecturer and the student could not be more different, yet they are thrown together to work as a team.
A young teenager travels to Florida, unknowing that a group of dangerous tiger sharks are ravaging the beach.
Three short tales of supernatural horror. In “The Telephone,” a woman is plagued by threatening phone calls. In "The Wurdalak,” a family is preyed upon by vampiric monsters. In “The Drop of Water,” a deceased medium wreaks havoc on the living.
Set in the mid sixties and shot with more black than white, ‘SAD?’ is a dark ten minute film that explores the time that we spend alone watching television, and the good and sad effects it can have on you. The film has a timeless, forgotten feel about it, a study of a world and time detached from the norm, a life filled with both laughter and loneliness, escapism and escapees...
The host of an investigative news show is convinced by the CIA that the friends he has invited to a weekend in the country are engaged in a conspiracy that threatens national security.
A failed attempt to murder a Senator is connected to a group meeting secretly to discuss their darkest urges—to take lives.
Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.
Two convicts—a white racist and an angry black man—escape while chained to each other.
A detective on trail of a suspected child killer, was arrested for the crime, but was allowed to walk free after a clerical error. The detective enlists the mother of the murdered child to exact a justice the legal system can't provide.
Henry IV usurps the English throne, sets in motion the factious War of the Roses and now faces a rebellion led by Northumberland scion Hotspur. Henry's heir, Prince Hal, is a ne'er-do-well carouser who drinks and causes mischief with his low-class friends, especially his rotund father figure, John Falstaff. To redeem his title, Hal may have to choose between allegiance to his real father and loyalty to his friend.
20 years after a set of events, the Time Enforcement Commission (TEC), is still going strong. Now Brandon Miller a TEC operative, believes that they have a responsibility to change history hoping that the world will be better but Ryan Chan another Tec operative stops him but kills the woman he loves in the process.
In the dark landscape of the Mississippi Delta, a former bare-knuckle fighter must win one last fight to pay off his debts to the local mob boss and save his childhood home—the stakes nothing less than life or death.
Two friends in Mexico discover the Lament Configuration and unleash Pinhead, but one decides to try to survive by swapping himself with someone else. Once they go missing, family members go in search of them, but find Pinhead instead.
A highly experimental film presenting a story out of chronological order taking place 15 years after a near-apocalyptic catastrophe, about four traumatized 14 year olds who are tasked with piloting massive humanoid decisive weapons called Evangelion, the psychologically maladjusted adults who handle and command them, and the events and forces that affect them or which they take part in as they engage massive hostile invaders known as "Angels."
On her way to visit her childhood home in a colonial outpost in Northern Cameroon, a young French woman recalls her childhood, her memories concentrating on her family's houseboy.
Follows a young cyclo driver on his poverty-driven descent into criminality in modern-day Ho Chi Minh City. The boy's struggles to scratch out a living for his two sisters and grandfather in the mean streets of the city lead to petty crime on behalf of a mysterious Madame from whom he rents his cyclo.
Seven years after the defeat of the spiral king, Simon and the Dai-Gurren brigade must set out to the vastness of space to defeat a new threat and save the universe.
Whilst vacationing in the Carpathian Mountain, two couples stumble across the remains of Count Dracula's castle. The Count's trusted servant kills one of the men, suspending the body over the Count's ashes so that the blood drips from the corpse and saturates the blackened remains. The ritual is completed, the Count revived and his attentions focus on the dead man's wife who is to become his partner; devoted to an existence of depravity and evil.
