The hero of the film tries to find the way out from his problems and difficulties.
Social & External
Rauf Bayramov
Rana
Murtuzov
Mirzayev
Damirov
Novruzova
Valeh
Nuriyev
Khanlarov
Shikhlarov
Sona
Vahid
Ismailova
Childhood friends Ahmet and Nuri, the sons of poor farmers, grew up together, studied together, and worked together in a factory. Together, they publish the magazine Light, which opposes the colonial policies of foreign capital and military pacts. After their first imprisonment, the friends' paths diverge: Nuri betrays his convictions and joins a reactionary newspaper. His life is now safe, but he finds no joy or peace. Meanwhile, Ahmet, having become one of the main enemies of the reactionaries, attracts more and more patriots to his side.
Young Ruslan rows for a team coached by his father Ali, who places many demands upon his son and is continually dissatisfied by his performance. But when tragedy strikes, his father is overcome with emotions he doesn’t know how to deal with. Debut director Asif Rustamov treats the heavy topic with remarkable subtlety and discretion, emphasizing the characters’ carefully elaborated psychology.
This film was based on Samad Vurgun's "Komsomol poem". Seven sons, like seven samurai become the seven komsomols (communist leaders) who were sent to a village to establish Soviet power. Seven sons become the romanticized images of people's heroes ready to take revenge.
While there is famine during WW2, a boy with mom far away, tries to stay strong.
The secretary of the district committee, Firangiz, is cautious and demanding, as well as very harsh and inconsistent. She cannot tolerate not only her compatriots, but even her husband, the researcher Murad, and her entire family.
A lonely old woman remember her youth, the days when she worked as a prostitute because of the poverty during the Second World War.
Rukhsara and her son Ibrahim are very concerned about the future of their five daughters growing up at home - Gulkhar, Khalida, Sakina, Zohra and Sevinc. Rukhsara's dream is to give each of the girls a dowry, to send them off to their husband's house according to the "rules”, as they say. Ibrahim knows very well that family happiness is not measured by dowry and shiny furniture. However, for the sake of his mother, he tries to earn dowry money for the girls. The sisters also understand that the foundation of happiness is not laid by dowry. If you hold hands with the person you love, you can overcome all the trials of life with confidence...
The film takes place in the Azerbaijani capital of Baku at the end of the 1980s. At this time, the Soviet Union was starting to fall apart, and with this came the start of a number of ethnic conflicts. Fariz and his family move into a Baku apartment block from war-torn Nagorno-Karabakh. Fariz's relations with his new neighbors are strained by his accusations that it was people like them who failed to support the Azeris in their conflict with ethnic Armenians. The only one who stands up to him is Alik, who acts as peacemaker between him and the older inhabitants of the building. Alik has no reservations about brandishing his gun in order to keep the peace. One day, the apartment managers want to evict a number of musicians who have been squatting in the basement. Alik gets involved, but soon discovers the situation is more complicated that he first believed.
The film is about young village man and about forming his character.
The film is about people who don't like national traditions and being Azerbaijani after returning from Europe.
A historical film about the struggle in the 18th century of the young ruler of the Kuban Khanate, Fatali Khan, who sought to unite the scattered khanates into a single Azerbaijani state.
Not looking that a film is told about personal human fortunes here in the foreground there are the most noble raised human lines.
Murad, the favorite of the entire court, has just returned from prison, where he ultimately took the blame for his friend's crime. All this time, his fiancée Gul waited for him, and now they are getting married. Meanwhile, behind one of the doors overlooking Murad's garden, a woman's scream can be heard from time to time, but the neighbors do nothing. Will Murad be able to rise above the general indifference to his neighbor's affairs and help the unfortunate woman?
The film explores intelligent feelings of harmonious coordination and human problems, as well as psychological issues. The film addresses topical issues of contemporary morality. The protagonist, Murad, has a family and a good job, but on a whim, he suddenly feels compelled to abandon everything. Deep down, he is torn between feelings of love and indifference.
The film is about commissary Chingiz Ildirim.
Political farce. Soviet power is compared to a symbolic "Red Train" without a steering wheel bringing happiness to people.
After many years of effort and patience, she failed to save her family. She watched with pain as her husband, an architect by training, was ruining his life with idleness and melancholy. Unable to bear the boredom of life together, she leaves home...
January 1990, Baku. The Soviet Union hasn't collapsed yet. Around 300 thousand Azeri have been forsed out from their homes in Armenia and Daghlig Garabagh. Rallies of protest, political meetings spring up in Baku. The old patriarch, Ismail gathers under his roof distant relatives, people of different nationalities, beliefs, and ideas. The old man is tortured by everything happening around him: unrest in the city as well as discord and discarder in his own overpopulated apartment. All his efforts to preserve the family are in vain. People want to live separately. Former friends become bitter enemies because of the senseless aggression.
The film chronicles the ordeals faced by Azerbaijan’s intellectuals - from the Red Terror to the present day - depicting how, amid shifting social and political upheavals, they endure physical and moral persecution. It also explores human betrayal and the ways people adapt their identities to survive changing circumstances.
The funny story of fish lover Abdulali.