Pubertät bei Jungen

This animated short shows the development of boys up to and during puberty. It depicts the typical external changes that occur with the onset of sexual maturity, the structure and function of the sexual organs, sperm formation and pollination.

Loyal to My Image

Through one woman's experience as an adopted person and also as a mother who relinquished her child in 1971, this documentary highlights the many complex issues associated with adoption.

The Darkness of Day

The Darkness of Day is a haunting meditation on suicide. It is comprised entirely of found 16mm footage that had been discarded. The sadness, the isolation, and the desire to escape are recorded on film in various contexts. Voice-over readings from the journal kept by a brother of the filmmaker’s friend who committed suicide in 1990 intermix with a range of compelling stories, from the poignant double suicide of an elderly American couple to a Japanese teenager who jumped into a volcano, spawning over a thousand imitations. While this is a serious exploration of a cultural taboo, its lyrical qualities invite the viewer to approach the subject with understanding and compassion.

Sergei Parajanov, The Exile

Sergei Paradjanov, the great Soviet filmmaker of Armenian origin who was born and grew up in Tbilisi, Georgia, studied film in Moscow and worked for many years in Ukraine, talks on camera to Fotos Lamprinos about his life, his films, and events in the USSR under Gorbachev’s Perestroika, a few short months before he died and while the state of his health was already deteriorating. The film includes rare footage of the massacre of Georgian civilians by the Soviet Army in April 1989 and unpublished material from the Ukrainian prison in which Paradjanov served his sentence.

Nobody Had Informed Me

Menno de Nooijer had previously collaborated on Paul's films, but this one marks the launch of a directors' team that lasts until today. Two man stick their heads through a decor, photographs revolve around their heads. Unfettered reflection on their own work, the basic assumption being a quote from 18th-century writer Horace Walpole, which also appears in other titles of their films: 'Nobody had informed me that at one view - I should see a palace, a town, a fortified city, - temples on high places […]'. In 1989, this film was granted the jury award at the Holland Animation Film Festival. (filmcommission.nl)

Empire

The Pax Americana takes care on our peace, ensures our comfort, guarantees our prosperity… An idyllic postcard of the new Empire.

The Making of 'The Thing'

Dead Ears

Two men, an aged farmer and his deaf-mute son, live in a remote area, isolated from civilization. Though sharing the same roof, problems, and sorrows they remain very distant from one another. Their attempts at conversation turn to misunderstanding if not conflict. Father thinks his son is abnormal and childish. Son sees his father as insensitive and crude. Can the two men find their way into understanding one another?

A Diary for Timothy

A narrator recounts the state of Great Britain near the end of WWII via a visual diary for the titular baby boy born in September 1944.

Junkopia

A short film that shows Boundless, Surreal objects that are juxtaposed with our present World. Cars, Motorways, noise of our modern society; A giant city in the distance - all that shrouds this lonely and forgotten island of Dreams. Filmed at the Emeryville Mudflats near San Francisco.

I Love You, East Garrison (A Video Essay by Haley Hoult)

Haley Hoult, a student of Est Harrison High, creates a sarcastic video essay about his school.

Joker: Put on a Happy Face

Featuring interviews with filmmakers and industry legends, discover the origins and evolution of The Joker, and learn why The Clown Prince of Crime is universally hailed as the greatest comic-book supervillain of all time.

I Don't Want to Sleep with You I Just Want to Make You Hard

Kyabakura is a type of hostess club in Japan, inspired by French cabaret. There exists an ambiguous relationship between the clients, the men, and the hostesses, that should never materialize into a sexual relationship...There are strict rules, which of course, are designed to be broken.

Arekara - The Life After

In February 2012, I went to Ishinomaki, a town North of Tokyo that was half destroyed by the tsunami of March 11th, 2011, to meet the disaster victims who now live in temporary housing. I spent several days in the North, under the snow, listening to these people talk candidly about what they had lived through, telling their own stories without the media as an intermediary. Their testimonies were terrifying, harsh and sad, but at the same time touching, sincere and human. From the pictures and interviews that I collected, I decided to make a film, not to reflect how awful the events were, but to communicate the singular and even surreal nature of each person’s experience. My intention wasn’t so much to focus on this particular event in Japan, but rather to make these stories more universal as a way of paying tribute to all the victims of natural disasters throughout the world.

()

P. Adams Sitney, Professor of Visual Art at Princeton University, wrote a short essay for Artforum International "Medium Shots: the films of Morgan Fisher" in which he describes the film "()." "Fisher's most recent film, (), succeeds astonishingly where Frampton's parallel effort, Hapax Legomena: Remote Control (1972) failed; it uses aleatory methods to release the narrative unconscious of a set of randomly selected films. () is made up entirely of "inserts" from feature films organized according to Oulipian principles. Inserts were usually shot by assistants when star actors, large crews, or expensive sets were not needed. These include details of weapons, wounds, letters, signs, tombstones, machinery, games of chance, timepieces, money, and even intimate caresses.

Latvian Folklore

Documentary about the ancient rites still practiced in rural Latvia.

Mermaids Against Plastic

Tamara is from the ocean and water runs in her veins. Born in a fishing village on the Mexican coast, she became a full-time scuba instructor. When she discovers plastic in her beloved ocean, she sets out to get the diving industry to stop using single-use plastic.

America; I Too

Three arrested and detained undocumented immigrants must navigate the system to fight impending deportation.

Psych-Burn

“’Psych-Burn’ was what musicians call a ‘contract-breaker’. ABC had given us some coin to make a few short films for a TV Pilot. “Love-In Tonite” was to be a psychedelic rock variety show with live performances, skits, and whatnot to cash in on the emerging hippie demographic. Even pre-Disney, the network was riddled with a bunch of out-of-touch, pencil-pushing buffoons, so I quickly realized the show would be a disaster. Imagine if “Midnight Special” was produced by Aaron Spelling. Then cast Charles Nelson Reilly as emcee. That would have been a far more lively show than “Love-In Tonite”. So I decided to deliver the suits a farewell kick-in-the-butt called ‘Psych-Burn’. The best part was that they presented my film sight unseen at a board meeting about the new Fall Season. I heard some heads rolled over that one.” —JXW

The Women of Godzilla

One aspect of Japanese fantasy films that often goes overlooked is the significant part that women play in the drama.