In fifteen shots, all but one running for 90 seconds, the audio-visual landscapes of a video game are examined as its day-night cycle mimics passing time, and the radiant AI of its characters creates the illusion of free will.
Social & External
The collective life of the generation born as Jurij Gagarin became the first man in space. Vitaly Mansky has woven together a fictional biography – taken from over 5.000 hours of film material, and 20.000 still pictures made for home use. A moving document of the fictional, but nonetheless true life of the generation who grew up in this time of huge change and upheaval.
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
Lars von Trier challenges his mentor, filmmaker Jørgen Leth, to remake Leth’s 1967 short film The Perfect Human five times, each with a different set of bizarre and challenging rules.
This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.
"Adrift" is shot on the arctic island of Spitzbergen and in Norway. It combines time-lapse photography with stop-motion animation of the landscape. Through camera-angles and framing the film gradually dislocates the viewer from a stable base where one loses the sense of scale and grounding.
A collage of newsreels, trailers, clips and other visionary and unseen fragments of sight and sound regarding the late plastic artist Helio Oititica.
A film about friendship and the occasional loneliness.
A young man in a tram is asking a bit too much from a stranger.
Jonathon "The Impaler" Sharkey threw himself into the race for Minnesota governor on January 13, 2006. His "coming out" to the media as a Hecate Witch, Satanic Dark Priest and Sanguinary Vampire grabbed international attention, and his candidacy marked the beginning of the largest amount of media coverage ever given to an unknown third party candidate running for governor in American history.
Omniscient perspectives shoot vibratory gleams through human projectors statically displaced across the screen. Superimpositions at fever pitch falling apart and compressing into new molecular lattices. Peripheral fantasies imagine forth collusioned destinies. A yin/yang interchange makes light's transparency into density, while the darkness metamorphoses into thin lucidity. Hands in peristaltic motion grasp and release, conjuring interstitial embroideries. Landscapes yield their own maps in topographical patterns.
Shot at high noon in New York’s financial district, Wallstreet is much like a vertical tickertape, charting the existence of typical office workers. The film’s elongated shadows suggest these workers’ depersonalized, neuter, nearly uniform lives, which flow by without any solid or stable element that might provide definition.
Pyramid is a single screen work on Abraham Maslow's theory on the hierarchy of human needs filmed through the rhythms and choreography of middle class South England. Filmed in color and b&w on 16mm film, it continues Salmon's interest in the performance of the artist/cinematographer within both spontaneous and constructed situations and incorporates methods developed by various movements within documentary and avant-garde history. Using an array of sounds, music and conversation as well as silence, Salmon constructs an abstract documentary which both develops and challenges the themes presented in Maslow's theory as well as her own interest in human iconography, stereotype and domestic rhythm. The image of Maslow's pyramid and his pragmatic dissection of human needs and possible motivations provide a system of organization for the family and a philosophical framework for the video.
This collection of David Lynch's short films covers the first 29 years of his career. Four of his earliest underground films—Six Figures Getting Sick (1966), The Alphabet (1968), The Grandmother (1970) and The Amputee (1974)—are showcased, as well as two works from further into his career—The Cowboy and the Frenchman (1988) and Premonitions Following an Evil Deed (1995)—which were originally released as segments of anthology projects. Each film is given a special introduction by the director.
"This installation or performance work puts my own earlier film of the Mona Lisa (1973) through another stage of transformation – my own irretrievable self of some 34 years ago is now also part of the subject I first saw the ‘actual’ ‘Mona Lisa’ when I was about thirteen. Of course I had seen dozens of reproductions in books and postcards by then and the popular mythology of the enigmatic smile was already well engrained in my mind. My strongest impression, as I recall, was how small and unsurprising it was – a heavily protected cultural icon – no longer really a picture – and I was much more excited by the painting of the distant landscape than by the face. My own ‘version’ of ‘la Giaconda’ was never an homage, nor like Marcel Duchamp’s ‘L.H.O.O.Q’, an attack on its cultural power. Instead it came from a fascination with change and transformation – maybe also with arbitrary appropriation." Malcolm Le Grice
A fascinating journey with Israel’s notorious provocateur, Prof. Amir Hetsroni, into the depth of his romantic and interpersonal relationships, alienated childhood, and public persona versus his self-identity.
Guy Ben-Ner, one of Israel's foremost video artists, gained international recognition with a series of low-tech films, starring his family in absurdist settings carved out of their intimate spaces and their everyday surroundings. Many of his videos are inspired by screenplays for films, folktales and novels. Analyzing these literary and cinematographic passages allows him to exploit the conventions of film narrative: how to tell a story, captivate an audience through a tale, sustain a degree of tension and entertainment, and so on. At the same time, he corrupts the magic of fiction by openly showing us the entrails of everything he records, without worrying about revealing the tricks of the trade. A large part of his filmic oeuvre features a conglomeration of cinematic and literary references which the artist quotes, adapts or interprets. Ben-Ner self-referentially links the great themes and their literary, cinematic and artistic realization.
A dark and visceral journey. A language that tears apart the morbid nature of the dead-old primal human eyes. No warning was given. No mercy was shown.
One sunny afternoon in the middle west, suspended in a time between, two commuters daydream of a life lived otherwise. Adapted from a letter written by Victor Berger in 1895.
Eight woman, one life. Short animation by Sumito Sakakibara. The 9th Japan Media Art Festival Animation Division Grand Prize Winner
The civil war rages in the Central African Republic, Linn (35) leads a team of aid workers who are working tirelessly to save lives in a field hospital outside a massive refugee camp. When a Muslim man, persecuted and in mortal danger, seeks refuge, Linn faces a critical decision. A growing mob and Christian militia demand his handover. As the head of security, Linn must act quickly, brutally balancing the safety of her team with the value of a single life. Based on the true events that unfolded during 15 tense hours at a Doctors Without Borders hospital in Bangui on Christmas Eve, 2013.
Barbie comes home from shopping. She takes her groceries out of the bag and unwraps a little Barbie doll. She fries up the Barbie doll and eats it.
The theater group within the prison of Cuatro Caminos, which includes a total of six prisoners-eight volunteers, it was decided to stage the play "12 Angry Men". However, his dream will be lowered when a contagious infection forced to remain isolated inside. Fear and lack of information to jump trigger alarms and the group is consumed by stress. With the participation of real prisoners, this film is an innovative proposal to help them pass and live, while participating in a larger project.
j-hope’s first solo world tour has captivated audiences with 31 concerts in 15 regions, spanning across North America and Asia. Now, the grand finale of ‘HOPE ON THE STAGE’ will be broadcast live in cinemas worldwide! Witness the powerful moment of j-hope sharing his hopes, wishes, and dreams with audiences through his debut solo tour. Experience his electrifying performances, including title tracks from his solo albums—‘MORE,’ ‘Arson,’ and ‘NEURON (with Gaeko, yoonmirae)’ — as well as recent releases unveiled during the tour like ‘Sweet Dreams (feat. Miguel)’ and ‘MONA LISA’!
A filmmaker talks about his work and love life with an unseen friend behind the camera. We also watch four of his short films.
A turbulent day in a life, painted by air.
A feud develops between a taverna with bouzoukia and a club next door that plays modern music.
Ophir asks Harel for a small favour that might make him feel like a normal gay guy. OK, maybe not that small a favour. During the somewhat ridiculous, somewhat exciting night the two will spend in bed, they will learn a small lesson in intimacy and community.
Era Oculta – “Hidden Era” unfolds in the vibrant city of Maputo, where Rastafari artist Phambi fights with securing his son’s education amidst the rhythmic beats of Mozambique. Constantly on the brink of expulsion due to payment delays, Phambi’s artistic journey becomes a compelling narrative, showcasing the challenges and triumphs of an artist navigating the unique landscape of Mozambique. The film amidst the vibrant art scene, two young women, allies to Phambi, play a pivotal role in supporting his artistic endeavors. They willingly pose for him, adding depth and inspiration to his creations. Their presence in the film not only highlights the collaborative spirit within the artistic community but also brings a nuanced perspective to the narrative, reflecting the diverse voices that contribute to the cultural tapestry of Maputo.
The Argentinean group Les Luthiers in their show from 1989.
Faisal lives happily with his daughter and his mother as a single father. He is very serious about work when it is time, and his whole life is based on his daughter. However, when a new employee named Ayitr (Srabonti) joins the company, she not only gets close to his daughter but also towards Faisal's heart.
A Max Fleischer Screen Songs cartoon with part of it devoted to cartoon animation and the other part to Arthur Treacy, radio's Street Singer, doing the Irving Berlin song, with words and dancing-ball double-exposed at the lower left of the frame for audience participation.
It's Christmas Eve and Nan receives some unexpected visitors, in the form of Ghosts of Christmas Past, Present and Future. In this comic retelling of Dickens' A Christmas Carol, Nan is shown the error of her ways, but is it too late for her to swap her Scrooge-like misery for some seasonal goodwill?
July 1944. San Miniato, Italy, is occupied by the Nazis. Paolino, the local tailor, receives a visit of the SS officer Rudolf Schmidt, who commissioned him a suit. One day, Lucia enters his shop. She is as friend of Paolino and a Partisan courier. She and Mauro, a friend of Paolino and the Partisan leader, will get married and she wants a new suit for Mauro. Lucia is captured and killed by Rudolf Schmidt. Now, it is up to Paolino, the tailor of the Nazis, to make an important choice...
In The New World Order, who can you trust? The government? Ragtag militia? Religious "fanatics"? After a dramatic escape from death row, former FBI agent Adam Riley (David A.R. White) reunites with his friend and mentor Jacob Krause (Brad Heller) leader of The Way, and his small remnant of Christians. Little do they know the forces out for their destruction. Global Alliance leader Commander Fredericks (Monte Perlin) has forced Adam's former partner Charles Baker (Kevin Downes) to hunt them down while a ragtag militia, led by "Captain" Jackson (Lonnie Colon), spy on them for their own gain. As events lead to an explosive confrontation, all will be forced to an awakening of the real struggle... for their very souls.