Senso Daughters

Senso Daughters focuses on the legacy of the Japanese occupation of Papua New Guinea during the Second World War. It is a legacy that arises from rape, starvation and terror. Sekiguchi's documentary lets the residents of Papua New Guinea, especially the women, tell the story of their three years under Japanese Army rule.

The Murmuring

Every Wednesday at noon, women who were kidnapped for sexual purpose by the Japanese army during its imperialism and their supporters demonstrate against Japanese government to request official apology and indemnity for their crimes. This documentary portrays sexually abused old women's suppressed story of overcoming of their shame and forced silence.

Twenty Two

Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.

Comfort

KIM Soonak is a survivor of sex slavery by the Japanese military. The war may have ended, but her life was still at a war. She lived in the prostitute quarters to survive, did sex business in the US military camp town, and peddled goods from the US military. She raised two kids on her own as she worked as a maid. We’ll listen to her story in her absence. The film reconstructs the life story of the deceased KIM Soonak with interviews with activists, archive videos, animation, and read-aloud testimony.

The Silence

The Silence narrates the struggle of fifteen "comfort women"—former sex slaves by the Imperial Japanese Army during WWII—for recognition and reparation. The "comfort women" issue has previously been treated almost exclusively within the framework of Korean nationalism. The Silence will provide insight into the ways in which nationalism and the emergence of post-war Asian nation-states have hindered the understanding of "comfort women" narratives through Zainichi Korean documentary filmmaker Soo-nam Park's point of view.

Habitual Sadness

The story of the women at the "House of Sharing" continues. Old women who share a common bond lead a peaceful life in the countryside, raising vegetables, chickens and painting pictures. They are no different from the elderly women we see every day. But they are all scarred by pain and sorrow from their collective history of being comfort women during World War 2. They became subject to prejudice in their own homeland after their return to Korea. It is painful for them to watch other peoples' children and grandchildren, and they feel rage when the Japanese government tries to cover up the unspeakable crimes they committed against them. The film asks us to remember what these women sacrificed and the shame and misery they faced even as these individuals pass away often forgotten by their own people.

The Women Outside

They're called bar women, hostesses, or sex workers and "western princesses." They come from poor families, struggling to earn a decent wage, only to be forced into the world's oldest profession. They're the women who work in the camptowns that surround U.S. military bases in South Korea. In 40 years, over a million women have worked in Korea's military sex industry, but their existence has never been officially acknowledged by either government. In The Women Outside, a film by J.T. Orinne Takagi and Hye Jung Park, some of these women bravely speak out about their lives for the first time. The film raises provocative questions about military policy, economic survival, and the role of women in global geopolitics

Song of Arirang - Voices from Okinawa

In the final hours of the Pacific War, Okinawa was the destination for Korean men conscripted as “military laborers” and Korean women taken as “comfort women.” Little is known about the number of casualties or their experiences. In 1989, Park Soonam started to track down the survivors of the Battle of Okinawa to record their testimonies. In 1990, Park visits Korea in search of former “military laborers” who had survived Okinawa and repatriated to Korea. The survivors vividly recount their experiences of their compatriots’ murder and about the “comfort women” to the Zainichi Korean female director. The film zeroes in on the murder of Korean “military laborers” and the presence of “comfort women” in Okinawa via testimonies of former Japanese soldiers.

Okinawan Harumoni - Testimony: Military Comfort Women

Bae Ponggi, a Korean woman who became a comfort woman for the former Japanese military in 1944, testifies for the first time in Okinawa in 1975, after Okinawa was returned to the mainland. In the "red-tiled house" on Tokashiki Island, Okinawa, which was turned into a comfort station, she talks about her life and relationships, her situation after being left behind on the Korean Peninsula and unable to return to it after the war, and what happened afterwards.

KOKO SunYi

The Apology

"The Apology" explores the lives of former "comfort women," the more than 200,000 girls forced into sexual slavery during World War II. Today, they fight for reconciliation and justice as they struggle to make peace with the past.

Shusenjo: The Main Battleground of the Comfort Women Issue

A Japanese-American director digs deep into the controversial 'comfort women' issue to settle the debate on whether the women were paid prostitutes or sex slaves, and reveals the motivations and intentions of the main actors pushing to revise history in Japan.

The Big Picture

A Long Way Around

Life story of sexually harassed women by Japanese army, so called "comfort women" and the reflected story of Grandma, Ok-seon Lee in that period of time

My name is KIM Bok-dong

In 1992, KIM Bok-dong, reported herself as a victim of the sexual slavery, "comfort women" during World War Ⅱ. She wanted to receive the proper apology from the Japan government but they denied its responsibility. In 2011, commemorating the 1000th Wednesday demonstration, Statue of Peace was installed in front of the Embassy of Japan. The fight over Japan confronts a new stage.

My Own Breathing

"My Own Breathing" is the final documentary of the trilogy, The Murmuring about comfort women during the World War II directed by BYUN Young-joo. This is the completion of her seven years work. BYUN's first and second documentaries spoke of grandmothers' everyday life through the origin of their torment, while My Own Breathing goes back to their past from their everyday life. Deleting any device of narration or music, the camera lets grandmothers talk about themselves. Finally, the film revives their deep voices trampled by harsh history.

Calling the Ghosts

Movie about tortured and humiliated women in concentration camps in Bosnia and Herzegovina.

TARGET

In 1991, the issue of “comfort women” was raised for the first time through the testimony of the late Kim Hak-sun. One of the first reporters in Japan to write an article about her testimony was Uemura Takashi of The Asahi Shimbun. Since the publication of his article, Uemura has been subjected to blatant attacks from the far-right, including threats on his family’s life, and the issue is still ongoing in 2021. Based on Uemura's defamation lawsuit that began in 2015, TARGET details why he had to be someone's “target.”

Red Maria 2

Korean sex worker Yonhee goes to Japan to build solidarity with her counterparts there. YAMASITA Youngae heads for Kyoto to give a lecture on how former prostitute-turned-comfort women were left out of the movement to achieve justice for comfort women. Korean professor PARK Yu-ha is sued by former comfort women because of her book Comfort Women of the Empire. Reportage writer KAWADA Fumiko Tells the story of BAE Bonki, a Korean who worked as a comfort woman in Okinawa. Shuttling between the issue of sex workers who refuse to be pictured as victims and the issue of comfort women who couldn’t even be acknowledged as victims, the film reveals stories that had disappeared from official memory.

Comfort

Anatomy of a Marriage: My Days with Jean-Marc

The story of the couple from the very first meeting to break up told from a view of a man, Jean-Marc. The film shares the same plot with "Françoise ou La vie conjugale", that tells the same story from another perspective.

The Glass Pearl

The stifling existence of suburban Norway forces a twelve-year-old boy to spend his afternoons plundering rubbish bins, in search of something specific, something that might actually lead to a reward for him and his family.

Vengayin Maindhan

A snake charmer sets out to take revenge on the men who raped and killed his ladylove.

Young Dr. Freud

A portrait of Sigmund Freud as a young man.

DREAM 7

DREAM.7 took place on March 8, 2009, at Saitama Super Arena in Saitama, Japan, promoted by Fighting and Entertainment Group’s DREAM. The main event features Shinya Aoki facing David Gardner in a lightweight bout, with Aoki coming off a unanimous decision win over Joachim Hansen at DREAM.5 and Gardner entering after a TKO victory in M-1 Challenge. Key featherweight Grand Prix opening round bouts include Norifumi "Kid" Yamamoto vs. Joe Warren, Masakazu Imanari vs. Wicky Akiyo Nishiura, and Hiroyuki Takaya vs. Jong Won Kim. Other notable fights include Mitsuhiro Ishida vs. Daiki Hata and Tatsuya Kawajiri vs. Ross Ebanez.

Nuclear Power - End of an Era?

Nuclear has always been a controversial energy source. While Germany is phasing out its nuclear power plants, France is building a new generation of nuclear reactors to keep the lights on. A look at the nuclear debate over the last few decades and what the future holds for atomic energy.

Club of the Laid Off

Laid-off old mannequins spend their cracked and broken lives in an old, abandoned warehouse. New mannequins are brought to the warehouse. They are old as well, but from a younger generation. The two groups must live together, but it's not easy at all.

Giovanni's

In the 1950s, Giovanni, a black and gay American, left his native country to go to Paris where he thought he would find more tolerance.

Refrain

A story about everyday life funeral in the 70s.

Nullarbor

An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.

Lucette

An investigation is started after the brutal murder of the daughter of a high class family.

Hole

Two con artists seduce and rob lonely women. But things go terribly wrong when they accidentally kill one of their victims and try to bury her body in the woods.

Le ali della vita 2

A Halloween Puppy

A boy accidentally turns his mom's boyfriend into a dog.

Object: Alimony

Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

Oily to Bed, Oily to Rise

Once again, the Stooges are three hapless tramps. After nearly destroying a farmer's (Richard Fiske) pile of firewood, the boys come to the assistance of the Widow Jenkins (Eva McKenzie), who has just been cheated out of her land by a trio of swindlers (Dick Curtis, Eddie Laughton, James Craig). Attempting to fix the woman's well, the Stooges instead unleash an oil geyser. They manage to retrieve the deed to the land and are allowed to marry the now wealthy Widow Jenkins' daughters. Moe tells Curly to wish for quintuplets, and Curly replies, "We'll honeymoon in Canada!" (a reference to the Dionne quintuplets).

Spring Break Massacre

When six sorority sex kittens hook up for a night of carefree indulgence during spring break, they have no idea that maniacal serial killer Stanley Peterson (Curtis Taylor) has escaped from a nearby prison and is now on the prowl for fresh blood. Can they stop the madman before he notches up another half-dozen deadly conquests?

F.O.T.O.G.R.A.F.

A short film based on the S.T.A.L.K.E.R. fictional universe, combining the “Picnic to the curb” of the Strugatsky brothers, “Stalker” by Andrei Tarkovsky and the “Exclusion Zone” location around the Chernobyl NPP. According to the scenario, an agent of the peacekeeping forces, nicknamed "The Photographer", arrives in the Zone to prevent a global scale catastrophe, which could be caused by an experiment that went out of control at a scientific lab.