Across the sea. Across the street. Cross processed and grain-enlarged images of fraught neighbours Korea and Japan who have difficulty making each other out.
Social & External
As a woman attempts to outrun her intrusive thoughts, her evening begins to unravel alongside her mind.
When Devan’s ex-girlfriend, Skye, knocks on his door with unmerited forgiveness and sexual desire, his naive lust leaves him too late to discover the monster which lies beneath her skin.
Laurie Strode struggles to come to terms with her brother Michael's deadly return to Haddonfield, Illinois. Meanwhile, Michael prepares for another reunion with his sister.
The Cavalcade of Perversion, a traveling freak show, acts as a front for Divine, who is out for blood after discovering her lover's affair.
A young man reminisces on his relationship with a friend while awaiting a midnight train to New York City.
Evelyn and her oblivious son Ziggy seek out replacements for each other. As Evelyn tries to parent an unassuming teenager at her shelter, Ziggy fumbles through his pursuit of a brilliant young woman at school.
Onde Nostre is a lifestyle documentary film that shows the peculiarity of the Italian surf scene and the beauty of this sport, even in a country that's not usually considered a top destination for catching waves. With this film we intend show the passion and high level of the Italian surfers. The film is shot mainly in 16mm and super 8 and only a small part is shot digital in order to emphasize the beauty of the landscape. The film has a romantic approach to surfing. Action has a great relevance, with slow motion segments and an emotional editing. Onde Nostre also shows Italian surfers lifestyles and the endless search for good waves in the Mediterranean sea.
Mike lives in New York. Every day he walks in the streets and what he sees mixes with his thoughts, while his dreams blur with the mirages of the society of images. In such a large city it may be difficult to find a balance between the words and the noises around. Suddenly, Mike realizes what he wants: to go away, as far as he can.
A short revenge story, while the sun goes down.
A meteorite, strange vegetation, a colour: an experimental take on H.P. Lovecraft's spiral into madness, shot with a vintage camera on truly unique LomoChrome 16mm film.
A fisherman, a banker and an actress are involved in a love triangle in the middle of the ocean.
In his daily commute an old man looses track of time and his grip on an overwhelming reality. He remembers a life long forgotten.
"Untitled begins with a flat, out-of-focus, reddish-pink screen on which blurry white patterns quickly appear and disappear. After awhile a space seems to emerge behind the screen. The swiftly changing patterns generate an experience of soft floating motion, through a field of snowflakes that whirl about in the wind. There is simultaneous serenity and agitation in the portrayed motions. The background appears soft, almost quivering at first, as if alive, and the reddish color suggests warmth and contrast with the snow. As the film progresses the snowflakes get smaller and better focused, yielding a kind of distance perspective and the background acquires more and more substantiality. At some point and often quite suddenly, the trans-like floating experience is broken by the discovery of what lies ahead: a red brick wall! The entire meaning of the earlier experience undergoes a sudden shift as this prototype of the impenetrable obstacle becomes apparent."– Robert Becklen
BACK IN MY BODY is a short documentary about musician Maggie Rogers returning to Alaska, a place that has had a huge impact on her life.
Someone with a tragic background is being controlled by a larger than life group.
Unofficial sequel to Curtis Harrington's Queen of Blood (1966). Drums and orchestration are rumoured to be by Frank Zappa.
Ring is an experimental 16mm short film. It is composed by 20 shots of 30 seconds each, of landscapes and situations following the 35,7 km of the Berlin S-Bahn Ring. An hypnotic flow of fixed shots will transform the experience of observation of the journey only through the internal rhythm, textures and composition of the shots, and where the main subject matter will be time and the present as a symbol of itself.
A 1963 timelapse recording shows the effects of air pollution during an entire day on Santa Monica Bay in Los Angeles. A machine interpretation of an unstable version of the original file is divided into slits and rearranged in time, giving rise to a time panorama that mirrors an uncertain, abstract future lying ahead of us.
Time spent at two shores, one thinly populated, the other a wasteland, joined by the interluency of various paths taken, each bit real enough, though exact measures being obscurely indicated. Notions of home and its ache are, to borrow a phrase, “not capable of being told unless by far-off hints and adumbrations”.
In a small New Hampshire town, the local peeping tom, Freaky Farley is embroiled in a tale of murder, monsters, ninjas, witches, angst, anger, insecurity and madness.