Fluidity of stone. Subatomic motion asserting a surface. Mind loop wandering. Visitation of sound matrix. Liquid solid. Nature transforms a planetary cycle. Relations of a timeless void.
Social & External
(voice)
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
As daylight breaks between the border cities of El Paso, Texas, and Juarez, Mexico, undocumented migrants and their relatives, divided by a wall, prepare to participate in an activist event. For three minutes, they’ll embrace in no man’s land for the briefest and sweetest of reunions.
On Canada's Pacific coast this film finds a young Haida artist, Robert Davidson, shaping miniature totems from argillite, a jet-like stone. The film follows the artist to the island where he finds the stone, and then shows how he carves it in the manner of his grandfather, who taught him the craft.
The film sheds light on the topic of the high divorce rate among young people in the form of journalistic statements and scenes as well as analytically reflected statements and statements of experience by sociologist Dr. Ursula Hempel, divorced and single mother of two adolescent children, and her cousin, a puppeteer who is also divorced.
First part of the collaborative project "Brise-Glace" showing the diverse travels on the icebreaker "Frej". Directed by Jean Rouch.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
After the death of his Arabic teacher, an American-born filmmaker in the northern African country of Chad revisits home videos to explore the moment they started making movies together.
Joshua Gen Solondz assmbles footage shot around the world over the past decade and manipulates it into a blurred compendium that privileges darkness and abstraction over the picturesque to an intense, strobing degree.
A synaesthetic portrait made between French Polynesia and Brittany, Color-blind follows the restless ghost of Gauguin in excavating the colonial legacy of a post-postcolonial present.
A hotel room and a few sweets, their wrappers stacked like gold leaf... An interview with Chantal Akerman and ongoing coverage of the 2015 terrorist attacks in Paris, and what emerges is a genuine tragedy, as simple as Racine's.
Monolithic power plants; billowing columns of smoke; the backdrop of a red sun. Sirens is an experimental short documentary that captures Germany’s coal-fired power plants in their final years of generating energy. Shot entirely from helicopters, the film takes us on a journey through industrial wastelands, thus recalling the passage of Ulysses’ boat through the Sirens’ strait. An odyssey through the dystopian industrial world that has left a permanent mark on earth’s ecosphere.
Spring at a Viennese Lake, but too cold to swim. Nobody there who wants to be filmed.
An oil boom has drawn thousands to America’s Northern Plains in search of work. Against the backdrop of a cruel North Dakota winter, the stories of three children and an immigrant mother intertwine among themes of innocence, home, and the American Dream.
A short film of the first weeks of strict national lockdown, filmed in Barcelona on a classic home video camera Hi8. Narrates the story of three women who share a flat and who create a microworld not only to survive the global pandemic but also to survive themselves.
You've never heard of Jonathan Hoefler or Tobias Frere-Jones but you've seen their work. They run the most successful and respected type design studio in the world, making fonts used by the Wall Street Journal to the President of the United States.
The quietly insistent and critical DEPOSITIONS attempts to restore some dignity to images of the communities of the Scottish highlands taken from patronizing BBC documentaries and news features from the 70’s and 80’s. DEPOSITIONS repurposes footage from the archives of the BBC and sound from the School of Scottish Studies, it is a film about differences and dichotomies: science and superstition, near and far, community and the individual.
A series of portraits, made for Television, of four diverse individuals brought together through shared residence. These short films were filmed in the tenement where I lived for eight years. The first is shot in our bedroom, which doubled up as my former partner's office, the three others were shot in architecturally identitical spaces owned by my then neighbours. Shot and edited on a single 16mm bolex camera using available light throughout, the films invoke reflections on the four individuals, how they occupy these particular spaces together.
In the north of the Philippines lies the area of Banaue, known for its rice cultivation. Roger lives here in a small village. Roger is thirteen and has five brothers and sisters. As the oldest, he is responsible for the daily firewood. To get this, Roger sets off into the mountains every other day. At seven in the morning, they start. A truck takes Roger and his four friends out into the steep, forested slopes above the rice terraces. With them on the back of the truck are the 'scooters', homemade wooden scooters with which the firewood is driven down to the valley. Once they reach the top, they cut down smaller logs, chop them up and pack their scooters full of them. After this strenuous work, the great fun begins. On bumpy paths and at breakneck speed, they make their way back to the village. Races and tricks are part of the fun, of course.
Indonesia's 1945 Constitution guarantees the independence of every citizen to embrace their religion and to worship according to their beliefs. Is it applied well in current day Indonesia?
Chronicle of the Occupation.
Featuring interviews with filmmakers and industry legends, discover the origins and evolution of The Joker, and learn why The Clown Prince of Crime is universally hailed as the greatest comic-book supervillain of all time.
JB Smoove and Martin Starr host a celebration of 20 years of "Spider-Man" movies, from the Sam Raimi trilogy to Marc Webb's movies and the trio from Jon Watts.
Daniel Craig candidly reflects on his 15 year adventure as James Bond. Including never-before-seen archival footage from Casino Royale to the upcoming 25th film No Time To Die, Craig shares his personal memories in conversation with 007 producers, Michael G Wilson and Barbara Broccoli.
The life and career of an actor, artist, and icon. His own journey through his own camera.
SEDUCED AND ABANDONED combines acting legend Alec Baldwin with director James Toback as they lead us on a troublesome and often hilarious journey of raising financing for their next feature film. Moving from director to financier to star actor, the two players provide us with a unique look behind the curtain at the world's biggest and most glamourous film festival, shining a light on the bitter-sweet relationship filmmakers have with Cannes and the film business. Featuring insights from directors Martin Scorsese, 'Bernando Bertolucci' and Roman Polanski; actors Ryan Gosling and Jessica Chastain and a host of film distribution luminaries.
After the high-profile killing of Damilola Taylor, Cornelius' family move out of London. But when they discover their new town is run by racists, Cornelius takes a drastic step to survive.
Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.
A purely observational non-fiction film that takes viewers into the ethically murky world of end-of-life decision making in a public hospital.
A documentary about the life and films of director John Ford.
This character-driven film considers the evolving sex trafficking landscape as seen by the main players: the exploited, the pimps, the johns that fuel the business, and the cops who fight to stop it.
Those who knew iconic funnyman John Candy best share his story, in their own words, through never-before-seen archival footage, imagery, and interviews.
The extraordinary story of the planet’s most famous contemporary scientist, told in his own words and by those closest to him. Made with unique access to Hawking’s private life, this is an intimate and moving journey into Stephen's world, both past and present.
Al Pacino's deeply-felt rumination on Shakespeare's significance and relevance to the modern world through interviews and an in-depth analysis of "Richard III."
A detailing of the rise to prominence and global sporting superstardom of six supremely talented young Manchester United football players (David Beckham, Nicky Butt, Ryan Giggs, Paul Scholes, Phil and Gary Neville). The film covers the period 1992-1999, culminating in Manchester United's European Cup triumph.
Amber Heard and Nicole Kidman discuss their characters Mera and Atlanna.
A documentary focused on plastic pollution in the world's oceans.
A documentary about ten very different lives connected by having appeared onscreen wearing masks or helmets in Star Wars.
The life of Mr. Spock, as well as that of Leonard Nimoy, the actor who played him for almost fifty years, written and directed by his son: Adam.
The film follows adventurer Jeff Johnson as he retraces the epic 1968 journey of his heroes Yvon Chouinard and Doug Tompkins to Patagonia.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.