An estimated 12 million people live in refugee camps worldwide and only 0.1% are resettled, repatriated, or integrated into normal society each year. The feature-length documentary.
Social & External
Interviewee
As politicians debate and argue, the men, women and children at the heart of the European immigration wave have found themselves caught in the midst of a humanitarian crisis. On the frontline is the Greek island of Lesvos – the first point of entry into Europe for over half of the refugees. One week at the end of August 2015 marked a tipping point in the crisis. More refugees arrived than ever before, volunteers were inundated and local infrastructure just couldn’t cope; trains were overflowing, refugees were dying in the back of lorries and on beaches, and politicians responded by closing borders and arguing about how to stem the tide of people. Filmed over just five days, this first-hand account of that dramatic week on Lesvos is seen through the eyes of the refugees and volunteers caught in the crisis.
In search of the lucrative matsutake mushroom, two former soldiers discover the means to gradually heal their wounds of war. Roger, a self-described 'fall-down drunk' and sniper in Vietnam, and Kouy, a Cambodian refugee who fought the Khmer Rouge, bonded in the bustling tent-city known as Mushroom Camp, which pops up each autumn in the Oregon woods. Their friendship became an adoptive family; according to a Cambodian custom, if you lose your family like Kouy, you must rebuilt it anew. Now, however, this new family could be lost. Roger's health is declining and trauma flashbacks rack his mind; Kouy gently aids his family before the snow falls and the hunting season ends, signaling his time to leave.
In focusing his attention on the competitors of Mr Gay Syria, director Ayse Toprak shatters the one-dimensional meaning of “refugee”. Using the pageant as a means of escape from political persecution, the organiser Mahmoud — already given asylum in Berlin — hopes to offer the winner a chance to travel as well as bring international attention to the life-threatening situations faced by LGBT Syrians.
The story of the last months of the 20-year war in Afghanistan through the intimate relationship between American Green Berets and the Afghan officers they trained.
Three juxtaposing stories taking place in Portugal, Austria and Cuba create an intimate and poetic portrait of the daily lives and struggles of the elderly in an unstable world, seen through the eyes of their grandchildren.
During the Syrian civil war, the district of Yarmouk, home to thousands of Palestinians, became the scene of dramatic and ferocious fighting. Little Palestine (Diary of a Siege) is a film that follows the destiny of civilians during the brutal sieges, imposed by the Syrian regime, that took place in the wake of the battles. With his camera, Abdallah Al-Khatib composes a love song to a place that proudly resists the atrocities of war.
13-year-old Khodor is a child whose family tries to issue him an ID document that proves his existence and gives him the right to education, health-care and movement outside of the Palestinian refugee camp of Shatila in Beirut, Lebanon. Through the process, many of the family's old secrets are revealed.
Based on a poem by a Zimbabwean LGBT activist written in response to the gay hate speech that is being perpetuated president Robert Mugabe. The film was shot in South East London UK with a cast of six women from several African countries playing multiple roles in this portrayal of being a lesbian in homophobic Zimbabwe. Five of the actors and the producer are refugees who fled their countries in fear of persecution for their sexuality.
An unclassifiable cross between documentary and fiction, Kipp takes the viewer through refugee camps bordering Soviet-occupied areas of Germany.
A 6-year-old Tibetan boy leaves his family and flees to a refugee camp in northern India.
A very personal and dynamic meditation on the current global refugee crisis through the eyes and voices of campaigners, specially children, where past and present establish a dialogue. A reflection on the importance of human rights.
Documentary about a "transportation commando" in Germany with the goal to deport 200 people to Albania...
In the Mediterranean, the sea on which our civilization was founded, miles of refugees await Europe to welcome them. "Stranded" approaches the daily life of these long-term refugees, in occupied buildings or in refugee camps At the gates of Europe these people try to keep hope alive while they live.
Α quarter of the global population of school age lives in war zones or disaster areas. Fewer than one in four underage refugees attends secondary school. Only one in twenty enrolls for university. Less than two per cent of global humanitarian aid is spent on education. This is the story of four refugee children living in different countries, and a documentation of their daily struggle to obtain a formal education.
As the Syrian war continues to leave entire generations without education, health care, or a state, Lost in Lebanon closely follows four Syrians during their relocation process. The resilience of this Syrian community, which currently makes up one fifth of the population in Lebanon, is astoundingly clear as its members work hard to collaborate, share resources, and advocate for themselves in a new land. With the Syrian conflict continuing to push across borders, lives are becoming increasingly desperate due to the devastating consequences of new visa laws that the Lebanese government has implemented, leaving families at risk of arrest, detention, and deportation. Despite these obstacles, the film encourages us to look beyond the staggering statistics of displaced refugees and focus on the individuals themselves.
Documentary Film maker, Mark Brown, attempts to discover the damaging effect the over-spilling immigrant population has on the coastal city of Calais, France.
Takes place in the Saharawi refugee camps in Algeria against the historical backdrop of Spanish colonialism and the Moroccan invasion of the Western Sahara. The Saharawi women, who make up 80% of the adult refugee population, provide a powerful voice as they reveal how they came to assume primary responsibility for the survival of the remains of their families and in turn the entire refugee population.
In the run-up to parliamentary elections in mid-October, Polish filmmaker Marcin Wierzchowski travelled across his country to gauge the atmosphere in a society that is more divided than ever.
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