Stand Still

The darkness of postnatal depression threatens to overwhelm Susannah, but a chance encounter with Rupa might be the help she needs.

Our Sister

A teenage girl with autism and her sister try to come to terms with their grief after the death of their younger sister.

Something in The Closet

A queer teenager struggles with her sexuality, as desires manifest their way from the depths of her eerie closet into reality.

Good Grief

Good Grief is a short stop motion animated documentary that explores the lessons we learn from dealing with grief and loss. Five real people share their true stories of losing something precious and what it has taught them about living.

Hugo Pratt, trait pour trait

Several key words emerge from Hugo Pratt's work, inseparable from his life: travel, adventure, erudition, esotericism, mystery, poetry, melancholy... and of course, Corto Maltese, his hero and alter ego, who established him as one of the greatest names in comic books. Born in Italy in 1927 and dying in Switzerland sixty-eight years later, Hugo Pratt, born without an H and with only one T, grew up in the shadow of a fascist father who took him at a very young age to Ethiopia, which was occupied by Mussolini's forces. The teenager developed a fascination for the wide-open spaces of Africa, soon followed by an irresistible attraction to the Indian world. This was the starting point for a life of travel, success, conquests, rare failures, and marked by his veneration for the American cartoonist Milton Caniff, his absolute master.

Una vuelta a Mallorca en camello

The real story about the camel ride around Mallorca, that journalist Miguel Vidal and painter Gustavo Peñalver did in 1964. Sometimes truth is stranger than fiction. This is one of them.

La Jetée

A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.

L E V A

With only her bicycle, Olivia goes through the Croatian mountains and comes to a crossroad where she runs into a stranger named Mia. Together they go on a journey where Olivia gains a deeper understanding of what life has to offer.

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Megaloprepus coerulatus (Pseudostigmatidae) - Flug und Fortpflanzungsverhalten

For its reproduction, the megaloprepus dragonfly specifically relies on periodic puddles in tree holes and bromeliacea in tropical rain forests. Territorial males tenaciously defend these resources. Females lay their eggs in the water holes of the territorial males and are guarded by them. Any satellite male - i. e., one without a territory - who tries to grab a female is driven away by the territorial male.

Based on a True Story

A struggling screenwriter falls victim to an unscrupulous talent & literary agent while trying to break into the entertainment industry.

The Sun's Gonna Shine

A lyrical recreation of Lightnin’ Hopkins’ decision at age eight to stop chopping cotton and start singing for a living. Preserved by the Academy Film Archive in 2013.

Love Comes Later

An unexpected discovery forces an undocumented motel employee to make a life changing decision.

Tran Tran

Teresa is a thirty-years-old woman who has a double life: in the morning she goes out of her home dressed as an office employee but she spends her time walking around on the streets with her friend Valentina. In order to not disappoint her father, Teresa hides her second identity from him. After losing all of her seemingly expansive clothes, Teresa is finally determined to tell him the truth.

Ultimo giro

Along the lines of a mockumentary, "Ultimo giro" is the story of a growing and violent gentrification of which the Pigneto was a witness, in recent years. It is the raw and sincere representation of the same reality viewed from two opposite perspectives, but it is also the demonstration of how conflict and prejudice always deserve one last chance – one last round, why not – to be resolved and overcome.

Pulsar

Con Traje y Sin Zapatos

Strade perdute - Filmmaker 23

For Filmmaker Film Festival (2023), Fulvio Baglivi and Cristina Piccino asked some filmmakers (R. Beckermann, J. Bressane, D’Anolfi/Parenti, T. De Bernardi, L. Di Costanzo, A. Fasulo, F. Ferraro, M. Frammartino, S. George, ghezzi/Gagliardo, C. Hintermann, G. Maderna, A. Momo, A. Rossetto, M. Santini, C. Simon, S. Savona) to give us their own "lost road," that is, a sequence, scene or piece of editing that did not later find its way into the final version of one of their works. Each fragment has its own accomplished presence, often has a different title from the film it was made for, which is not necessary to have seen in order to find meaning; on the contrary, those who set out thinking they know the world they are walking through will find themselves displaced.

Mad Night

A gang of students pulls an elaborate scam to make some money until they find themselves caught in their own gimmick.