Karin, a young girl, gets an hour free from school. She spends it across the street from the school, in the apartment of an older photographer.
Social & External
Karin
Photographer
In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.
It's the run up to prom night for Leila and her friends in the Garw Valley. With money tight, and the pressures of the cost of living weighing heavy on her shoulders, will it stop Leila's celebration?
A young girl spends her first Christmas without her late mother. However, her grandad is determined to make it a Christmas to remember - but will it be?
Inside a block of flats, a young woman decides to act about something concerning her for a long time.
The old man’s daughter married the foreigner and moved abroad. Only his neighbor Gienyk remembers his name. Others call him “Beard”. “Beard” feeds hens, smokes cheap cigarettes, goes fishing as an ordinary villager. But nobody, even Gienyk knows what’s on his mind. His daughter visits him while passing by. He’s not at home at that moment. When he comes back, he founds his daughter on the threshold, ready to leave. The old man sees off his daughter with sadness. And then takes the gun. Everything’s going to change in a moment… The Beard will disappear.
Olia and Zina are sisters. Olia has a husband and children. Zina has a parrot and a cat. Olia moved to Germany, she couldn’t handle her mother who was dying of terminal illness. Zina has left her art career and dedicated herself to mother. Both of the women suffer from insults, innuendos, and self-reproaches. They’re parted by borders and social status. But there’s still something that urges them to arrange a meeting, even if a meeting is going to be virtual. And there’s still something that saves them from tragedy that is about to occur during their meetings.
Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.
A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.
Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.
In the course of one afternoon, Raphael's paradise turns into a spiral of guilt and paranoia.
Two desperate pioneer women escape together across the midwestern desert in 1848.
A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre.
A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
It is 1941. It is winter. The sky is grey and a mist hangs over a typical small fishing town on the Atlantic coast of France. But things are not what they seem, and when something strange and beautiful washes up on the shore their lives will change forever.
Photographer Robert Kincaid wanders into the life of housewife Francesca Johnson for four days in the 1960s.
Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.
Esther, a highly anxious 23-year-old, has accepted a second date with Romeo, her colleague at the Temple de la Gaufre.
An unexpected encounter, an uncertain ending...
