A Sunday fair with hunger in the air, in a lost Galician village under the black umbrellas of a pitiless rain...
Social & External
An experimental short film, shot during the COVID-19 pandemic, made by one person. Using recorded scenes and archival footage, the short presents an unorthodox narrative to explore the themes of self-identification, identity, gender expression and androgyny.
Made for screening at the U.S. Pavilion at the 1974 World's Fair in Spokane Washington, USA, which had a Native-American environmental theme, MAN BELONGS TO THE EARTH depicts the history of air, water, and earth pollution, and how environmentalists are trying to solve these problems using various technologies.
Documentary film about ethnic cleansing in the Prigorodny district in October-November 1992.
Young men are faced with a medical commission for army recruits and asked to choose where they want to get to, at least theoretically.
The 1966 visit of Hollywood movie star Kirk Douglas at the legendary Polish State Film School in Lódz.
Piwowski's documentary debut is a satirical reportage, referring to the poetics of the Czech school at the time. The starting point was an order from a film studio to join a project proposed by the Germans: what do teenagers in your country do on Saturday at 5 pm? Images from the lives of teenagers from Kętrzyn make up a contrasting slice of free time in a small town. Firemen maneuvering to start a fire outside working hours, bodybuilders training, choir rehearsal, dancing in Hitler's former headquarters...
A satirical look at the Soviet-block hairdressing contest which was held in Warsaw in 1971.
During the summer of 1980, the American jazz concert pianist Kazzrie Jaxen writes a 16 pages long letter to director Ingmar Bergman. His film 'From the Life of the Marionettes' have sent her on a dramatic inner journey, making her realize that she is not alone in her own body.
94-year old Esther, a pensioner with bad sight, is in search of her artist daugther’s public decoration. Endless phone conversations takes her through municipal bureaucracy and lost culture secretaries. Will she ever get an answer to the eternal question: Where does the art really go?
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
A film that conveys some of Peter Wessel Zapffe’s philosophical ideas.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Short news featurette produced by Pathe-RKO after the Russians launched the first orbiting satellite, Sputnik. It is a patriotic 'call to arms' from the threat posed by this and the need for Americans to spend more on education in general and a college education in particular. A visit to the University of Buffalo highlights its science programs and the need for more graduates from all technical disciplines if America is to rise to the challenge. It bemoans the fact the PhDs earn less than a mechanic and the need to re-order priorities.
A short lyrical document about an ancient Oriental discipline, this film moves from the streets of China, where the people practice Tai-Chi daily, to North America, where the same movements are executed by a solitary figure in a park.
Worldy renowned for his masterpiece The Housemaid (1960), Kim Ki-young debuts with his first short film I Am a Truck (1953), which was sponsored by UN and made a year after the armistice of the Korean War. This film is a fascinating glimpse into the mind of a soon-to-be powerful auteur and influential filmmaker in the post-war Korean cinema, if not the whole history of Korean cinema.
This film aims to capture the stories of the aging Isabella, but also captures her condition and loss of cohesiveness as she loses herself into dementia and Parkinson's. It is also a very personal film since the subject is the grandmother of one of the co- directors. The idea is interesting as it links one strong clear memory, told several times, to other fragments and truths of her condition. Animation is sparingly but cleverly used to complement the delivery and avoid it just being a talking head.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A visual and sound montage about a fighting bull in the arena.
Serial killers have plagued the American landscape for decades, committing gruesome atrocities, and providing some tough cases for criminal investigators to crack. Two detectives are on the trail of a bizarre murderer intent on slaughtering his victims, then using them as real-life puppets in a tale that he is trying to tell.
The first rule is that there are no rules. For the bare-knuckle combatants competing in Musangwe fights, anything goes - you can even put a curse on him. The sport, which dates back centuries, has become a South African institution. Any male from the age of nine to ninety can compete. We follow a group of fighters as they slug it out in the ring. Who will be this year's champion?
On August 13th, 1961 - the night that the Berlin Wall goes up - three people must make a decision that will change their lives forever.
Twin brothers make a plan on how to survive the holidays.
Two hopeless housebreaker brothers, Ah Chi and Fatty, steal a diamond that had already been earmarked by a criminal gang. Through a series of unfortunate and - frankly - unlikely events, the diamond ends up in the shoe of a rising star TV actress Cheung Man Ju. They pursue her all over Hong Kong until finally tracking her down at a charity ball where she must leave by midnight, and accidentally loses a shoe in the process.
With a deadly plague ravaging his Renaissance kingdom, Prince Prospero invites his friends to retire to the protection of his castle for ongoing revels, leaving the peasantry to die. But fate is not so easily escaped by the debauched nobility.
Principal Vidyanand (Ashok Kumar) is a hardworking and diligent person. Due to his honesty, he gets in the wrong side of Seth Dharamdas (Raj Mehra), who conspires with Vidyanand's pupil, Shyam Rao (Anoop Kumar), and has him sent to prison. After Vidyanand serves his sentence, he has only one thing on his mind - to avenge his humiliation, and he will go to any extent to achieve this.
An out-of-work band singer gets a job at a jukebox company and makes a hit.
Joe Dexter, a famous gunfighter known as Nevada Joe, Golden Hill reaches a mining town. There he will find that the transport of gold from the mines is monopolized by John Randolph, who is opposed only Julia Brooks, owner of a mining concession, with which Dexter intimará and support in its confrontation with Randolph.
A heartbroken girl spiraling through life stumbles upon the true nature of her existence after stealing the vest off of a service dog.
A political fable. A tragicomedy set in Marseille during the municipal elections of June 1995. In populist northern districts, they rally around the "Nord Ambition" of Bernard Tapie. In pushing for Tapie to take town hall, they count on his support for the northern districts, but difficulties and disappointments follow. Tapie ends up backing the very enemies of his followers, so what happens then? Big fish eat small ones. This is the fourth installment of the Marseille political saga which began with, "Marseille from father to son" (1989).
Loyal gang member Iron Panther takes the heat for his boss after a dustup with their rivals, only to end up betrayed in this vintage kung fu yarn.
In Bodén’s hometown of Jämtland, staying put is anathema: speaking to a group of kids about this drive to leave home, she is told by a male student that only “stupid girls” would stay there any longer than is necessary. This hits home with Bodén, who was prompted to her research here by a conversation in which her sister declared, “I don’t think I’m worth more than Jämtland.” After her initial dismissiveness of her sister’s statement, she started to second-guess the conversation and her own ingrained notions of what it meant. This film is about Bodén’s search for understanding.
Steve Harvey, one of the Original Kings of Comedy, leaves his blue material at home in this stand-up performance in front of church-folk at the Phillips Arena in Atlanta, Georgia