A stage performance of the Shostakovich opera, filmed at the Gran Teatre del Liceu in Barcelona.
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Piero Cappuccilli and Shirley Verrett lead Verdi’s sombre masterpiece, drawn from one of Shakespeare’s most celebrated tragedies. Filmed for television at Teatro alla Scala in 1979, Claudio Abbado conductes a night to remember.
Franco Zeffirelli's magnificient staging of Puccini's final opera - a fairy tale set in a mythical China - is one of the most popular in the Met repertory. In this Live in HD production, Maria Guleghina takes on the title role and Marcello Giordani is Calaf, the unknown prince. Marina Poplavskaya and Samuel Ramey co-star, and Andris Nelsons conducts in his Met debut.
Franco Zeffirelli directs these two legendary La Scala productions telling tragic tales of jealousy. Mascagni's Cavalleria Rusticana features performances by Elena Obraztsova, Plácido Domingo, and Renato Bruson. Leoncavallo's I Pagliacci stars Teresa Stratas, Plácido Domingo, and Juan Pons. Both are conducted by George Pretre. This production of Pagliacci earned director Franco Zeffirelli the coveted Emmy as Best Director in the category of Classical Music Programming.
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
This is Laurent Pelly’s Théâtre des Champs-Élysées staging of Rossini’s Il barbiere di Siviglia, with a cast featuring Florian Sempey as Figaro, Catherine Trottmann as Rosina, and Michele Angelini as Il Conte Almaviva. Jérémie Rhorer conducts Le Cercle de l-Harmonie.
The gorgeous and evocative Otto Schenk/Günther Schneider-Siemssen production continues with this second opera in Wagner’s Ring cycle. Hildegard Behrens brings deep empathy to Brünnhilde, the favorite daughter of the god Wotan (James Morris) who nevertheless defies him. Morris’s portrayal of Wotan is deservedly legendary, as is Christa Ludwig, as Fricka. Jessye Norman and Gary Lakes are Sieglinde and Siegmund, and Kurt Moll is the threatening Hunding. James Levine and the Met orchestra provide astonishing color and drama. (Performed April 8, 1989)
Siegfried is the third of the four operas that constitute Der Ring des Nibelungen (The Ring of the Nibelung), by Richard Wagner.
A young woman, married to a wealthy man, but miserably lonely; trapped within a world ruled with an iron fist. Katerina is driven by a lust for life and for love. Her husband, though, is impotent; her father-in-law a tyrant. No wonder, then, that she longs to free herself from this yoke. When Sergei starts work on the family estate, she sees in him a chance for salvation. However, their subsequent affair marks the beginning of a descent into crime.
Prince Abesalom runs into an orphaned Eteri while hunting, falls for her and brings the woman to his palace as his fiancé. The Prince’s aid Murman loses his self-control at Eteri’s beauty and gives her a spelled necklace as a wedding gift. Eteri contracts a mysterious disease that only Murman is capable to heal.
In the early 19th century, in Seville and the surrounding area, Carmen seduces the sergeant Don José, who deserts the army to be with her. But the beautiful gypsy falls in love with the bullfighter Escamillo, much to Don José’s despair.
Cio-Cio-San, a young Japanese geisha, seeks to fulfill her dreams through marriage to an American naval officer. Her faith in their future is shattered by his empty vows and the loss she endures touches something deep within us all.
The first words uttered by Carmen mark one of the greatest entrances in the history of opera and express all that need be said: “Love is a rebellious bird that no one can tame…” With a devilish sway of the hips and a hint of Andalusian flair, the beautiful cigar-maker sets her sights on a soldier: Don José. Fate will do the rest.
Diana Damrau and Vittorio Grigolo are opera’s classic lovers in Gounod’s lush Shakespeare adaptation. Director Bartlett Sher’s “brilliant and inspired new production … is a revelation” (Huffington Post), and has already won acclaim for its vivid 18th-century milieu and stunning costumes during runs at Salzburg and La Scala. Emmanuel Villaume conducts the sumptuous score.
The legendary Plácido Domingo brings another new baritone role to the Met under the baton of his longtime collaborator James Levine. Liudmyla Monastyrska is Abigaille, the warrior woman determined to rule empires, and Jamie Barton is the heroic Fenena. Dmitri Belosselskiy is the stentorian voice of the oppressed Hebrew people.
The grand scale and magnificent acoustics of the Roman arena in Verona are ideally suited to the pageantry of Verdi's Egyptian opera, presented here in a staging that is true to the original 1913 production, framed by obelisks and sphinxes and filled with chorus and dancers. Chinese soprano Hui He has won international acclaim for her portrayal of the eponymous slave girl whose forbidden love for the war hero Radamés (Marco Berti, the experienced Verdi tenor) brings death to them both.
The life and work of stage designer ADOLPHE APPIA, originator of the most profound agitations in contemporary theatre. Through the dynamic alternation of animated drawings and choreographies specially conceived for the film, we discover the steps of his artistic evolution.
This was Domingo's last set of performances as Otello in La Scala. In spite of his relatively advanced age, he is still in excellent form, both vocally and in terms of stage presence. Nucci is also his usual self, delivering a performance of very high standard. Barbara Frittoli is an excellent Desdemona, in good voice and gives a very moving performance. Muti conducts with great emotion and tight accuracy, conveying the full orchestral drama of the score.
A surreal movie by peter Weigl starring Michael Biehn and Lubomir Kafka.
Live performance from the Schwetzinger Festspiele, 1987. At the age of 21, Italian composer Giacchino Rossini penned the masterful comic opera “L’Italiana in Algeri” (“The Italian Girl in Algiers”) in less than a month. The composer’s youthful exuberance comes across in this infectious 1987 performance. Though she’s known mainly for her Wagner roles, acclaimed German mezzo-soprano Doris Soffel shines in the title role of Isabella. Ralf Weikert conducts, and Mauro Pagano oversees sets and costumes.
Taylor Swift takes the stage in Dallas for the Reputation Stadium Tour and celebrates a monumental night of music, memories and visual magic.
In a once-in-a-lifetime musical event, Taylor Swift performs songs from her award-winning album, “Lover.” Filmed in Paris, the City of Love, in September 2019, this show gives fans unprecedented access to behind-the-scenes moments with the artist and marks her only concert performance in 2020.
In January 2015, at the MGM Grand Garden Arena in Las Vegas, the final nights of the "20/20 Experience World Tour", director Jonathan Demme captures what makes the show soar: gifted musicians, deft dancers and a magnetic star.
Up All Night: The Live Tour is a DVD release from the British-Irish boy band One Direction, which was released on 28 May 2012. The video concert DVD was recorded as part of One Direction's Up All Night Tour at the International Centre in Bournemouth, includes songs from their multi-platinum debut album Up All Night and five covers, including "I Gotta Feeling", "Stereo Hearts", "Valerie", "Torn" and "Use Somebody".
This concert was filmed at Madison Square Garden in New York in 2005 at the culmination of his farewell tour prior to his retirement. It’s a spectacular show with multi-level staging, amazing lighting and guest appearances from D12, Obie Trice and Stat Quo. Originally filmed for US TV station Showtime the show is now available on Blu-ray for the first time and gives us Eminem at his charismatic best.
This concert, recorded to celebrate the 25th anniversary of the landmark musical Les Miserables, gathers the casts of the show's 2010 original production at the Queen's Theatre, the 1985 original production by the London company, and the 2010 production at the Barbican together for one performance. Together with talents like Michael Ball, Hadley Fraser, and John Owen-Jones, the performers present the play's musical numbers in a semi-theatrical style, fully costumed and with all the emotion of the musical's heyday.
Al Pacino's deeply-felt rumination on Shakespeare's significance and relevance to the modern world through interviews and an in-depth analysis of "Richard III."
On September 22nd 2011, Adele played The Royal Albert Hall in London. A dream come true moment and a highlight of her record breaking year with the album '21'.
At a sold-out concert in her hometown of LA, Olivia Rodrigo pours her heart into an electrifying night of chart-topping hits and pop-rock power ballads.
This contemporary re-imagining of Andrew Lloyd Webber and Tim Rice's legendary rock musical Jesus Christ Superstar presents the story of the last seven days of Christ leading up to his crucifixion as seen through the eyes of Judas Iscariot. Filmed as an arena rock opera, the performance features a star-studded line-up which includes award-winning musical comedian, Tim Minchin as the role of Judas Iscariot; pop icon and former Spice Girl Melanie C as Mary Magdalene; radio DJ Chris Moyles in his stage debut as King Herod; and Ben Forster, to take on the title role of Jesus.
Where We Are: Live from San Siro Stadium features the entire 23 track concert filmed at San Siro Stadium in Milan in June 2014, as well as 24 minutes of bonus content including backstage footage of One Direction and their crew.
A primetime special with performances from the superstar including Adele’s first new material in six years plus her chart-topping hits. The special will also feature an exclusive interview with Adele by Oprah Winfrey from her rose garden, in Adele’s first televised wide-ranging conversation.
A concert film that the former Pink Floyd singer-songwriter made on various tour dates between 2010 and 2013, when he was playing his former group's 1980 double-album in its entirety.
S&M2, the live concert film from Metallica and the San Francisco Symphony is the concert event of the year! S&M2 features 20 songs from the two-night event that opened San Francisco’s new Chase Center, with many Metallica fan favourites and two unique classical songs chosen by San Francisco Symphony Musical Director, Michael Tilson Thomas. S&M2 is newly re-edited by the band, with re-mixed and remastered audio, for a whole new look and sound from the original theatrical run in October 2019.
The Marx Brothers take on high society and the opera world to bring two lovers together. A sly business manager and two wacky friends of two opera singers help them achieve success while humiliating their stuffy and snobbish enemies.
The surviving Resistance faces the First Order once again as the journey of Rey, Finn and Poe Dameron continues. With the power and knowledge of generations behind them, the final battle begins.
Live Aid was held on 13 July 1985, simultaneously in Wembley Stadium in London, England, and the John F. Kennedy Stadium in Philadelphia, United States. It was one of the largest scale satellite link-ups and television broadcasts of all time: watched live by an estimated global audience of 1.9 billion, across 150 nations. "It's twelve noon in London, seven AM in Philadelphia, and around the world it's time for Live Aid...!"
Celebrating the 30 year anniversary of Michael Jackson's solo career, this legendary performance took place on September 10, 2001.
Bruce Springsteen shares personal stories from his life and acoustic versions of some of his best-known songs in an intimate one-man show.
A modern retelling of Shakespeare's classic comedy about two pairs of lovers with different takes on romance and a way with words.